Jamie xx talks about vinyl, EDM and writing the next xx album
With his chilled-out LP, In Colour, trendsetting UK producer Jamie xx released one of last year's hottest records. He chats to Time Out Croatia ahead of his appearance at Hideout Festival
By Ro S|
Whether tapping out sparse sampler beats with the xx or spinning vinyl behind the DJ booth, Jamie xx (born Jamie Smith) exhibits a modest, head-down stage presence. His brand of U.K.-garage-inspired club music demonstrates a similar restraint. With a stripped-down mix of shuffling kicks and snares, sub bass, steel drum melodies and bare vocal samples, Smith’s talents lie in his deft handling of empty space, making less sound like more. On his debut LP, In Colour, he fleshes out those stylistic fundamentals with added splashes of ambiance and vocal collaborations with his bandmates in the xx and rapper Young Thug. In anticipation of his appearance at Hideout Festival, we sat down with the English spinner to chat about, what else, records.
It's clear from your interviews you keep your ear to the streets—what current dance labels are you paying attention to? I just went shopping with the guys from Mood Hut who are a Vancouver-based record label that started up about a year or so ago—I’m really into the output coming from there.
Any trends you're disliking? Not really, actually. I don't hate on the whole EDM thing happening in America because, although the music is not of my taste—a little bit brash for me—I think it's also introducing a lot of young people to dance music, and then they're discovering better dance music through it. So there's a growing audience for dance music in the US because of it.
You’ve mentioned in the past trying to steer away from trends to give the album a timeless quality. Because it was made over such a long period of time [five years], all the songs on the album just ended up not conforming to any specific era or trend. I always just experiment with different sounds and styles until I find something that evokes the feeling I’m going for. I’m not trying to think too much about what anyone else is doing.
How did your songwriting change over that long period writing the album? I just started thinking less about everything really. Just enjoying myself making music. Whereas for a while I was overthinking everything as part of the process.
What have you been listening to outside of club music recently? A lot of ambient stuff. I just did a mix for Beats 1, which starts out with a lot of that—nice for staring out the window on the tour bus. Ricky Eat Acid sent me a bunch of demos that he’d done that were quite nice and ambient.
How do you feel about digital deejaying versus turntables? I’m always getting sent new stuff, so I have to incorporate digital equipment into my sets, but I try to play vinyl as much as possible. It’s just the best-sounding format still. And I’ve been using vinyl since I started deejaying, for over 15 years, so it also just feels the most natural for me.