August 2026 events in Tokyo

Late August is always a good time for dancing in the streets, with many major festivals happening around this time of year. The Yosakoi dance originated in Kochi prefecture in 1954, where it was created to help revitalise the struggling post-war economy. Tokyo's very own Super Yosakoi festival, however, while relatively new, has been going on for over two decades now.

This massive event sees about 110 teams of brightly attired dancers from across Japan and around the world, trying to outdo each other as they strut their stuff to the rhythm of the naruko – a type of clapper that the people of Kochi originally used to scare birds away from the fields.

The dance performances take place at various locations within the Harajuku/Shibuya area. But if you only see one thing, make sure it’s the massive parade along the tree-lined Omotesando avenue on Sunday (times TBA for 2026).

Stage performances will also be held at Yoyogi Park on Saturday and Sunday. There are also smaller parades at the Yoyogi Park Event Square, along the road between the NHK Hall and the Yoyogi National Gymnasium, around the same time.

At the Yoyogi no Mori Bon-Odori venue (5-68-1 Yoyogi, Shibuya), you can enjoy Yosakoi performances from (times TBA for 2026) on Saturday and on Sunday.

For the latest information, check the event website.

What this music festival lacks in terms of a picturesque setting, it more than makes up for in convenience. While other festivals boast views of rolling hills or stunning lakes, Summer Sonic has easy access from the city, an abundance of clean toilets and a cracking lineup – sometimes that’s all you need.

This year's Summer Sonic is returning with an impressive lineup of international and local artists on the weekend of August 14, 15 and 16. The Strokes and L'Arc-en-Ciel will headline in Tokyo, with performances also confirmed from UK funk and acid jazz band Jamiroquai, lead Blackpink vocalist and rapper Jennie, Asian American hip-hop lofi singer Keshi, Japanese alternative rock band Sakanaction, Hitsujibungaku, Good Neighbours and more. 

For the latest updates on ticket sales, check the official website.

One of Tokyo's favourite traditional festivals, the annual Azabu-Juban Noryo Matsuri (‘noryo’ translates as 'cool of the evening') has been going on for over 50 years now. The festival is returning this year on August 22 and 23 at Patio Juban Square, the nearby Amishiro Park and along the streets of the fashionable Azabu-Juban shopping district. 

There will be plenty of dancing, performances and live music, along with food and game stalls, some of which are set up by local businesses. While details for 2026 are yet to be announced, expect the nearby Juban Inari-jinja shrine to host an ohayashi festival music performance, accompanied by Ise Ondo folk dancing. Dust off your yukata and prepare to mingle among the crowds. 

Visit the website for the festival map and programme.

Known as one of the three great festivals of Edo (along with the Sanno and Kanda festivals), the matsuri at Fukagawa’s Tomioka Hachimangu shrine takes place annually, but is celebrated in its full glory only once every three years.

The festival, which boasts 380 years of history, is well known for its unique water-splashing tradition. People enthusiastically throw water at the mikoshi (portable shrines) as an act of purification, drenching everyone in the vicinity, thus creating a playful and cooling experience, especially in the summer heat.

As the full version of the festival was last celebrated in 2023, this year you can expect a scaled-down – but still impressive nonetheless – version of the festivities. The main event, which is a mikoshi parade featuring Japan's heaviest mikoshi at two tonnes, will be held on Sunday August 17 from 7am to 5.05pm. Note that there will be no water splashing this year.

The festivities in the shrine grounds begin on August 13 and continue until August 17, with notable highlights including a jazz performance on August 13 (3pm) and the koto and shamisen performance on August 15 (4pm). 

For more information including the festival schedule, check the shrine website.

Kabukicho’s Bon Odori festival is happening again this year and it's taking over Cine City Square in front of Tokyu Kabukicho Tower for two days. The event is led by Ageha Bijyo, a professor and expert in Japanese folk dance with involvement in some of the country's most prestigious folk dance associations and festivals. 

There’s no need to feel intimidated if this is your first Bon Odori. Ageha will coach you with a step-by-step guide on how to perform the Bon dance – and not just the classic Bon Odori but also a modernised version with pop songs as well. Japanese drum idol group Tokyo Otome Taiko will contribute to the festivities with a taiko drum performance. Moreover, don't miss the unpredictable and comical stage performances by the Blue Man Group, a special appearance to coincide with their Japan tour at the nearby Milano-Za. New for 2026, expect to also see Godzilla join in the action with a large statue of the monster at the event square.

The event is free, so put on your best yukata and come join in!

One of the largest in all of Tokyo, this lively Roppongi Hills festival features traditional Bon Odori dance by yukata-clad performers in the shopping centre’s event arena.

Traditional Japanese lanterns add to the festive atmosphere while the surrounding food stalls cater to hungry crowds. You can expect a varied gourmet selection prepared by popular restaurants in the area, including Roppongi Barbacoa, Shinanoya, Rigoletto Bar and Grill, Grand Hyatt Tokyo, Gelateria Raffinato, and more. There will also be plenty of activities like yo-yo fishing, ring tossing, and a face mask stall for children and adults to enjoy.

While there's no Bon Odori dancing on Friday, you’ll get to watch a modern interpretation of Gigaku (masked drama performance) and Dengaku (traditional Japanese dance) instead. The show is put on by Roppongi Raku, the venue’s performing arts group that consists of about 150 people, starting at 7pm. 

Bon Odori dancing takes place on Saturday and Sunday from 5pm to 8pm.

Granted, it's a minnow compared to the Koenji Awa-Odori that takes place a week before, but Shimokitazawa's version of the famed dancing-in-the-streets fest (originally from Tokushima) has a unique charm of its own. Now into its 58th year, the two-day Shimokitazawa Awa-Odori sees 25 dance teams passionately romp along the neighbourhood's north-side main shopping streets in the evening, and dazzle the crowds with their special routines. Be sure to hang around afterwards, when the area is engulfed in a joyous party mood.

Check the event website for the latest details.

One of the most popular street dance festivals in Tokyo, Koenji's Awa Odori is returning this summer in full swing. This year, the celebration will feature over 150 Awa Odori dance groups parading around Koenji Station’s Pal shopping arcade, Koenji Junjo Shotengai shopping street and Konan street over the August 29-30 weekend.

The tradition of Awa Odori can be traced back to Tokushima, in the Shikoku region. Legend has it that the local daimyo plied his citizens with booze to celebrate the completion of the local castle in 1586, leading to a citywide outbreak of dancing in the streets. Whatever the accuracy of that tale, the enthusiasm was contagious, and Koenji has been holding a street dance fest of its own since 1957.

While the action starts at 5pm for both days, you'll need to arrive much earlier if you want to snag one of the best viewing spots along the three streets mentioned above.

Check the official website for more details.

The annual Otsuka Awa Odori festival has been running since 1972, bringing together more than 1,000 dancers every year. The pre-event festivities will take place at the station-front plaza on August 28, featuring a ceremony followed by mini Awa Odori performances.

The main festival however, falls on Saturday August 29 from 4pm, with around a dozen groups of dancers parading along Minamiotsuka-dori street in front of JR Otsuka Station’s East exit. This year, the festival is celebrating its 52nd year with a line-up of venerable local Awa-Odori dance troupes, including Shinsuiren and the Toriren Awa Odori Club from Ikebukuro's Toshimagaoka Joshigakuen High School, which is one of only four such high school clubs in all of Japan. 

Approximately 14 teams of elaborately attired dancers flood the streets of Asakusa for Japan's largest samba carnival. Now in its 41st year, these exuberant dance teams are largely from the Greater Tokyo region, and they will be shaking their tail feathers to the Brazilian beat as they parade along Umamichi-dori in front of Tobu Asakusa Station and Kaminarimon-dori in front of Sensoji Temple's iconic red lantern.

First held in 1981 in an attempt to revitalise the neighbourhood, the Asakusa Samba Festival is now one of Tokyo's more popular late-summer events. Every year, it attracts half a million spectators. 

The carnival begins at 1pm, with the parade beginning near Sensoji's Nitenmon Gate. Do note that selfie sticks, chairs, and tripods are not allowed in the spectator areas along the side of the road. You can check out the detailed map for the parade route here and read up on the participating teams here.

Tokyo Midtown has a packed programme of summer fun this year. If you want to take it easy, cool down at Midtown Garden’s Ashimizu area. The gentle stream here has been transformed into a foot bath, open between 3pm and 9pm (closed on Tuesdays). It can accommodate up to 70 people at a time and, best of all, it’s free. Towels are available for ¥100 each, but of course, you can always bring your own. Cool down in the mist and ice-cooled water, with a free rentable parasol that even glows softly after nightfall for a calm evening ambience.

Feeling wiped out by the summer heat? Make a beeline for the restaurants and cafés at Tokyo Midtown, now hosting a refreshing summer sweets fair featuring cool desserts such as the mango syrup kakigori shaved ice at Hal Yamashita, the strawberry and condensed milk kakigori shaved ice at Ukafe and many more.

New for 2026, enjoy a casual summer evening with small firework sparklers at the Midtown Garden from 5.30pm to 9pm on July 18, 19, 20, and August 8, 9, 10, and 11. Sparklers can be purchased on-site, starting at ¥500 for five sticks and ¥1,000 for 12 sticks. Up to two people may enter the fireworks space per purchase.

The National Stadium’s swanky next-door park is hosting a summer beer garden and outdoor cinema festival this month from July 17 to September 27. During the event, the park will be transformed into an open-air beer garden complete with tables, tents and plenty of seating. Hosted by Corona, the beer garden will serve favourites such as Corona Extra (¥750), alongside the brand’s non-alcoholic Corona Cero (¥600) and inventive Corona-infused cocktails. New for 2026 is the Corona Sunsets Truck, which will be serving drinks and appetisers designed to pair perfectly with Corona beer every Friday, Saturday and Sunday.

While you’re there, don’t miss the free outdoor film screenings taking place on Fridays, Saturdays and Sundays. This weekend outdoor cinema event is one of Japan’s largest, with screenings running for over 70 days. While the cinema line-up for 2026 has yet to be announced, last year’s programme featured Academy Award-winning titles such as Green Book and Top Gun: Maverick, as well as family favourites including Paddington, School of Rock, The Minions and more. Note that most screenings are Japanese-dubbed versions of the films.

While entry to the festival is free, a special reservation is required to enter on August 8, when the nearby Jingu Stadium is hosting the Jingu Gaien Fireworks Festival. Capacity is limited to two thousand visitors, so reserve a slot via the official website before it's too late.

A new exhibition space in the basement of the Tokyo International Forum, Yurakucho Museum is opening this July, and its inaugural exhibition brings the whimsical world of Pingu to Japan. Running from July 10 to September 6, it features priceless clay models used in actual animation production, alongside storyboards and other production materials. What’s more, you can pretend to be in Pingu’s Antarctic igloo with a photo spot made to look like the penguin boy’s home.

While you’re there, take the opportunity to study Pingu’s facial expressions, unique play-doh-like contortions and language, and maybe you’ll learn to decipher his noot noots once and for all. The exhibition also includes three collaborative art pieces by renowned miniature photographer and artist Tatsuya Tanaka, who has reimagined Pingu with everyday items.

Tickets are now on sale via Epus.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

Known for emotionally resonant works that bridge intimate storytelling and speculative worlds, Mamoru Hosoda is the man behind landmark films such as The Girl Who Leapt Through Time, Summer Wars and Wolf Children. His cinema is marked by a fluid interplay between everyday life and digital or fantastical realms, as well as a sensitivity to themes of family, memory and transformation.

Marking the 20th anniversary of The Girl Who Leapt Through Time, ‘The Creative Origins of Mamoru Hosoda’ unfolds at the Creative Museum Tokyo from June 20 to August 31. Conceived as the most comprehensive exhibition ever dedicated to the director, it offers unprecedented insight into the creative processes behind his most celebrated works.

Drawing extensively from original production materials, the exhibition presents storyboards, layouts, key animation drawings and background art that illuminate the construction of Hosoda’s cinematic language. By foregrounding these foundational elements, the show reveals how influences from painting, cinema and animation converge within his visual storytelling.

Rather than simply looking back, the exhibition invites visitors to reconsider Hosoda’s films through the lens of their origins, tracing recurring motifs and stylistic evolutions across his oeuvre. In doing so, it captures both the enduring appeal of his past works and the continuity of his artistic vision as it extends toward new creative horizons.

When the boundless imagination of Pablo Picasso meets the vibrant creativity of Sir Paul Smith, fireworks follow. Picasso (1881–1973), one of the most influential artists of the 20th century, revolutionised modern art with his radical innovations in form and colour. British designer Smith, noted for his playful approach to tailoring and his masterful sense of colour and pattern, brings his unique sensibility to the table, transforming the NACT’s galleries into a dialogue between art and fashion, and tradition and reinvention.

‘Adventure of Playful Spirits’ offers a fresh encounter with approximately 80 works from the Musée National Picasso-Paris. Following the success of the 2023 Paris exhibition ‘Picasso Celebration: The Collection in a New Light!’, this Japan edition invites visitors to rediscover the painter’s creative evolution from his early Portrait of a Man to the tender Paulo as Harlequin, through Smith’s imaginative spatial design.

From colour-splashed walls to whimsical décor, every element of the exhibition reflects Smith’s joyful spirit and his fascination with artistic play. This meeting of two creative giants – one who shaped modern art and another who redefined contemporary design – conjures up a vibrant, immersive world where curiosity, humour and craftsmanship intertwine.

A visionary who worked along the boundaries between art, design and everyday life, Ettore Sottsass (1917–2007) was one of the most influential figures in 20th-century Italian design. Rising to prominence in the 1950s through his groundbreaking work for the typewriter and computer manufacturer Olivetti, Sottsass redefined industrial design by infusing functional objects with emotion, symbolism and wit. His restless creative spirit culminated in the 1981 founding of the Memphis Group, an international collective whose bold colours, playful forms and radical aesthetics came to define post-modern design and reshape global visual culture.

‘Design begins where magic begins’ at the Artizon Museum is the first comprehensive retrospective of Sottsass’s work in Japan. Drawing from the Ishibashi Foundation’s extensive collection, the exhibition brings together 112 works spanning the entirety of its subject’s long and prolific career, from early experiments to later, more philosophical creations.

Through furniture, industrial design and conceptual works, the exhibition traces Sottsass’s lifelong challenge to strict rationalism and his belief that design should reflect the emotional and spiritual dimensions of human life. Humour, colour and sensuality emerge as tools with which he sought to illuminate the lived experiences, desires and contradictions of modern society. Offering a rare opportunity to encounter Sottsass’s work in depth, the exhibition reveals a visionary who insisted that true design begins with imagination and magic.