Cowboy or spaceman—which is Andy’s favorite plaything? And how do these secretly alive toys feel about that?
Director: John Lasseter
Best quote: “To infinity…and beyond!”
Defining moment: The elaborate escape from evil Sid’s room, a breathtaking action sequence that put Hollywood’s A-list to shame.
Nothing less than the first shot in what would become a revolution, John Lasseter’s simple tale turned adults into happy children, naysayers into believers, and computer animation into the dominant expression of an entire industry. Pixar’s debut feature is its most beautiful thing, emphasis on thing: The genius idea here was to embrace the stuff of toys—to imbue plastic and cloth with solidity and tactility. Suddenly there was a real weight to billions of bits and bytes, and audiences were enraptured. Naturally, none of this would have worked had there not been a killer script, labored upon for years by a creative team that included Lasseter and future directors Pete Docter, Andrew Stanton and The Avengers’ Joss Whedon. The humanity imparted by Tom Hanks as the passed-over Woody can’t be understated: This was a role rich enough to lure the hottest actor in the game. Toy Story speaks to our love of play, and the way we invest our dolls and action figures with the souls of whom we want to become. It makes sense that these toys would keep dreaming even when put away for the night. But the film’s lasting impact is simpler than that: Swinging, bouncing or skidding, toys are alive in our minds. Lasseter’s team bent gravity itself to make that a reality.—Joshua Rothkopf