Things to do in Tokyo today

Studio Ghibli’s immersive sculpture exhibition is returning to Tokyo to captivate a new generation of fans. Featuring 3D recreations of iconic scenes from hit animated films such as Spirited Away, My Neighbor Totoro, Howl’s Moving Castle and Porco Rosso, the show is a new and improved version of Studio Ghibli’s first ever art exhibition, held in Tokyo back in 2003.  Running from May 27 to September 23 at Warehouse Terrada’s B&C and E halls in Tennozu, the exhibition will feature mock-ups of scenes such as Chihiro’s first crossing over the bridge into the bathhouse in Spirited Away, and the thrilling scene from Ponyo where the titular character rides the waves to catch up to Sosuke in the storm. The main highlight, however, is arguably the true-to-size mock up of Porco’s Savoia S-21 seaplane from Porco Rosso. When hunger strikes, head over to T-Lotus M, a waterfront event space adjacent to the exhibition venue, for some ham ramen inspired by a similar dish in Ponyo. Tickets can be purchased in combination with the Ghibli Museum or in conjunction with hotel accommodation plans. For more details and ticketing information, check the event website. (Japanese only)

The Tokyo Metropolitan Government No. 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world. The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle.  Currently, on weeknights, you can catch striking visuals synchronised to ‘Idol’ and 'Butai ni tatte' by hit Japanese pop duo Yoasobi as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Poetic Structures’ and ‘Golden Fortune’. On weekends, you can look forward to a showcase featuring 'Godzilla: Attack on Tokyo!', the aforementioned ‘Butai ni tatte (Yoasobi)’ as well as ‘Tokyo Concerto’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats.  From April 26, ‘Tokyo Gundam in the Future’, a brand new projection mapping show featuring a Gundam with a newly reimagined Mobile Suit colour scheme, will begin on weekends and holidays every hour from 7pm (7.30pm from May 10). Be sure to check the event website for more details. Shows take place every night at half-hour intervals from 6.30pm (Apr from 7pm, May-Aug from 7.30pm) to 9.45pm. For more details and to check the full programme of...

A veritable who’s who of ukiyo-e, the Ueno Royal Museum’s early-summer showcase shines the spotlight on the form’s most celebrated artists. Running until July 6, the exhibition features approximately 140 works, offering an extraordinary opportunity to explore the golden age of Japanese woodblock printing through its most iconic figures. The show presents a rare assembly of masterworks from five legendary artists who shaped the ukiyo-e tradition across diverse genres. Kitagawa Utamaro’s graceful and sensual portraits of women from the Yoshiwara pleasure quarters evoke the refined elegance of Edo’s vibrant nightlife, while Toshusai Sharaku’s dynamic and enigmatic actor portraits, produced over a brief yet prolific period, remain some of the most striking works in Japanese art. Meanwhile, Thirty-six Views of Mount Fuji master Katsushika Hokusai reveals the boundless imagination that eventually earned him global fame. Utagawa Hiroshige’s poetic landscapes, with their rain-soaked streets and moonlit scenes, transport viewers through Edo’s seasons, while Utagawa Kuniyoshi’s bold, humorous warrior prints showcase his innovative spirit and visual wit.

This spring and summer, Japan’s ancient aesthetic heritage meets the cutting edge of animation. On at the Tokyo National Museum from March 25 to August 3, ‘Immersive Theater on Neo-Japonism: From Ancient Art to Anime’ is an ambitious 24-minute visual experience that journeys through 10,000 years of Japanese creativity. Projected across four massive walls fitted with towering 7-metre screens, the ultra-HD installation explores the evolution of Japanese artistic expression from the clay figures of the prehistoric Jomon period to the ink paintings of the Edo period (1603–1867), culminating in the vibrant dynamism of contemporary anime. Brought to life by the innovative minds at digital art outfits Panoramatiks and Cekai, the experience highlights how Japan’s animist worldview and refined sense of space continue to influence global pop culture. The exhibition draws poignant connections between ancient scrolls, classical motifs, and works by anime legends like Osamu Tezuka, Isao Takahata and Mamoru Hosoda, serving up a distinctive blend of history, art and imagination.

Go on a floral outing this summer to enjoy the sight of over 20,000 hydrangeas at the 25th annual Hakkeijima Hydrangea Festival. Held for roughly three weeks from June 7 to June 29, this free event lets you explore the island of Hakkeijima (about 30 minutes by train from Yokohama) and its eight hydrangea spots. Highlights include the indigenous Hakkei-blue hydrangea, a variety that was created to commemorate the 20th anniversary of the island’s Hakkeijima Sea Paradise theme park. Collect stamps from at least five of the eight hydrangea spots, and you’ll receive a 50 percent discount off a ride on the Paradise Cruise as well as discounts at participating restaurants and shops within the island of Hakkeijima.   Whenever you need to rest your feet and recharge, restaurants across the island are serving special flower-themed drinks and desserts. The most eye-catching of them all is the hydrangea lemon tea (¥520) sold at Cable Car Coffee. Stamp rally is held daily from 10am-4pm

Celebrated since the early 17th century and recognised as one of the three great festivals of Edo (along with the Kanda and Fukagawa festivals), the Sanno Matsuri marks the start of Tokyo's summer festival season. The highlight of the 10-day festival is the grand parade, which only happens biannually and will not run this year. However, a series of smaller-scale events will still take place at the festival’s main site, Hie Shrine. Events include the chigo-gyoretsu parade (Sunday June 8 at 12noon and 2.30pm), where children dress up in orange, green and purple to wish for health and growth. Another highlight is the Sanno Kasho Festival on June 16 at 1pm – a Heian period ritual where wagashi (Japanese sweets) artisans present their creations to the gods, praying for the protection against epidemics. Check out the schedule (in Japanese only) for all the details. Coinciding with the festivities at Hie Shrine, the public square at Sanno Park Tower is hosting the Sanno Ondo bon odori festival. Happening daily at 6.30pm from Friday June 13 to Sunday June 15, the festival lets you bask in the pleasant summer evening breeze, with a communal dance fiesta accompanied by the rhythmic beats of taiko drums. There will also be food stalls galore, making this a true summertime matsuri experience.

After celebrating its 70th anniversary in 2024, the legendary kaiju takes center stage at the Mori Arts Center Gallery with ‘Godzilla: The Art’, an exhibition highlighting the still-evolving legacy of the world’s most famous monster. Running from April 26 to June 29, this fifth installment in the acclaimed ‘Godzilla: The Art’ series invites visitors to experience the beast through a new artistic lens. Since its cinematic debut in 1954, Godzilla has embodied themes of destruction, rebirth, and the ever-evolving relationship between humanity and nature. As a true international icon, the King of the Monsters continues to inspire wonder and dread in fans of all generations in search of symbolism and entertainment alike.  Curated under the direction of renowned anatomist Takeshi Yoro, the exhibition breaks free from the confines of cinema to explore Godzilla as an artistic and cultural phenomenon. Featuring works by 15 contemporary artists, it showcases sculptures, paintings and multimedia pieces that reinterpret the essence and impact of Godzilla.

Held in its most spectacular form only once every three years, the Tsukiji Shishi Matsuri, or Lion Dance Festival, takes place over three days around Namiyoke Inari Shrine at the edge of Tsukiji Outer Market. This year, the festival is back in its biggest form. On Wednesday June 11 at 11am, you can join in a ritual to ward off bad luck and infectious diseases, while on Saturday June 14, you can watch Edo no Sato Kagura, a sacred Shinto music and dance performance from the Edo period.  The festival’s main event happens on Sunday June 15, when a series of mikoshi parade through the streets with the eponymous lion dance. The procession starts at 8.30am at Namiyoke Inari Shrine and ends when the mikoshi make their return to the shrine at 3.50pm. If you can’t make it to the shrine in the morning, download this map (in Japanese only), as it shows the parade's route and the arrival time at each checkpoint. Make sure to fuel up on some tasty festival grub at the food stalls that will be there on Saturday and Sunday.

The style of Japanese woodblock printing known as ukiyo-e (‘images of the floating world’) flourished during the Edo period (1603–1867). Artists captured the vibrant spirit of the ‘floating world’, a phrase that evoked both the pleasures of urban life and the fleeting nature of existence. Characterised by precise lines, luminous pigments, and depictions of kabuki actors, courtesans and landscapes, ukiyo-e became the defining art form of its time. Masters like Sharaku, Utamaro and Hokusai elevated the genre into a cultural touchstone whose influence endures worldwide. That lasting impact is on display at ‘Ukiyo-e In Play’, hosted by the Hyokeikan at the Tokyo National Museum until June 15. Organised by the Adachi Foundation for the Preservation of Woodcut Printing, the exhibition features works by 85 contemporary artists, designers and creators who reinterpret the ukiyo-e legacy through collaboration with artisans working with traditional carving and printing methods. A highlight of the show is the section called ‘Ukiyo-e Artists Today’, where new prints by the likes of renowned pop artist Keiichi Tanaami are presented. Visitors are invited to discover how ukiyo-e has remained a vibrant, playful and resolutely modern art form through the centuries.

One of Japan’s most influential and iconoclastic artists, Tadanori Yokoo has spent over six decades reshaping the boundaries of contemporary art. From his bold graphic designs in the 1960s to his later exploration of painting, photography and installation, the Hyogo native’s oeuvre makes for a kaleidoscopic journey across time, culture and personal mythology. His ever-evolving practice is marked by a restless spirit of experimentation and a refusal to settle on a single, ‘complete’ form of expression. This ongoing journey informs ‘Mikan: Myself, Incomplete’, on display at the Gucci Ginza Gallery until August 24. Offering a glimpse into Yokoo’s inner world, the show brings together around 20 works, including six previously unexhibited new pieces. Ranging from self-portraits to depictions of family, they’re all centred on the theme of incompleteness and the ongoing journey of artistic creation. Don’t miss the rooftop installation, a vivid reconstruction of Yokoo’s striking red scaffolding piece from Expo 1970, which sparked conversation for its bold representation of the unfinished. This collaboration with Gucci underscores the shared values of transformation, evolution and co-creation, inviting viewers to reflect on the beauty of the incomplete in both art and life.