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Ah, those children of Marx and Coca-Cola, so infatuated with blowing things up in the name of justice! Godard’s dialectical critique of radical Maoist cells and up-against-the-wall-putain! politics almost feels like a trial run for the May 1968 revolution; seen today, its Molotov metamixture of comedy and commentary comes off as one of the master’s last creative gasps. See it by any means necessary.
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