September 2025 events, festivals and things to do in Tokyo

This September, Shimokitazawa welcomes the return of its annual lunar art festival that will coincide with the upcoming autumn moon. Back for its fourth edition, Moon Art Night Shimokita will span several venues in the neighbourhood, including the Shimokita Senrogai Open Space in front of Shimokitazawa Station’s east exit, the rooftop of Higashi-Kitazawa Station, and the Bonus Track complex.

Exhibits include an outdoor moon installation by UK artist Luke Jerram, whose giant floating model features striking details of the moon’s surface as captured by Nasa. This particular installation – titled ‘Museum of the Moon’ – is set to be on show every day at the vacant lot of the Shimokita Senrogai complex. 

The festival is also hosting London-based artist Nelly Ben Hayoun-Stépanian, whose luminous blue cat inflatables will be on display at the Bonus Track complex. Inspired by the paradoxical Schrödinger’s cat thought experiment, which explores how a cat can be both alive and dead at once, the artist created the cats as a way to spark imagination and explore our relationship with the universe.

A new addition this year, Japanese visual artist Takayuki Mori is participating with a three-dimensional installation titled ‘Uranometria’. The work depicts constellation motifs across a celestial dome using ultraviolet-responsive threads, which illuminate the invisible lines that connect the stars in glowing neon colours. His work, which invites viewers to reflect on how humanity has always sought meaning among the stars through astrology, will be on display at the paid Higashi-Kitazawa Station rooftop venue.

Aside from the art exhibitions, the festival will feature several immersive theatre performances, live music, video installations and pop-ups. Several shops around Shimokitazawa Station will also offer full moon-inspired food and beverages and limited-edition products during the festival.

Tickets to access paid venues and performances are on sale via Eplus.

The covered Nakanobu Skip Road shopping arcade in the quiet residential neighbourhood of Nakanobu lights up to life – literally – once every two years for the Nakanobu Nebuta Matsuri, Shingawa’s own mini-version of Aomori’s famous illuminated float festival. In years when the festival isn’t held, such as this one, the lanterns switch spots with dancers for an eclectic Yosakoi performance. From 4.50pm on September 20, nine teams of brightly costumed dancers will take the stage, each vying to outshine the others to the rhythm of naruko drums.

From noon to 4pm, food stalls will serve up traditional festival grub and drinks, alongside live performances ranging from shamisen and local school brass bands to belly dancing.

Long before it became the first stop on the south-bound shinkansen from Tokyo Station (and, for many of the city's foreign residents, a key juncture on the dreaded schlep to the immigration office), Shinagawa was known as the first rest stop along the Tokaido Highway from Edo to Kyoto.

Started in 1990, this annual festival tries to educate the younger generation in the area's history. It features taiko drumming and parades of people in traditional costumes alongside the less era-specific flea markets and marching bands. There's even a fire-walking rite by monks at Honsenji Temple (September 28, time to be confirmed). While the oiran dochu (courtesan procession) takes place on Saturday afternoon (2025 times unannounced), most of the action is centred on Sunday.

For more details, check the event's Facebook page.

Shimokita Craft Beer Fest returns in September for its eighth edition, this one a special collaboration with Moon Art Night Shimokitazawa. For the last weekend of the month, the beery bash will bring together craft breweries from across Japan to celebrate tsukimi, the autumn moon festival.

From familiar faces on the capital-area craft beer scene, such as West Coast Brewing, to local taprooms such as Kaigan Brewery, each of the 11 breweries involved will be making a beer specially for the occasion. Highlights include Kyoto Brewing’s Aki no Kimagure, a limited release red IPA; Tokyo Aleworks’ Harvest Moon, a pumpkin spice ale; and TDM 1874’s roasted chestnut ale, brewed with roasted malts to capture the colour of the harvest moon.

There will also be food trucks serving dishes specifically designed to pair with the beers, making the event the perfect setting to enjoy festival food, appreciate some art and – of course – toast the changing of the seasons with world-class craft beer.

Chofu is hosting its annual hanabi (fireworks) festival by the banks of the Tama River with massive fireworks (including starmines) synchronised to music. It sees around 10,000 rockets launched over the course of an hour starting at 6.15pm, with some fireworks being choreographed to pop songs using computer-controlled audio and launch systems.

Reserved seating is still available at the Dentsu University Field, Fuda, and Keio Tamagawa locations, with prices starting at ¥6,000 for seats at Keio Tamagawa and ¥4,000 for floor seating at Dentsu University Field. Tickets can be purchased at Seven-Eleven multicopy machines or online via Seven Ticket, with pick-up at a convenience store required after purchase. If this all seems like a hassle, don’t worry, there are free non-reserved seating near Keio Tamagawa Station and next to Tamagawa Citizen Square. Just make sure to arrive a few hours early, as space is limited. 

For the venue map and transport information, check the event page.

Northern Tokyo’s hanabi kicks off the autumn season with around 10,000 shells of fireworks. Since the hour-long pyrotechnic display takes place behind the old Iwabuchi watergate, get your cameras ready for a magnificent shot, where the vibrant explosions in the sky bring out the bright red hues of the antique dam.

While most of the reserved seats have sold out, you can still purchase tickets for the ‘fan zone’ at ¥3,300 per person via Ticket Pia. There won’t be any chairs, so bring a picnic mat or a small stool that’s no taller than 30cm. Tickets for paid seats on the Kawaguchi side of the river are still available at ¥5,500 per person. This year, KKday is also offering a package for foreign tourists, which includes transportation to the venue, paid seating from the Saitama side, and a souvenir set to take home as a memento of the experience.

Get ready to participate in one of the last Bon Odori festivals this summer. Miyashita Park’s very own Bon Odori will take over its rooftop on September 27 and 28. Expect to see folks dancing to the beat of traditional taiko drums as well as contemporary DJ mixes of J-pop and city pop. Everyone is welcome at this communal dance soiree, which will take place around a yagura stage adorned by Japanese lanterns.

Stores and restaurants in Miyashita Park will be setting up stalls at the festival’s outdoor market.

Details have yet to be announced for 2025. Follow the organiser’s Instagram for updates.

Gear up for 11 days of LOL as the Tokyo International Comedy Festival returns this September with a whopping 60 shows across eight venues. The programme includes stand-up by an international, star-studded cast of comedians, international roast battles, a stand-up contest, bilingual improv and much more. With shows available in both English and Japanese, this comedy extravaganza is for everyone in Tokyo.

The festival takes place across venues including Tokyo Comedy Bar, Mame Romantic, DecaBar Super, The Millennials Shibuya and Baird Beer’s taprooms in Nakameguro and Bashamichi. You can look forward to a diverse line-up of comedians from Japan and around the globe, including household names like Sammy Obeid, known for his 1,001-day comedy streak, appearances on Conan, and Netflix’s 100 Humans, and Emily Catalano, who was named on the New York Times’ ‘Best Comedy of 2024’ list. Bringing the local heat will be talents such as Yurie Collins, Shota Saimu, BJ Fox and Jay Yamaki.

A definite highlight on the programme is RoastFest 2025 – Asia’s biggest roast battle – which features Comedy Central champions Mike Lawrence and Frank Castillo coming out of retirement, plus a special recording of ‘Your Hood’s a Joke’ with battles like Tokyo vs NYC and Japan vs India. 

Individual tickets are available for all shows, but if you’re looking to catch more than one, make sure to get the Festival Pass for ¥5,000. This includes entry to one show of your choice, plus the right to buy tickets to any other show for a paltry ¥500.

To see the full schedule, visit the website.

Inage Seaside Park in Chiba is hosting weekly DJ parties on its picturesque 90-metre-long pier that stretches out into Tokyo Bay, until September 28. Taking place on Saturdays, Sundays and public holidays from 3pm to 8pm, the parties showcase artists spinning tunes from a variety of genres, including Balearic house, afrobeats, tech house, South African amapiano and more.

A special highlight will be the Sunday August 31 appearance by Ibiza icon Jon Sa Trinxa, who is celebrated for his signature Balearic style and two decades of DJing on the Mediterranean party island. Local favourites including Ren Yokoi, Mike-Masa and Bull will also take to the decks, spinning everything from techno to R&B to keep the summer vibes alive.

Check the event website for the most up-to-date DJ line-up. Closed Sep 6-7.

This autumn, the National Film Archive presents the first comprehensive retrospective dedicated to one of Japan’s most inventive and genre-defying filmmakers. Yoshimitsu Morita (1950–2011) began his career in 8mm films and made a lasting mark on Japanese cinema with works like The Family Game (1983) and The Black House (1999), embracing comedy, horror, courtroom dramas, period pieces and more.

The exhibition offers an opportunity to step right into Morita’s imaginative world. Visitors can explore recreations of the iconic dining room from The Family Game and of the director’s personal study, plus a gallery of his cherished vinyl records. Posters, props, annotated scripts and idea notebooks showcase the full range of the Shonan native’s creative process, while video installations trace Morita’s career from its indie roots to commercial success.

Running alongside the exhibition, a special programme (October 14–November 23) will screen key works from Morita’s filmography, including lesser-known titles and collaborations. Deaths in Tokimeki (1984), Keiho (1999) and Kiriko no Fukei (1998; written by Morita and directed by Tomoyuki Akaishi) will be screened with English subtitles. A series of talks featuring producer Kazuko Misawa and cultural commentator Utamaru will offer further insight into Morita’s legacy. 

The Tokyo Metropolitan Government No. 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘Idol’ and 'Butai ni tatte' by hit Japanese pop duo Yoasobi as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Poetic Structures’ and ‘Golden Fortune’. On weekends, you can look forward to a showcase featuring 'Godzilla: Attack on Tokyo!', the aforementioned ‘Butai ni tatte (Yoasobi)’ as well as ‘Tokyo Concerto’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From April 26, ‘Tokyo Gundam in the Future’, a brand new projection mapping show featuring a Gundam with a newly reimagined Mobile Suit colour scheme, will begin on weekends and holidays every hour from 7pm (7.30pm from May 10). Be sure to check the event website for more details.

Shows take place every night at half-hour intervals from 7.30pm (Sep from 7.30pm, Oct from 6pm, Nov & Dec from 5.30pm) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.

Traditional Japanese erotic art – shunga – flourished during the Edo period (1603–1867), along with the rise of ukiyo-e woodblock printing. Some of the greatest artists of the time, including Kitagawa Utamaro and Katsushika Hokusai, employed ukiyo-e to depict Edo’s hedonistic ‘floating world’ of geisha, kabuki, sumo – and sex. Shunga was in great demand and widely available, despite an official ban, and developed into a highly sophisticated genre in which artists incorporated references to waka poetry and the Chinese classics while tiptoeing around taboos and government censorship.

But once Japan opened itself up to the Western world after centuries of isolation, Shunga was deemed ‘obscene’ and purged from the culture – for nearly 150 years, it turned out. Only after several critically acclaimed exhibitions had been held overseas did the first major display of Shunga open on these shores – at the Eisei Bunko Museum in 2013. That landmark show slowly cleared the way for similar exhibitions, and now Tokyo’s getting perhaps the most rousing (sorry) Shunga show to date.

From July 26 to September 30, visitors to the Shinjuku Kabukicho Noh Stage can rest their eyes on around 100 pieces by the likes of Hokusai, Utamaro and Hishikawa Moronobu. Curated from the collection of Mitsuru Uragami, one of Japan’s foremost Shunga connoisseurs, the exhibition extends throughout the distinctive venue – from the Noh stage itself to the auditorium and dressing rooms. Yasutaka Hayashi from artist collective Chim↑Pom from Smappa!Group serves as art director, bringing a hefty serving of Kabukicho flair to a show that’s perfect for Tokyo’s most stimulating entertainment district.

Tickets are available at the door and via ArtSticker. Note that the exhibition is off limits to visitors under the age of 18.

Held in the Tokyo Node creative complex on the upper floors of the Toranomon Station Tower, the Design Ah! exhibition by national broadcaster NHK transforms its acclaimed educational TV programme (of the same name) into a vivid hands-on experience. Suitable for visitors of all ages, the exhibition reimagines everyday actions like walking or eating through a design lens, fostering curiosity, creative thinking, and a sharper awareness of the world around us. While you’re there, don’t miss the chance to try out the interactive gesture screen, where visitors are invited to use gestures to interact with subjects in a video in an immersive and responsive way.

With immersive 360-degree audiovisual installations, visual puzzles and interactive zones, the show offers a playful yet thought-provoking way to explore how design influences daily life.

In the news for his role as the designer of the Expo 2025 site, Sou Fujimoto is an architect whose work explores the relationship between nature and architecture. Born in Hokkaido, he is inspired by the natural landscapes of his childhood and seeks to integrate organic forms into the built environment through an approach he calls ‘primitive future’.

This philosophy translates into an exploration of the limits between indoors and outdoors and the natural and the artificial, creating spaces that invite a new experience of inhabiting it. Fujimoto’s residential projects in Japan, such as House N, House O and House T, as well as international projects such as the Serpentine Gallery Pavilion in London, illustrate this desire to blur spatial boundaries. His work is characterised by the use of simple materials, often only one per project, implemented in innovative ways to create complex and intriguing shapes. The balance between a defined program and the freedom of appropriation by the occupants is at the heart of his approach.

Fujimoto’s first major Tokyo retrospective takes over the Mori Art Museum from July 2 to November 9. The exhibition offers a comprehensive overview of the architect’s journey over the past quarter century, showcasing his achievements. Models, plans and documentary photographs sit alongside life-size models and installations, providing an immersive visual and spatial experience of the essence of his work. The exhibition highlights projects such as the Musashino Art University Museum & Library, the Arbre Blanc in Montpellier, France, the House of Music in Budapest, and – yes – the Expo site on Osaka’s Yumeshima.

Creator of the iconic Great Wave off Kanagawa – and more than 30,000 other works across a remarkable 90-year life – Katsushika Hokusai was known for his restless spirit (he moved 93 times) and ever-evolving identity (he used more than 30 artist names). And by the way, the ukiyo-e impresario’s prolific genius also laid the foundation for what we now recognise as manga and anime.

This autumn, ‘Hokusai’ at Creative Museum Tokyo offers an immersive journey into the artist’s seemingly boundless world. With over 300 pieces on display, including the complete Hokusai Manga (from the world-famous Uragami Collection), all three volumes of One Hundred Views of Mount Fuji, and a set of 16 newly discovered hand-painted works from his final years, the show promises unprecedented depth.

And as we’ve come to expect from this venue, the artworks on display will be accompanied by some certifiably contemporary exhibits. These include animated adaptations of Hokusai prints by top Japanese animators, highlighting how the visual storytelling of Edo’s greatest artist continues to resonate. Be sure to exit through the gift shop for a look at some 150 pieces of exclusive merch, including collaborations with Peanuts, Chums and Swiss Army knife maker Victorinox.

Founded by Chanel in Paris in 2021, le19M is a ground-breaking hub that brings together 11 maisons d’art and over 700 artisans, dedicated to preserving and advancing the intricate crafts behind haute couture: embroidery, pleating, millinery, shoemaking, feather work and more. As both a creative incubator and a guardian of heritage, le19M is home to la Galerie du 19M, a cultural space that celebrates craftsmanship, fosters innovation and nurtures future generations of artisans.

From September 30 to October 20, Chanel invites Tokyo audiences to discover the extraordinary world of the métiers d’art with la Galerie du 19M Tokyo, an exhibition on an unprecedented scale, held on the 52nd floor of the Mori Tower in Roppongi Hills.

La Galerie du 19M Tokyo offers a free, immersive experience for visitors of all ages and backgrounds. Through a curated journey blending tradition and contemporary creation, visitors are invited witness the meticulous artistry and dedication behind some of Chanel’s most iconic pieces. It’s a dialogue between cultures and crafts, honouring the value of human hands and the timeless beauty of artisanal excellence, brought to life high above the Tokyo skyline.

Kanagawa-born, NYC-based Aki Sasamoto’s decompartmentalised artistic practice explores performance, sculpture, dance, and any other medium conducive to the expression of her ideas. At the intersection of visual and performing arts, her work involves collaborating with musicians, choreographers, scientists and academics, and she often takes on multiple roles: performer and sculptor, but also professor and director of graduate studies in the Department of Sculpture at Yale University.

In her work, Sasamoto constantly reflects on the design and configuration of sculptures and devices that she uses as scores during improvised performances within immersive installations. As she describes it, her creative process is akin to fishing: she ‘casts a net and waits for a perfect alignment of events’, letting several elements float before grasping the connections by relating them to seemingly foreign references.

On from August 23 to November 24, ‘Aki Sasamoto’s Life Laboratory’ at the Museum of Contemporary Art Tokyo explores the interplay between sculptural creation and performance that has characterised the artist’s work for two decades. From landmark early works to more recent creations that emphasise kinetic elements, the exhibition offers a comprehensive overview of Sasamoto’s journey and unique approach, where the boundaries between artistic disciplines blur in favour of captivating hybrid expression.