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Pompadour-sporting percussionist Mike Dobson and crisply suited Joel Jeske's lovable show boasts an all-filing-cabinet set and snazzy office vibe straight from Mad Men, but underneath the entirely effective silliness (little sketches by Jeske and accident-prone coworkers Danny Gardner and Brent McBeth) beats the heart of deeply humanist, classical clowning.—Helen Shaw
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