Li has always danced with dark undertones, but now the poppy-playfulness of her last album ‘Wounded Rhymes’ is long gone. Much of ‘I Never Learn’ is crushingly sad, and feels dated by harking disappointingly at mid-noughties Feist. ‘I Never Learn’ and ‘Just Like a Dream’ would be wistful in isolation, but border on blandness in an age where bank ad backing tracks have claimed percussive crescendos and slurring vocals for themselves. ‘Love Me Like I’m Not Made of Stone’ departs from the safety of twinkly-piano chords, but the sparse guitar and raw vocals would sit better at an open-mic night. Midway through the record, Lykke even goes a little hairspray-rock with ‘Gunshot’: a deflated ’80s stadium anthem complete with Bon Jovi hand-claps and a marching drum beat.
The latest single ‘No Rest for the Wicked’ is the clear standout track. It’s a humble nod to the cinematic euphoria of fellow chiffon-lover Kate Bush, and has the catchy bridge and simple chorus of a real Lykke festival ballad. Team it with a field full of reeds and a starry night for maximum effect, and there’s the Lykke we know and love. But (save for a Westlife-style cymbal crash on ‘Never Love Again’) there’s little sense of hope on the album’s other seven tracks.
Li doesn’t want to be a pop darling anymore, but cringing overproduction has reduced an intended sense of earth-shattering heartbreak to a slurred self-pity. After two devastatingly brilliant records, her third is one we’ll reluctantly have to file under ‘average’. What do you think of ‘I Never Learn’? Let us know in the comments box below or tweet us at @TimeOutMusic.
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You haven't 'done' Soho until you've been to a gig at The Borderline, simple as. This much-loved venue with a loyal audience has given a platform to countless bands and artists throughout its long history – stretching back over 20 years – and is still going strong today, showcasing both new and revered talent. Head in for a gig on any given day and you could find yourself moshing to rock and metal, getting busy on the dancefloor at an indie club night or perhaps soaking up the sweet tone of a folk, blues or Americana singer-songwriter. It can get a little cramped when the 275-ish capacity fills up, but that's all the better for creating an intimate atmospherewhere between artist and audience, and means you won't have to worry about elbowing your way to the front past thousands of people. A Soho musical institution. We were there when The Borderline reopened in March 2017: