The 100 best horror films - the exorcist



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Number 1: The Exorcist

By Derek Adams, Dave Calhoun, Cath Clarke, Sarah Cohen, Nigel Floyd and Tom Huddleston, with the generous support of everyone at FrightFest and Cine-Excess. Explore the individual top tens of every contributor.

| 100-91 | 90-81 | 80-71 | 70-61 | 60-51 | 50-41 | 40-31 | 30-21 | 20-11 |           | No 10 | No 9 | No 8 | No 7 | No 6 | No 5 | No 4 | No 3 | No 2 | No 1 |


The Exorcist (1973)

Dir William Friedkin (Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow)

Forty years of sucking cocks in hell

By the ’70s, horror had divided into two camps: on one hand, there were the ‘real life’ terrors of ‘Psycho’ and ‘Night of the Living Dead’, films that brought horror into the realm of the everyday, making it all the more shocking. On the other, there were the more outrageous dream-horrors popular in Europe, the work of Hammer Studios in the UK and Mario Bava and Dario Argento in Italy, films that prized artistry, oddity and explicit gore over narrative logic. The first film to attempt to bring the two together was ‘Rosemary’s Baby’, but Polanski’s heart clearly belonged to the surreal. The first to achieve that blend with absolute certainty was ‘The Exorcist’ – which perhaps explains its position as the unassailable winner of this poll.

In cutting from the clanging bazaars of Iraq to the quiet streets of Georgetown, in blending dizzying dream sequences with starkly believable human drama, Friedkin created a horror movie like no other – both brutal and beautiful, artful and exploitative, exploring wacked-out religious concepts with the clinical precision of an agnostic scientist. And make no mistake: whatever its creator may say, ‘The Exorcist’ is most definitely a horror film: though it may be filled with rigorously examined ideas and wonderfully observed character moments, its primary concern is with shocking, scaring and, yes, horrifying its audience out of their wits – does mainstream cinema contain a more upsetting image than the crucifix scene? That it still succeeds, almost four decades later, is testament to Friedkin’s remarkable vision. TH

Read our interview with William Friedkin, director of 'The Exorcist'

What the experts said

  • ‘Still the best exorcism movie ever made. It's still hard to believe that a mainstream Hollywood film could get away with depicting the deeply sexual and disturbing possession of a barely pubescent girl in such graphic detail.’

    Bruce LaBruce
  • ‘They captured something shooting this film that just wasn't right.’

    Eduardo Sanchez
  • ‘The Catholic religion has always been a source of inspiration for horror and this is one the finest examples... It’s a fascinating and powerful horror one cannot escape from.’

    Coffin Joe
  • ‘I have fond memories of seeing it on the day of its release, with priests walking the queue handing out flyers with details of ‘after care’ for those disturbed by the film...’

    Billy Chainsaw

Watch a film inspired by 'The Exorcist'

Check out the hilarious Turkish film ‘Seytan’, a low-budget shot-for-shot remake of Friedkin’s masterpiece

| 100-91 | 90-81 | 80-71 | 70-61 | 60-51 | 50-41 | 40-31 | 30-21 | 20-11 |           | No 10 | No 9 | No 8 | No 7 | No 6 | No 5 | No 4 | No 3 | No 2 | No 1 |

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