Howl

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Time Out says

Rob Epstein and Jeffrey Friedman’s mostly whiffed docudrama crosscuts between the first reading of Allen Ginsberg's Howl at San Francisco’s Six Gallery in 1955; the obscenity trial that resulted from its publication; a mock interview in which the writer recalls pertinent moments in his life; and some animated sequences that visualize the four-part composition. It’s an ineffectual mix.

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