Putty Hill

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Time Out says

No less than The New Yorker’s Richard Brody declared this story of a Baltimore community beset by social ills (exemplified by a young man OD'ing on heroin) to be one of the best American films of the past few years. Is this an example of hyperbole, or proof that Matthew Porterfield is a bold new talent? Only one way to find out for yourself.

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