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The accomplished film director Jonathan Demme inexplicably revives Beth Henley's mannered, choppy, tonally wonky 2000 flop for his stage-directorial debut. Rosemarie DeWitt stars as a damaged woman whose family has come to visit her at a mental-rehab facility, but neither she nor the rest of the fine cast (Kathleen Chalfant, Quincy Tyler Bernstine and Sami Gayle) can rise above Henley's sticky-wicket script.—Adam Feldman
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