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This founding member of China's Xiamen Dada group of the mid-1980s presents new works tackling such topics as order and chaos, religion and power, and art's relationship to each. Some of the pieces feature the artist's penchant for taxidermied animals, including the show's sculptural centerpiece: a giant marionette hand reaching into a large bamboo pen containing headless goats, bears, lions and horses, as well as another, disassembled puppet appendage.
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