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The chapterin Richard Price's novel titled “Wolf Tickets” considers the posturing and deception that communities adopt for self-protection. To illustrate this point, the works here incorporate a variety of approaches, from the inclusion of graffiti in Erik Benson’s painting to the distortion of threatening objects, as in Robert Lazzarini’s skewed gun sculpture. See also Invisible-Exports, Lehmann Maupin, On Stellar Rays and Sue Scott Gallery.
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