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Clare Cooney's ‘Runner’ is a highlight of the Chicago Critics Film Festival

Written by
Michael Smith
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The Chicago Critics Film Festival returns to the Music Box Theatre this Friday, May 4 and runs through Thursday, May 10, bringing a typically impressive and diverse slate of acclaimed new independent and foreign films, many of which are fresh off of their world premieres at Sundance and SXSW—and all of which are making their local premieres. A welcome new twist to this year's edition is the inclusion of two short film programs, which comprise works by universally acknowledged masters of the form like animator Don Herzfeldt (World of Tomorrow Episode 2: The Burden of Other People’s Thoughts) as well as first-time filmmakers like Chicago’s own Clare Cooney (Runner). The latter film, screening as part of the “CCFF Shorts Program #1” block on Sunday, May 6, is an extremely auspicious directorial debut for Cooney, who is better known for her work as an actress. Although it clocks in at only 12 minutes, it is one of the must-see events of the festival, especially considering that the whip-smart Cooney will be present for a post-screening Q&A.

Runner tells the story of a young woman named Becca (Cooney) who witnesses a violent altercation between a couple while jogging through an alley near her Chicago apartment. Becca’s subsequent knowledge of what happened, and an unexpected re-encounter with one of the participants, causes her to face an ethical dilemma. As a director, Cooney knows how to get the most out of herself as an actress, but she also wisely eschews the melodramatic approach that even more seasoned filmmakers might have taken—going so far as to cut the sound entirely from the film’s most intense moment and thereby increasing its effectiveness via counterpoint. But what impresses most in this pungent drama is the way Cooney is able to seamlessly inserts her ideas into a naturalistic narrative framework. In the “Me Too” era, the powerful tracking shots of Becca literally running away from physical danger conjure the notion of a desire to transcend an entire culture of harassment and assault. It’s a haunting movie—and one that chimes with our times.

For more information about the screening of Runner, visit the Music Box's website.

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