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[title]Is Bill Hader, who’s cracked us up during his impressive run on Saturday Night Live (not to mention roles in films like Superbad and Adventureland) ready to be taken seriously? He is. Seriously. In The Skeleton Twins, Hader goes full-on dramatic, playing the down-on-his luck Milo, a struggling actor who reconnects with his ostensibly more-put-together sister (fellow SNL alum Kristen Wiig). The actor checked in from his new home in Los Angeles to chat about toning down the funny, his upcoming Apatow-directed pic and more.
Your lip-synch duet to “Nothing’s Gonna Stop Us Now” with
Kristen Wiig in the film is
pretty amazing.
We could have shot that forever—and also it goes on forever. I remember when I saw a cut of it, I was like, “You guys are gonna cut it down, right?” And [director] Craig [Johnson] was like, “No, no, we’re playing like the whole song!” And I was like, “Holy shit!” But that’s awesome, because it builds. Shit happens within the song. I didn’t sit in the Sundance screening, but my wife was there and said that when Kristen joined in on the lip-synching, the place went crazy.
Wait, you didn’t go to the screening?
Yeah, I don’t really watch the stuff that I do.
Why not?
I don’t like the sound of my voice or how I look or anything. You don’t want to [think about] that when you’re acting, because you’re like, Ah, my voice sounds like this, and my face is weird, and I have weird posture or whatever. When I was on SNL, I was getting weirdly anxious about being on camera, which I had never really done before. And so my solution was just to not watch my stuff. And then I found out that other actors do it too, and I felt less weird about it.
Although it would have been interesting if you were so affected by it that you got super tan and strong and had a different voice.
[Laughs] Yeah, yeah, that would suck. You’d be like, “Oh, look at this asshole.” Suddenly, I look like Lorenzo Lamas or something.
What was it like working with your longtime comedy pal Wiig on something so dramatic?
Kristen’s very giving as an actor. There’s a scene where I give a speech about peaking in high school, and Kristen was crying off camera, just acting, giving 100 percent, because she knew it would help me. So I really appreciated that. This isn’t a thing I normally do, you know? It was a new thing for me.
What’s your favorite dramatic turn from a comedian?
I really liked John Candy in Planes, Trains & Automobiles. He was
so good in that movie. That’s
when I didn’t understand how Hollywood worked. It was like the seeing-the-man-behind-the-curtain moment, where I was asking my dad, “Why wasn’t he nominated for an Oscar?” And my dad was like,
“I don’t know. They usually give it to more dramatic roles.” And I’m like, “But that was so fucking good!” I cried in that movie! It’s so sad! It’s just heartbreaking.
How did you take the news of Robin Williams’s death?
That was awful. That was huge. He came by SNL once, and he just made it all about us. He knew a couple of things
I had done on the show, complimented me on them, and was just so incredibly supportive and real. It wasn’t like he was trying to be falsely modest or falsely tuned into your work. He’d really paid attention. He was the best. Just for that one day, he came for that one show, and it was awesome. I’m very grateful I got to at least have that.
Could you tell me about your upcoming film, Trainwreck?
Judd Apatow directed it, and it’s written by and starring Amy Schumer. I play her love interest. The way I’ve been describing it to people if you had the normal romantic female lead in a movie—like if it was Kate Hudson or Anne Hathaway or somebody—Amy’s character would be her drunk, partying coworker. The movie’s kind of like, What about that girl? What’s going on with her, how self aware is she? Is she happy? What if she actually fell in love with somebody? Would she know what to do? Amy wrote a really smart script and I think she’s really gonna blow people’s minds with this movie. And yeah, LeBron James is in it; he’s like my best friend. [Laughs]