Douglas's latest film imagines a fictionalband—made up of real-life professional musicians—recording at the Church, the famed Columbia Records studio on East 30th Street that produced such legendary albums as Miles Davis’s Kind of Blue, Bob Dylan’s Highway 61 Revisited and Pink Floyd's The Wall. Period details suggest a 1970s setting, while the music evokes a subject of some of the artist's recent work: the Afrobeat scene of Nigeria, Angola and elsewhere in Africa.
Stan Douglas, Luanda-Kinshasa
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