Things to do in Tokyo today

Setagaya's Hanegi Park is home to over 650 plum blossom trees spanning 60 varieties. These small, pink flowers bloom when the weather starts to warm up and Hanegi Park celebrates with a month-long festival. The Setagaya Plum Festival (or Setagaya Ume Matsuri) celebrates the flowering season with events like mochi pounding, tea ceremonies and traditional music performances. Most of these events take place on weekends and holidays. You'll find the event schedule here (in Japanese only). While you're there, stop by the on-site food stalls for plum jam or plum-flavoured treats like sweet mochi daifuku or baked manju with candied plums and white bean paste inside. 

A popular place for plum blossom fans since olden times, Yushima Tenmangu shrine still draws crowds every year. The plum blossoms might get less hype than the cherry blossoms that follow, but they still make for some gorgeous late-winter scenery. This year marks the 69th run of the Yushima Tenjin Ume Matsuri. The annual festival is one of Tokyo's most popular late-winter events, and it takes place for a month from February 8 until March 8. The shinto shrine is home to about 300 plum trees, and most of them are around 80 years old. Approximately 80 percent of them produce white plum blossoms.  On weekends and holidays – February 8, 11, 14-15, 21-23, 28, March 1, 7 – you can look forward to events such as live Kagura (ceremonial silent theatre),  Nihon-buyo (traditional Japanese dance) and taiko drumming as well as flamenco and belly dancing performances. You’ll also find several stalls selling souvenirs from Bunkyo ward as well as local products from Ibaraki (February 8), Ishikawa (February 8, 14), Aomori (Feb 14-15), Kumamoto (February 21-23), Hyogo/Shimane (February 28-March 1) and Fukushima (March 7-8).

Don’t feel discouraged if you haven’t been sticking to your 2026 resolutions. According to the lunar calendar, we still have a few more days before we officially enter the 2026 new year, which begins on February 18. If you want to celebrate the year of the fire horse in Japan, there are few better places to visit than Yokohama Chinatown, which has observed Chinese Spring Festival traditions since 1986. Starting from 2022, the festivities are held concurrently with dazzling displays of colourful lanterns based on Chinese zodiac animals from January 20, installed in 60-odd locations throughout Yokohama, including Yokohama Red Brick Warehouse, Bashamichi Station and Yamashitacho Park in the heart of Chinatown. This year’s festivities kick off with a Lunar New Year midnight countdown at Yamashitacho Park on February 16. Celebrations continue through February 17, with live performances, food pop-ups and glowing lantern displays. Here are the highlights to look forward to. February 17 (Tue), 4pm: a key ritual of Lunar New Year celebrations, the afternoon is marked by a neighbourhood-wide Cai Qing lion dance, in which the lion plucks and 'eats' hanging greens to symbolically claim prosperity, overcome obstacles and bless the neighbourhood with good fortune. February 21 (Sat), 4.30pm: the Shukumai-yuko procession will begin at Yamashitacho Park, where a dazzling ensemble of lion dancers, rickshaws carrying people dressed as famous Chinese emperors, and other performing artists...

The annual Yebisu International Festival for Art & Alternative Visions is a leading platform dedicated to expanding the possibilities of the moving image. Rather than confining itself to conventional definitions of film or video, the two-week-long showcase examines how moving-image practices evolve across shifting social, technological and aesthetic frameworks. Each year it poses a recurring question – ‘What is the moving image?’ – and invites an international cast of artists to respond through diverse works and media. The 2026 edition broadens its scope even further, introducing new programmes in sound and theatre alongside video and photographic works. Guided by an overarching theme proposed by lead curator Yu-Hsuan Chiu, ‘Yebizo’ draws inspiration from the Taiwanese phrase ‘Jīt-hue Siann-im’, or ‘Polyphonic Voices Bathed in Sunlight’. Evoking a landscape where countless voices overlap like shifting rays of light, the theme reflects today’s entangled social condition, marked by cultural coexistence, persistent inequalities and ongoing global friction. At the Tokyo Photographic Art Museum’s third-floor gallery, works by Haruka Komori, a recipient of the festival’s Commission Project Special Prize, appear in dialogue with selections from the museum’s collection. Across multilayered spaces in Ebisu, you can encounter installations, performances and screenings by more than 30 artists that illuminate how languages, cultures and identities influence one another, sometimes...

The massive Unicorn Gundam statue in front of DiverCity Tokyo Plaza in Odaiba is getting lit up with special winter lights. Until March 6, you can see the robot illuminated in pale green, inspired by the upcoming Gundam Hathaway trilogy release 'Mobile Suit Gundam: The Sorcery of Nymph Circe', which is premiering on January 30. While you can see this exclusive light-up from 5pm to 11pm daily, we recommend visiting between 7pm and 9.30pm to also see a special nighttime show featuring a short screening of the animation, held every 30 minutes.

Enoshima’s annual illumination is widely touted as one of the three biggest and most impressive light-up events in Greater Tokyo, alongside the ones at Ashikaga Flower Park and Sagamiko. There are about 10 illumination spots scattered across the hilly island – including the Enoshima Shrine, Ryuren Bell of Love on Lover's Hill and Nakatsumiya Square – so put on some comfortable shoes as you’ll be trekking a lot. Don’t miss the main attraction located at the island’s iconic Enoshima Sea Candle lighthouse, which is decked out in 70m-long strings of lights stretching from the tip of the tower to the ground, creating a formation similar to the silhouette of Mt Fuji. The Samuel Cocking Garden, where the Sea Candle is located, is transformed into the dreamy Hoseki (bejewelled) Forest, where everything from the ground and the grass to the trees are covered in purple lights. Keep an eye out for the Shonan Chandelier tunnel, all decked out with luxurious crystal beads and LED lights. New for 2025, the Samuel Cocking Garden will also feature a dazzling sea urchin-inspired installation created by MirrorBowler. Most attractions are open from 5pm to 8pm (until 9pm on weekends and holidays). You can see some of the light-ups on Enoshima for free, but you will need a ticket (¥500, children ¥250) to enter the Samuel Cocking Garden, which hosts the largest illuminations. If you're on the island early during daylight hours, head over to Enoshima Iwaya (¥500, children ¥200), as the island's...

Explore how post-war black markets shaped the evolution of Tokyo’s urban fabric at this intriguing exhibition, held at Takashimaya Archives Tokyo on the fourth floor of the Nihombashi Takashimaya department store. On show until February 23 2026, the display marks 80 years since the end of World War II and focuses on the makeshift marketplaces that emerged amid the ruins of Tokyo. During the war, large-scale demolitions, intended to prevent the spread of fires caused by air raids, created vacant lots across the city. In the chaotic years that followed, these empty spaces, together with bombsites and even roadside corners, were transformed into black markets. Known as yami-ichi, they supplied goods and sustenance in a time of scarcity while seeding new social and commercial hubs. Particular attention is given to Shinjuku, where some of the black markets grew into vibrant entertainment districts that remain central to Tokyo’s identity today. And while most of the markets eventually vanished, their traces endure in the city’s streetscapes and neighbourhoods. Curated by Tokukazu Ishigure of Kwansei Gakuin University, the exhibition reframes black markets as more than unlawful encroachments, highlighting their role as catalysts of urban renewal – spaces where disorder gave rise to energy, resilience and reinvention.

Shibuya’s UltraSuperNew Kura gallery is hosting an exhibition of paintings that offer a firsthand account of the Eaton Fire, which devastated Los Angeles County in early 2025. The works, by Altadena resident Alejandro M Lopez, evoke the trauma, melancholy and ultimately hope in the rebirth of nature amidst the razing of neighbourhoods and wildlife. All of the works were painted within the fire zone and aim to spark dialogue around how climate change directly impacts people’s lives. ‘The climate crisis must not remain the story of loss that I experienced,’ says Lopez, ‘but instead become one of redemption, rebirth and change.’ To that end, the works give form to the often hard-to-articulate realities of climate change in a way words alone cannot. The exhibition runs at UltraSuperNew Kura from February 7 to 27. Visits are by appointment only on weekdays, while walk-ins are welcome on Saturdays. In addition to the exhibition, the gallery will host two related talks. A climate talk with Chris Russell and Alejandro M Lopez takes place on February 11 from 7pm to 8.30pm, followed by a talk with Maya Sobchuk, entitled ‘On the Space Between War and Peace’, on February 25 from 6.30pm to 9pm. The exhibition is closed on Sunday & Monday. Reserve a spot on the official website.