G. Rachel Levy, reconstruction of statues from Iraq,ca. 1939
The original statue on the right-hand side of this painting sits on a base next to a small pair of feet. This sparkedthe imagination of Levy, a watercolorist who portrayed a short figure stemming from the feet. The childlike sculpture made other scholars debate the possibility of an ancient mother-goddess cult. This �mother goddess� rumor spread until �it entered into literature outside of Egyptology,� Teeter says.

“Picturing the Past” at the Oriental Institute

The Oriental Institute corrects some modern fudging of ancient history.

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We know to question Wikipedia and leaked celebrity photos, but a new exhibition asks us to question scholarly images of the ancient past. The Oriental Institute’s “Picturing the Past: Imaging and Imagining the Ancient Middle East” turns a skeptical eye on Egyptologists’ renderings of ancient lands, reconstructions of tomb walls and even photos of excavations. The museum points out archeologists’ guesswork and makes us rethink our childhood-textbook-formed perceptions of the ancient Mideast and Egypt. But the impetus behind this show isn’t necessarily archaeology’s misrepresentations: “We have a lot of cool art floating around,” says exhibition curator Emily Teeter, “and architectural illustration is really great stuff.” We look at five images and inspect the dubious details.

“Picturing the Past: Imaging and Imagining the Ancient Middle East” runs through September 2.

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