Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of New York straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Dryer, a Canadian-born artist who died in 1992 at age 34, was something of an anomaly in the 1980s New York art world. Eschewing both Pictures Generation aesthetics and Neo-Expressionism, she was an abstract painter who softened geometric motifs or patterns within painterly washes of casein or acrylic paint on wooden panels. Luminous color and diaphanous surface effects were hallmarks of her approach, and it was this focus on sublimity that made her efforts seem a bit out of step with the rather raucous tone of ’80s art, though it is precisely this quality that makes her work ripe for revival.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!