By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Birnbaum rose to prominence nearly four decades ago, with videos that subjected images appropriated from mainstream television to a sharp feminist critique. Several single-channel pieces from that period are included here, but the show's centerpiece is a new multichannel installation titled Arabesque. In it, Birnbaum uses YouTube clips and excerpts from a 1940s Hollywood melodrama to meditate upon the relative renown of two pieces of classical music: Robert Schumann'sArabesque Opus 18—which he wrote for his wife, Clara—and Romanze 1, Opus 11,which Clara Schumann, a composer in her own right, penned for her husband. Would you be surprised to learn that there are way more instances of the former appearing in YouTube videos than the latter? We didn't think so.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!