1. Late Company
    Crispian Chan
  2. Late Company
    Crispian Chan
  3. Late Company
    CRISPIAN CHAN
  • Theatre
  • Recommended

Review

Late Company (online streaming)

4 out of 5 stars
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Time Out says

Following the success of its screening of Falling, Pangdemonium is premiering another one of its plays online. This time, it's Late Company, a brilliant play which examines 21st-century parenting, youth mental health, and the kind of world we are leaving future generations to inherit. The story plays out in a dinner setting hosted by a married couple Debora and Michael (Janice Koh and Edward Choy). Their dinner guests? Tamara, Bill (Karen Tan and Adrian Pang) and their teenage son Curtis (Xander Pang) – the bully they believe is responsible for the suicide of their own son Joel. How will the night play out? Will Debora and Michael finally get the closure they deserve? 

"In this challenging period, we are all spending more time online than ever. In our desperate need to stay connected, there are those who are feeling increasingly alienated and isolated. Late Company is a wake-up call, showing how dangerously reliant we are on social media to validate ourselves, and the devastating effect it can have on our mental and emotional health," says Pangdemonium in a Facebook post. Above all, it is a reminder that we have to do more to take care of one another. So, while we all try to resist becoming slaves to the digital regime and we wait for the time when we can all enjoy one another’s company again in the flesh, we hope you enjoy Late Company… online."

The production will be shown for free on Vimeo from 8 pm on Friday, May 1 to 11.59 pm on Thursday, May 7. And if you enjoyed the online streaming and can afford to, do consider making a donation to Pangdemonium to help them tide through the current period. A little contribution goes a long way. For more local theatre streams to watch online, read our round-up here

Stream Late Company here

Review (2019 production) 

With Singapore having one of the highest rates of bullying in the world, there’s never a more relevant time for the staging of Late Company than now. Written by Canadian playwright Jordan Tannahill as a response to a real-life tragedy, the play introduces mourning couple, Michael and Debora, who seek closure after their son Joel’s death. As they anxiously await the arrival of their guests Bill, Tamara and their son Curtis, they prepare themselves for a night full of blame, shame and retribution. Cue the gasps – Curtis also happens to be the one responsible for Joel’s suicide.

The eye-catching set is furnished with contemporary art pieces and stylish décor as an apt reminder that the story takes place within the present. There is subtle symbolism that subconsciously reminds the audience of the baggage of those who are continuously in mourning such as the unattended dining chair and the trickling of water.

The stellar cast, including the award-winning Janice Koh, TV maestro (and one-half of Pangdemonium’s artistic directing duo) Adrian Pang and his son Xander, marvellously embodies the different perspectives of the heartbreaking incident – both attached and detached – bringing audiences along for a rollercoaster ride filled with waves of laughter and tears.

The entire play only comprises of one scene but the power of the tension between the characters and the situation makes it far from tiresome. Every joke and hard-hitting moment allows the audience to cut the tension with a laugh or some waterworks. However, admittedly some moments were unintentionally awkward, garnering a chuckle or two when it was meant to be serious.

Though the play revolves around the negative impacts social media can have on individuals, it also reminds them of how if used correctly and appropriately, the platform can be beneficial and a source of happiness and joy for everyone.  A far cry from a fictional drama, the play will have you internally debate with yourself about the realities and consequences of your actions on social media. Don’t expect to skip out of the theatre with glee.

REVIEW BY JUDE ELLIOT TAN 

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