Things to do in Tokyo today

Visionary Catalan architect Antoni Gaudí (1852–1926) transformed the landscape of modern architecture through his organic forms, bold innovations and deep reverence for nature. His iconic works, including Park Güell, Casa Batlló, Casa Milà and, above all, the Sagrada Família, remain enduring testaments to his genius, blending mathematics and faith into living architecture. Today, seven of his masterpieces are recognised as UNESCO World Heritage Sites. Commemorating the 100th anniversary of Gaudí’s passing and the completion of the Sagrada Família’s main tower, ‘Naked meets Gaudí’ at Warehouse Terrada offers a groundbreaking fusion of art, technology and scholarship. In official collaboration with the Gaudí Foundation, the immersive exhibition unveils Gaudí’s personal notebooks, letters, architectural tools and original blueprints, many on display for the first time worldwide. Through cutting-edge projection, participatory installations and interactive experiences, visitors are invited to step inside Gaudí’s creative universe; to touch, feel and co-create the harmony of nature and architecture that defined his vision. Bridging a century of imagination, the exhibition celebrates Gaudí as an architect of stone, but also as a designer of dreams, whose spirit continues to shape the future of art and design.

Don’t feel discouraged if you haven’t been sticking to your 2026 resolutions. According to the lunar calendar, we still have a few more days before we officially enter the 2026 new year, which begins on February 18. If you want to celebrate the year of the fire horse in Japan, there are few better places to visit than Yokohama Chinatown, which has observed Chinese Spring Festival traditions since 1986. Starting from 2022, the festivities are held concurrently with dazzling displays of colourful lanterns based on Chinese zodiac animals from January 20, installed in 60-odd locations throughout Yokohama, including Yokohama Red Brick Warehouse, Bashamichi Station and Yamashitacho Park in the heart of Chinatown. This year’s festivities kick off with a Lunar New Year midnight countdown at Yamashitacho Park on February 16. Celebrations continue through February 17, with live performances, food pop-ups and glowing lantern displays. Here are the highlights to look forward to. February 17 (Tue), 4pm: a key ritual of Lunar New Year celebrations, the afternoon is marked by a neighbourhood-wide Cai Qing lion dance, in which the lion plucks and 'eats' hanging greens to symbolically claim prosperity, overcome obstacles and bless the neighbourhood with good fortune. February 21 (Sat), 4.30pm: the Shukumai-yuko procession will begin at Yamashitacho Park, where a dazzling ensemble of lion dancers, rickshaws carrying people dressed as famous Chinese emperors, and other performing artists...

Nearly three decades after it first hatched in the palms of Japanese schoolgirls, Tamagotchi – Bandai’s iconic handheld digital pet – returns to the spotlight with a major anniversary exhibition at the Roppongi Museum. Released in 1996, the tiny egg-shaped device quickly became a global sensation, inspiring devoted caretakers, schoolyard debates and a cultural phenomenon that reached far beyond Japan. With more than 100 million units shipped worldwide by 2025 and 38 evolving models, from early black-and-white screens to today’s wi-fi-enabled devices, the Tamagotchi remains an icon of playful companionship and digital nostalgia. The Tamagotchi 30th Anniversary Exhibition invites you to step inside the world of these strange, charming creatures from the distant Tamagotchi Planet. Through immersive installations, historical displays and interactive environments, the show revisits three decades of innovation while exploring the irresistible appeal of a being that needs you to feed it, entertain it, clean up after it – and love it. Exclusive exhibition merch, including artist collabs and limited-edition items featuring the main visual, will of course also be available. Celebrating the quirky digital lifeform that once demanded the attention of millions, the exhibition offers both a heartfelt tribute to, and a fresh encounter with, a beloved cultural icon. Following its Tokyo run, the exhibition will travel to Nagoya, Ibaraki, Osaka and additional cities to be announced.

Kicking off its centennial, the Tokyo Metropolitan Art Museum presents this landmark exhibition that brings to Japan, for the first time on such a scale, masterpieces from the golden age of Swedish painting. In the late 19th century, a generation of Swedish artists traveled to France, where they absorbed the spirit of Realism and the plein-air traditions flourishing in Paris. Returning home, they turned their gaze towards the landscapes, people and quiet rhythms of everyday life in Sweden. Their works, infused with intimacy and lyricism, gave form to a distinctly Swedish artistic identity, one that celebrated the interplay of northern light, nature and human presence. Organised in close collaboration with the Nationalmuseum in Stockholm, the exhibition features a rich selection of paintings created between the late 1800s and the early 1900s. Together, they reveal the sensibilities of a culture deeply shaped by its environment and its search for national expression. Entry to the exhibition is free for college students on weekdays between January 27 and February 20.

Enoshima’s annual illumination is widely touted as one of the three biggest and most impressive light-up events in Greater Tokyo, alongside the ones at Ashikaga Flower Park and Sagamiko. There are about 10 illumination spots scattered across the hilly island – including the Enoshima Shrine, Ryuren Bell of Love on Lover's Hill and Nakatsumiya Square – so put on some comfortable shoes as you’ll be trekking a lot. Don’t miss the main attraction located at the island’s iconic Enoshima Sea Candle lighthouse, which is decked out in 70m-long strings of lights stretching from the tip of the tower to the ground, creating a formation similar to the silhouette of Mt Fuji. The Samuel Cocking Garden, where the Sea Candle is located, is transformed into the dreamy Hoseki (bejewelled) Forest, where everything from the ground and the grass to the trees are covered in purple lights. Keep an eye out for the Shonan Chandelier tunnel, all decked out with luxurious crystal beads and LED lights. New for 2025, the Samuel Cocking Garden will also feature a dazzling sea urchin-inspired installation created by MirrorBowler. Most attractions are open from 5pm to 8pm (until 9pm on weekends and holidays). You can see some of the light-ups on Enoshima for free, but you will need a ticket (¥500, children ¥250) to enter the Samuel Cocking Garden, which hosts the largest illuminations. If you're on the island early during daylight hours, head over to Enoshima Iwaya (¥500, children ¥200), as the island's...

Tokyo Skytree Town is going all-in on strawberry season with its Ichigo (Strawberry) Fair, a berry bonanza spanning around 90 shops across the Tokyo Solamachi complex. It's a full-on celebration of Japan's favourite winter fruit, with limited-edition desserts, drinks and strawberry-themed merch turning the shopping floors into a paradise for berry enthusiasts.Whether you're after an elegant tart, a playful fusion dish or just want to stock up on strawberry-motif goods, there's plenty to explore on foot. Highlights include Qu'il Fait Bon's decadent tart topped with Shizuoka's Kirapika variety and pistachio custard, Grand Castella's condensed milk castella cake, and Mar-de Napoli's savoury strawberry farfalle for those seeking something beyond desserts. It's a full-on fruit fest at the base of Tokyo's tallest landmark.

Explore how post-war black markets shaped the evolution of Tokyo’s urban fabric at this intriguing exhibition, held at Takashimaya Archives Tokyo on the fourth floor of the Nihombashi Takashimaya department store. On show until February 23 2026, the display marks 80 years since the end of World War II and focuses on the makeshift marketplaces that emerged amid the ruins of Tokyo. During the war, large-scale demolitions, intended to prevent the spread of fires caused by air raids, created vacant lots across the city. In the chaotic years that followed, these empty spaces, together with bombsites and even roadside corners, were transformed into black markets. Known as yami-ichi, they supplied goods and sustenance in a time of scarcity while seeding new social and commercial hubs. Particular attention is given to Shinjuku, where some of the black markets grew into vibrant entertainment districts that remain central to Tokyo’s identity today. And while most of the markets eventually vanished, their traces endure in the city’s streetscapes and neighbourhoods. Curated by Tokukazu Ishigure of Kwansei Gakuin University, the exhibition reframes black markets as more than unlawful encroachments, highlighting their role as catalysts of urban renewal – spaces where disorder gave rise to energy, resilience and reinvention.

Adapted from Tatsuki Fujimoto’s celebrated manga, the anime film Look Back (2024) is a quiet yet piercing meditation on creativity, loss and the fragile resolve that drives manga artists to keep drawing despite uncertainty. Directed by Kiyotaka Oshiyama, one of contemporary Japan’s most respected animators, the cinematic adaptation stood out for its emotional restraint and the expressive power of its hand-drawn lines. The Fukushima-born Oshiyama has built a multifaceted career as an animator, director and designer, contributing to landmark works such as Den-noh Coil before setting up his own company, Studio Durian. For Look Back, he assumed nearly every key creative role, shaping a deeply personal tribute to drawing itself. This exhibition at Azabudai Hills Gallery offers an unprecedented look behind the scenes of the film. Instead of presenting Look Back as a completed work, the display traces its making through original key animations, character sheets, memos and an immersive ‘tunnel’ of drawings suspended from the ceiling that foreground the physical labour of animation. Carefully recreated spaces from the story invite visitors to step inside the emotional geography of the work. Other highlights include the first public presentation in Japan of Tatsuki Fujimoto’s original sketches for Look Back, newly created manga drawn by Oshiyama for the exhibition, and a special dialogue display with Studio Ghibli producer Toshio Suzuki. Together, these elements form a moving...

The massive Unicorn Gundam statue in front of DiverCity Tokyo Plaza in Odaiba is getting lit up with special winter lights. Until March 6, you can see the robot illuminated in pale green, inspired by the upcoming Gundam Hathaway trilogy release 'Mobile Suit Gundam: The Sorcery of Nymph Circe', which is premiering on January 30. While you can see this exclusive light-up from 5pm to 11pm daily, we recommend visiting between 7pm and 9.30pm to also see a special nighttime show featuring a short screening of the animation, held every 30 minutes.

Hirohiko Araki began serialising JoJo’s Bizarre Adventure in Weekly Shonen Jump in 1986, launching a saga that has since spanned decades, generations of protagonists and shifting aesthetic paradigms. Renowned for its flamboyant characters, bold compositions and philosophical undercurrents, JoJo stands apart for its synthesis of classical art, fashion, music and pop culture. With cumulative circulation exceeding 120 million copies, the series has become a global phenomenon, while Araki himself has become recognised as a singular figure bridging manga and contemporary art. From January 8 to June 28, the Shueisha Manga-Art Heritage Tokyo Gallery presents this three-part exhibition that foregrounds Araki’s work through the lens of fine-art printmaking. The exhibition has previously been shown in San Francisco and Kyoto, but this marks the first time Araki’s lithographs and lenticular works are displayed in Tokyo. To allow visitors to encounter as wide a variety of works as possible, the exhibition unfolds in three rotations: Part 1 (January 8–February 23), Part 2 (March 3–April 19) and Part 3 (April 28–June 28). At the heart of the display are nine lithographic prints, produced in 2025 at the request of Shueisha Manga-Art Heritage and representing Araki’s first foray into lithography. Unlike conventional manga printing, which reduces drawings to stark black-and-white data, lithography preserves the artist’s hand with remarkable fidelity. Drawing directly onto metal plates with...