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Jane & Louise Wilson: False Positives and False Negatives

  • Art, Film and video
  1. Jane & Louise Wilson ('Face Scripting: What Did the Building See?', 2011)
    'Face Scripting: What Did the Building See?', 2011

    © the artists. Courtesy Paradise Row

  2. Jane & Louise Wilson ('Face Scripting: What Did the Building See?', 2011)
    'Face Scripting: What Did the Building See?', 2011

    © the artists. Courtesy Paradise Row

  3. Jane & Louise Wilson ('Blind Landing, H-bomb Test Facility, Oford Ness, Suffolk, uk', 2013)
    'Blind Landing, H-bomb Test Facility, Oford Ness, Suffolk, uk', 2013

    © the artists. Courtesy Paradise Row

  4. Jane & Louise Wilson ('The Toxic Camera, Konvas Autovat', 2012)
    'The Toxic Camera, Konvas Autovat', 2012

    © the artists. Courtesy Paradise Row. Image by TAPE

  5. Jane & Louise Wilson ('False Positives and False Negatives (6)', 2012)
    'False Positives and False Negatives (6)', 2012

    © the artists. Courtesy Paradise Row

  6. Jane & Louise Wilson ('Atomgrad (Nature Abhors A Vacuum) II', 2010)
    'Atomgrad (Nature Abhors A Vacuum) II', 2010

    © the artists. Courtesy Paradise Row

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Time Out says

The artists return to London with new photographs and video installations that document the eerie landscape of an abandoned Ukrainian town, Pripyat devastated after the Chernobyl nuclear accident; present footage of an assignation in Dubai and question the surveillance society we live in through portraits of the sisters with their faces distorted through the use of tribal camouflage.

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Event website:
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