The Matchmaker

Theater, Comedy
Recommended
  • 4 out of 5 stars
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 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Kristine Nielsen and Allen Gilmore in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Kristine Nielsen in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Elizabeth Ledo and Postell Pringle in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Ronobir Lahiri and Kristine Nielsen in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Behzad Dabu, Postell Pringle and Allen Gilmore in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Theo Allyn and Kristine Nielsen in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Anita Hollander in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Anita Hollander, Allen Gilmore and Ron E. Rains in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Ron E. Rains and Sydney Germaine in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Sydney Germaine, Behzad Dabu and Postell Pringle in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Postell Pringle and Behzad Dabu in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Ronobir Lahiri, Theo Allyn and Marilyn Dodds Frank in The Matchmaker at Goodman Theatre
 (Photograph: Liz Lauren)
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Photograph: Liz Lauren
Lawrence E. DiStasi, Allen Gilmore and Marc Grapey in The Matchmaker at Goodman Theatre

Kristine Nielsen heads a thoroughly engaging ensemble in the Goodman's winsome revival of Thornton Wilder's truly romantic comedy.

Hello, Kristine! Dazzling comic actor Nielsen, a Tony-nominated staple on New York stages, makes her first Chicago appearance (not counting her undergrad career at Northwestern) as Dolly Gallagher Levi in Thornton Wilder's 1955 comedy of romantic manners, which we might as well go ahead and identify as the non-musical source material of Hello, Dolly! But while Wilder's original lacks Jerry Herman's score, it has a music of its own, which the delightfully daffy Nielsen, director Henry Wishcamper and a crack ensemble cast play beautifully.

Wilder's Dolly is a cockeyed optimist brought in by miserly widower Horace Vandergelder (Allen Gilmore), a shopkeeper in 1896 Yonkers, New York, to find him a new wife, even as he's trying to nix the true love between his niece, Ermengarde (Theo Allyn), and artist Ambrose (Ronobir Lahiri). Working without much of a plan, Dolly sets about to create three romantic matches, including her own.

Nielsen's lovely, layered performance is both wild and warm; with the help of Wilder's occasional direct-address sequences (the playwright was no fan of naturalism), Nielsen draws us in like eager co-conspirators. Wishcamper surrounds her with an able ensemble that also includes such appealing actors as Postell Pringle, Elizabeth Ledo, Behzad Dabu and Marilyn Dodds Frank (the latter nearly outdoes Nielsen in the loopy department in her late appearance as spaced-out socialite Flora Van Huysen).

That this ensemble, in a six-decade old play set six decades before that, is as casually inclusive in terms of race, ethnicity, ability and gender identity as any Loop lunch spot near the Goodman on a weekday shouldn't be remarkable but is. The Matchmaker makes a case study that Shakespeare and A Christmas Carol aren't the only classics that can benefit from letting modern audiences see all of ourselves in them. That's just one more reason, in modern matchmaking parlance, to swipe right on this thoroughly enjoyable production.

Goodman Theatre. By Thornton Wilder. Directed by Henry Wishcamper. With ensemble cast. Running time: 2hrs 45mins; one intermission.

By: Kris Vire

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Event website: http://www.goodmantheatre.org/matchmaker
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