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 (Photograph: Courtesy the artist and Feature Inc.)1/12
Photograph: Courtesy the artist and Feature Inc.Richard Kern, Adderall, 2011
 (Courtesy the artist and Feature Inc.)2/12
Courtesy the artist and Feature Inc.Richard Kern, Hydroxyzine Pam / Doxepin / Lorazepam / Sertraliine / Colonazepam, 2011
 (Courtesy the artist and Feature Inc.)3/12
Courtesy the artist and Feature Inc.Richard Kern, Novo Trazodone / Cipralex, 2011
 (Courtesy the artist and Feature Inc.)4/12
Courtesy the artist and Feature Inc.Richard Kern, Valium / Jasminelle, 2012
 (Courtesy the artist and Feature Inc.)5/12
Courtesy the artist and Feature Inc.Richard Kern, Dana Smokes, 2010
 (Courtesy the artist and Feature Inc.)6/12
Courtesy the artist and Feature Inc.Richard Kern, Sydney smokes 1, 2013
 (Courtesy the artist and Feature Inc.)7/12
Courtesy the artist and Feature Inc.Richard Kern, Val Stoned, 2010
 (Courtesy the artist and Feature Inc.)8/12
Courtesy the artist and Feature Inc.Richard Kern, Brit dbl, 2013
 (Courtesy the artist and Feature Inc.)9/12
Courtesy the artist and Feature Inc.Richard Kern, Alex dbl, 2013
 (Courtesy the artist and Feature Inc.)10/12
Courtesy the artist and Feature Inc.Richard Kern, Angela dbl, 2013
 (Courtesy the artist and Feature Inc.)11/12
Courtesy the artist and Feature Inc.Richard Kern, Chaima dbl, 2013
 (Courtesy the artist and Feature Inc.)12/12
Courtesy the artist and Feature Inc.Richard Kern, Nahema dbl, 2013

Sex, drugs and women under the influence

In his latest photos, Richard Kern captures the new stoned age.

By Howard Halle
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Richard Kern’s current exhibition of photographs at Feature Inc. on the Lower East Side features his usual subjects—which is to say nubile and nude girls-next-door (next door, that is, if you happen live in Williamsburg). Some of them pose—mostly undressed—while holding their favorite pharmaceuticals. Others are pictured from the waist up in double-exposed portraits, suggesting X-Ray Specs fantasies come to life. These latter images make it hard to say who’s suppose to be high, here, the viewer or the viewed, but regardless, the work as a whole upholds Kern’s rep as the art world’s Russ Meyer.
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