A clever blend of high-tech and Arab influences, this Seine-side grand projet was constructed between 1980 and 1987 to a design by Jean Nouvel. Shuttered windows, inspired by the screens of Moorish palaces, act as camera apertures, contracting or expanding according to the amount of sunlight. A museum covering the history and archaeology of the Islamic Arab world occupies the upper floors: start at the seventh with Classical-era finds and work down via early Islamic dynasties to the present day. Unfortunately, the layout and arrangement are somewhat uninspired - objects in glass cases without much in the way of context. However, the Institut hosts several major, crowd-pleasing exhibitions throughout the year, as well as attracting some of the biggest names in the world of Arab music to perform in it’s plush auditorium, What's more, there's an excellent Middle East bookshop on the ground floor and the views from the roof terrace (to which access is free) are fabulous.
Jean Nouvel's other landmark Paris buildings include the Musée du Quai Branly and the Fondation Cartier.
It's fitting that a museum of Judaism should be lodged in one of the grandest mansions of the Marais, for centuries the epicentre of local Jewish life. It sprung from the collection of a private association formed in 1948 to safeguard Jewish heritage after the Holocaust. Pick up a free audio-guide in English to help you navigate through displays illustrating ceremonies, rites and learning, and showing how styles were adapted across the globe through examples of Jewish decorative arts. Photographic portraits of modern French Jews, each of whom tells his or her own story on the audio soundtrack, bring a contemporary edge. There are documents and paintings relating to the emancipation of French Jewry after the Revolution and the infamous Dreyfus case, from Zola's J'Accuse! to anti-Semitic cartoons. Paintings by the early 20th-century avant-garde include works by El Lissitsky and Chagall. The Holocaust is marked by Boris Taslitzky's stark sketches from Buchenwald and Christian Boltanski's courtyard memorial to the Jews who lived in the building in 1939, 13 of whom died in the camps.
Here, 140 chronological rooms depict the history of Paris, from pre-Roman Gaul to the 20th century. Built in 1548 and transformed by Mansart in 1660, this fine house became a museum in 1866, when Haussmann persuaded the city to preserve its beautiful interiors. Original 16th-century rooms house Renaissance collections, with portraits by Clouet and furniture and pictures relating to the Wars of Religion. The first floor covers the period up to 1789, with furniture and paintings displayed in restored, period interiors; neighbouring Hôtel Le Peletier de St-Fargeau covers the period from 1789 onwards. Displays relating to 1789 detail that year's convoluted politics and bloodshed, with prints and memorabilia, including a chunk of the Bastille. There are items belonging to Napoleon, a cradle given by the city to Napoleon III, and a reconstruction of Proust's cork-lined bedroom.
Surrounded by trees on the banks of the Seine, this museum, housed in an extraordinary building by Jean Nouvel, is a vast showcase for non-European cultures. Dedicated to the ethnic art of Africa, Oceania, Asia and the Americas, it joins together the collections of the Musée des Arts d'Afrique et d'Océanie and the Laboratoire d'Ethnologie du Musée de l'Homme, as well as contemporary indigenous art. Treasures include a tenth-century anthropomorphic Dogon statue from Mali, Vietnamese costumes, Gabonese masks, Aztec statues, Peruvian feather tunics, and rare frescoes from Ethiopia.
Since the banker Henri Cernuschi built a hôtel particulier by the Parc Monceau for the treasures he found in the Far East in 1871, this collection of Chinese art has grown steadily. The fabulous displays range from legions of Han and Wei dynasty funeral statues to refined Tang celadon wares and Sung porcelain.
Housed in the handsome neo-classical mint built in the 1770s, this high-tech museum tells the tale of global and local coinage from its pre-Roman origins, using sophisticated displays and audio-visual presentations. The history of the franc, from its wartime debut in 1360, is outlined in detail.
From among the uniforms, pistols, carriages, official decrees and fumigation tongs emerge snippets of history: during the 1871 Siege of Paris, hot-air balloons and carrier pigeons were used to get post out of the city, and boules de Moulins, balls crammed with hundreds of letters, were floated down the Seine in return, mostly never to arrive. The second section covers French and international philately.
The royal tapestry factory was founded by Colbert when he set up the Manufacture Royale des Meubles de la Couronne in 1662; it's named after Jean Gobelin, a dyer who owned the site. It reached the summit of its renown during the ancien régime, when Gobelins tapestries were produced for royal residences under artists such as Le Brun. Tapestries are still made here and visitors can watch weavers at work. The tour (in French) through the 1912 factory takes in the 18th-century chapel and the Beauvais workshops.
Constructed in 1996 by the Anglo-Japanese architectural partnership of Kenneth Armstrong and Masayuki Yamanaka, this opalescent glass-fronted Japanese cultural centre screens films and puts on exhibitions and plays. It also contains a library, an authentic Japanese tea pavilion on the roof, where you can watch the tea ceremony, and a well-stocked book and gift shop.
Sail back in time through 400 years of French naval history. Highlights include the Océan, a 19th-century sailing vessel equipped with an impressive 120 cannons; a gilded barge built for Napoleon; and some extravagant, larger-than-life figureheads, from serene-faced angels to leaping seahorses. There are also dozens of model boats, dating from the 18th to the 20th century, and several old-fashioned divers' suits.