Tony Cokes, “On Non-Visibility”

This round-up of politically charged works the veteran African-American artist features select video installations created over the past 30 years. Highlights include Black Celebration (1988), which pairs footage of the 1965 Watts riots with text and an Industrial Music soundtrack, and Cokes’s ongoing “Evil” series in which text-laden slides set to music convey sardonic messages as a way of interrogating culture in post-9/11 America.