Pansan Klongdee builds his latest installation around a car that refuses to be defined. Activated through sound and live performance, the work opens with a BMW E34 salvaged from a junkyard off Rama II, its body intact, its future already sealed. The vehicle sits in a kind of purgatory: no longer fully machine, not yet scrap metal. That suspended condition shapes the entire enquiry. Speakers hum, performers circle, gestures repeat as if rehearsing a farewell. Metal becomes witness rather than object. The piece asks how we acknowledge things once their function fades, how we stage rituals for non-human lives and how release sometimes looks less like disappearance and more like a quiet change of state.
Until March 15. Free. Bangkok Kunsthalle, 2pm-8pm
