Things to do in Tokyo this week

Yasukuni Shrine’s annual Mitama Matsuri is one of Tokyo’s largest Obon festivals. First held in 1947, the festival is best known for its 30,000 lanterns: 10,000 large lanterns light the approach to the shrine while 20,000 smaller ones are set up at the inner shrine grounds. This year, the lanterns will be illuminated daily from dusk until 9.30pm between the days of July 13 and July 16.

During this four-day festival, Yasukuni Shrine’s outer gardens will host a series of daily events, such as a noryo summer folk dancing festival around the bronze statue of Masujiro Omura (times unannounced for 2026) and a beautiful display of Sendai Tanabata ornaments. Plus, you’ll also find a congregation of food trucks selling street food throughout the festival period.

Don’t miss the Awa Odori dance and taiko drumming performances on Monday July 13 at 7.30pm and 8.30pm, respectively. Arguably the highlights of the festivities, these performances are joined by the spectacular Nebuta float processions taking place on Thursday July 16 from 6.30pm.

The event takes place from 5pm to 9.30pm daily.

Get ready to get your groove on this summer at Daibon on Saturday July 18, a modern rendition of the traditional Bon Odori festival held at Hachiman Shrine in Yamatocho. Here, the traditional Bon Odori festivities are fused with a line-up of DJs and contemporary artists, merging the timeless customs with the energetic pulse of new-wave beats.

Watch as the festival comes alive with live DJ sets, which have in the past featured eclectic talents like Chinbantei Goraku Shisho and the invigorating performances of Korean percussionists. Daibon takes the typical Bon Odori experience a step further, creating a fusion of sounds that strikes a chord with revellers of all ages.

The event will be postponed to July 19 in the case of rain.

Celebrate Tanabata (Star Festival) this summer by simultaneously launching up to 3,500 sky lanterns beside Saitama Stadium 2002. 

Tanabata is a traditional Japanese festival where people write their wishes on strips of paper and hang them on bamboo branches. This seven-day event, however, puts a modern spin on the custom. The sky lanterns are illuminated with LEDs instead of candles, making them safer and more family-friendly. At 8.30pm, the lanterns are released into the night sky, but unlike traditional floating lanterns, they remain tethered with strings, allowing them to be easily controlled and retrieved afterwards.

While artist line-up details for 2026 are unannounced, expect to see music performances each day by artists such as Chris Hart and Chay on the entertainment front, as well as festival favourites such as shateki shooting games and food stalls serving traditional matsuri grub. While you’re there, don’t miss the chance to write and hang your wish on a tansaku paper slip. 

Lanterns are handed out every day until 8pm. Tickets are available for purchase on the official website.

One of Minato ward’s most popular festivals, the Mita Summer Carnival is happening on Saturday July 18 from 4pm to 9pm. Held along Mita Avenue, the festival kicks off with a marching band parade at 4pm, followed by a host of street performances.

As with all Japanese festivals, there will be classic matsuri games for kids, such as goldfish scooping and shateki shooting. Adults, on the other hand, will be well catered for with five ‘beer party’ zones scattered across Mita Avenue, all providing refreshing draft beer and meaty dishes.

Hatonomori Hachiman Shrine is celebrating a Bon Odori festival on the evening of July 17-18. You can expect food stalls set up by local businesses in the area, as well as games and activities for children. Plus, of course, the requisite communal dancing.

Come at 4pm to learn the choreography, and you can join in one of the Bon Odori dances happening at 5.30pm, 7pm or 7.50pm (5.30pm, 6.45pm and 8pm on Saturday).

The public square in front of Jiyugaoka Station is hosting a massive bon odori festival between July 18 and 20. Expect lively dancing to begin at 6.30pm each night to the tune of bon odori classics such as ‘Tokyo Ondo’ as well as local favourites like 'Jiyugaoka Kouta' folk song and the 'Tanko-bushi' coal mining folk song.

Learn the dances before visiting by checking out one of their tutorial videos.

Wake up early for this beautiful flower market in the peaceful neighbourhood of Koishikawa near Kasuga Station this weekend. For just two days every summer, the Bunkyo Morning Glory and Lantern Plant Festival is held within the grounds of Denzuin Temple and the nearby Genkaku-ji Temple. The former will display neatly arranged pots of morning glory for sale while the latter offers vibrant orange-coloured lantern plants. 

In addition to the sale of potted plants, expect to see traditional dance performances and festival food stalls serving up crowd-pleasing street food. Be sure to get there in the morning, as the flowers are known to sell out fast.

Featuring 100,000 bright yellow himawari, the Kiyose Sunflower Festival is the closest a Tokyoite can get to frolicking through a flower field in July. Located an express train ride from Ikebukuro, the festival is known for its colourful flowers that contrast with the bright post-rainy season blue sky.

This large-scale sunflower field, roughly 24,000 square meters in size, is used every summer by local farmers to grow sunflowers as a natural fertiliser for agricultural produce. Take in the spectacular scenery of towering sunflowers while supporting local farmers by purchasing fresh local vegetables and cut flowers sold at the venue.

Free shuttle bus services connecting Kiyose Station and the venue depart from Kiyose Station North exit bus stop, in front of the Drug Seims pharmacy. Parking spaces are limited to those who have reserved in advance.

For details, check the event website.

The National Stadium’s swanky next-door park is hosting a summer beer garden and outdoor cinema festival this month from July 17 to September 27. During the event, the park will be transformed into an open-air beer garden complete with tables, tents and plenty of seating. Hosted by Corona, the beer garden will serve favourites such as Corona Extra (¥750), alongside the brand’s non-alcoholic Corona Cero (¥600) and inventive Corona-infused cocktails. New for 2026 is the Corona Sunsets Truck, which will be serving drinks and appetisers designed to pair perfectly with Corona beer every Friday, Saturday and Sunday.

While you’re there, don’t miss the free outdoor film screenings taking place on Fridays, Saturdays and Sundays. This weekend outdoor cinema event is one of Japan’s largest, with screenings running for over 70 days. While the cinema line-up for 2026 has yet to be announced, last year’s programme featured Academy Award-winning titles such as Green Book and Top Gun: Maverick, as well as family favourites including Paddington, School of Rock, The Minions and more. Note that most screenings are Japanese-dubbed versions of the films.

While entry to the festival is free, a special reservation is required to enter on August 8, when the nearby Jingu Stadium is hosting the Jingu Gaien Fireworks Festival. Capacity is limited to two thousand visitors, so reserve a slot via the official website before it's too late.

Expect a colourful, caipirinha-fuelled, energy-packed weekend as the Brazil Festival takes over Yoyogi Park's event square on July 18 and July 19. There will be plenty of dancing and live music, featuring samba percussion ensemble Grupo Misto Quente, Brazilian multi-instrumentalist and singer Davi Zew's, Brazilian band Via Brasil, samba dancers, as well as capoeira performers. The abundant food stalls will be serving plenty of grilled meat, churros and fruity beverages.

Listen to the soft, soothing sounds of wind chimes at Kawasaki Daishi Temple’s annual wind chime market, happening from July 17 to 21. The 31st event this year will feature over 800 types of wind chimes collected from all over the country. The chimes, made of a variety of materials such as ceramics, glass or metal, each produce their own unique sound. While you’re there, don’t forget to purchase the temple’s very own version – the ‘Daruma wind chime for warding off evil’ – which promises to do just that.

One of Tokyo's biggest annual festivals is celebrating its 75th edition this year. Held at its namesake park, Ueno Summer Festival is a month-long programme packed with a diverse array of traditional events, live performances and seasonal festivities. These include a traditional lantern-floating event on July 17 at 7pm, as well as Japanese taiko drum street performances on July 20 and 25 (from 1pm and 3pm) at Ueno Park’s Shinobazu Pond Bentendo Temple.

That said, the festival offers more than just classic Japanese celebrations. The antique market, which will run every day from July 10 to August 11 (from 2pm to 8pm) at the gates of Shinobazu Pond Bentendo Temple, for instance, is a great place to look for small treasures and summer mementoes.

For a picture-perfect spot to capture your summer memories, don’t miss the nearby Hasumi Deck lookout, adorned with more than 4,000 wind chimes that create a soothing summer soundtrack.

As always, there will be plenty of food and drink stalls encircling Ueno Park's Shinobazu Pond (from 3pm to 9pm daily), selling popular street eats like yakisoba and kakigori shaved ice – a staple summer treat.

Check the event website for the full programme (in Japanese only).

Tokyo Tower’s alternative to the usual summer beer gardens kicks off the outdoor drinking season with a double dose of whisky highball festivals. Head to the terrace at the base of the tower for a wide selection of highballs alongside snacks like karaage and grilled bacon.

There’s also a meatier option on the roof of the Tokyo Tower Foot Town, where the Tokyo Tower Rooftop Highball Garden serves all-you-can-eat jingisukan, the Hokkaido-born lamb barbecue named after Mongol warlord Genghis Khan.

Two hours of all-you-can-drink alcohol and limitless jingisukan costs ¥6,300 (teens aged 13-19 ¥4,300, primary school students ¥3,300, children aged 4-6 ¥2,300, all with non-alcoholic drinks, of course).

The Tokyo Tower Ultimate Kaku Highball Garden at the base of the tower is open until October 12, from 4pm-10pm on weekdays and 12noon-10pm on Sat, Sun & holidays.

The Tokyo Tower Rooftop Highball Garden is open until October 18, from 5pm-10pm daily. Make your reservations here.

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

South Korean digital art and design firm D’strict is joining hands with Sanrio to bring a popular interactive exhibit to Japan for the first time after a successful run in Seoul last year. Utilising the latest digital media technologies, the hotel-themed exhibition in Shinjuku’s Tokyu Kabukicho Tower takes you on a photogenic and immersive journey through 11 themed areas in the imaginary hotel, with characters such as Hello Kitty, My Melody, Kuromi, Cinnamoroll and Pompompurin appearing in their own dreamy, fairytale-like rooms.

While the full details are still under wraps, expect to see a plentiful line-up of exclusive Sanrio merch, including Hotel Floria room key charms, hotel sticker sets and travel-themed accessories.

The exhibition space is located on the fourth floor. Tickets are now on sale via Eplus.

Known for emotionally resonant works that bridge intimate storytelling and speculative worlds, Mamoru Hosoda is the man behind landmark films such as The Girl Who Leapt Through Time, Summer Wars and Wolf Children. His cinema is marked by a fluid interplay between everyday life and digital or fantastical realms, as well as a sensitivity to themes of family, memory and transformation.

Marking the 20th anniversary of The Girl Who Leapt Through Time, ‘The Creative Origins of Mamoru Hosoda’ unfolds at the Creative Museum Tokyo from June 20 to August 31. Conceived as the most comprehensive exhibition ever dedicated to the director, it offers unprecedented insight into the creative processes behind his most celebrated works.

Drawing extensively from original production materials, the exhibition presents storyboards, layouts, key animation drawings and background art that illuminate the construction of Hosoda’s cinematic language. By foregrounding these foundational elements, the show reveals how influences from painting, cinema and animation converge within his visual storytelling.

Rather than simply looking back, the exhibition invites visitors to reconsider Hosoda’s films through the lens of their origins, tracing recurring motifs and stylistic evolutions across his oeuvre. In doing so, it captures both the enduring appeal of his past works and the continuity of his artistic vision as it extends toward new creative horizons.

When the boundless imagination of Pablo Picasso meets the vibrant creativity of Sir Paul Smith, fireworks follow. Picasso (1881–1973), one of the most influential artists of the 20th century, revolutionised modern art with his radical innovations in form and colour. British designer Smith, noted for his playful approach to tailoring and his masterful sense of colour and pattern, brings his unique sensibility to the table, transforming the NACT’s galleries into a dialogue between art and fashion, and tradition and reinvention.

‘Adventure of Playful Spirits’ offers a fresh encounter with approximately 80 works from the Musée National Picasso-Paris. Following the success of the 2023 Paris exhibition ‘Picasso Celebration: The Collection in a New Light!’, this Japan edition invites visitors to rediscover the painter’s creative evolution from his early Portrait of a Man to the tender Paulo as Harlequin, through Smith’s imaginative spatial design.

From colour-splashed walls to whimsical décor, every element of the exhibition reflects Smith’s joyful spirit and his fascination with artistic play. This meeting of two creative giants – one who shaped modern art and another who redefined contemporary design – conjures up a vibrant, immersive world where curiosity, humour and craftsmanship intertwine.

A visionary who worked along the boundaries between art, design and everyday life, Ettore Sottsass (1917–2007) was one of the most influential figures in 20th-century Italian design. Rising to prominence in the 1950s through his groundbreaking work for the typewriter and computer manufacturer Olivetti, Sottsass redefined industrial design by infusing functional objects with emotion, symbolism and wit. His restless creative spirit culminated in the 1981 founding of the Memphis Group, an international collective whose bold colours, playful forms and radical aesthetics came to define post-modern design and reshape global visual culture.

‘Design begins where magic begins’ at the Artizon Museum is the first comprehensive retrospective of Sottsass’s work in Japan. Drawing from the Ishibashi Foundation’s extensive collection, the exhibition brings together 112 works spanning the entirety of its subject’s long and prolific career, from early experiments to later, more philosophical creations.

Through furniture, industrial design and conceptual works, the exhibition traces Sottsass’s lifelong challenge to strict rationalism and his belief that design should reflect the emotional and spiritual dimensions of human life. Humour, colour and sensuality emerge as tools with which he sought to illuminate the lived experiences, desires and contradictions of modern society. Offering a rare opportunity to encounter Sottsass’s work in depth, the exhibition reveals a visionary who insisted that true design begins with imagination and magic.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

Did you even have a childhood if you didn’t turn the hole-punched pages of The Very Hungry Caterpillar? Originally published in 1969, this children’s classic will be celebrated at the Museum of Contemporary Art, marking 50 years since the book’s Japanese release (Japan was the first place the beloved caterpillar ever appeared in print).

Prepare to feast your eyes upon 180 objects – all bursting with bold bright colours, playful patterns and Eric Carle’s specially curated collages. Over 27 picture books will also feature, offering a deep dive into the ingenuity of Carle’s imagination. The late American author and illustrator was famed for his fresh take on storytelling; simple shapes are layered with textured hand-painted tissue paper, resulting in whimsical works that were deceptively clever and remain iconic to this day.

This expansive exhibition is the largest in the Doraemon franchise’s 56-year history, bringing together manga panels, animation, sculptures, limited-edition merch and a themed food menu all starring the world’s favourite blue robot cat and his friends. It launched in Hong Kong in July 2024, attracting over five million visitors during its month-long run. Since then, it has continued to captivate fans across Asia, making its way through several cities including Shanghai, Guangzhou, Bangkok, and Kaohsiung in Taiwan.

The exhibition space contains over 100 distinct Doraemon figures, each with its own expression and costume. In addition to showcasing the content from the previous cities, the Tokyo exhibition also features Japan-exclusive works. Here you can see Doraemon transformed into a shiba inu, a sumo wrestler and a few other forms inspired by Japanese culture, as well as view two original animations not seen elsewhere.

‘100% Doraemon & Friends’ runs until September 30 and is open from 10am to 6pm daily (last entry 5.30pm). Tickets start from ¥2,400 for adults, ¥1,800 for primary and secondary school students and ¥1,600 for children four years old and below – purchase yours here. As an added bonus, upon arrival exhibition visitors receive one of nine Doraemon-themed acrylic pins and one of four promotional cards (both chosen at random).

Step into a world of vibrant chrysanthemums this spring at this free collaborative exhibition between teamLab and Galaxy. Now in its fifth year, the interactive, immersive space at Galaxy Harajuku uses cutting-edge projection mapping to depict flowers caught in an endless cycle of birth and death. Reach out to touch them and they’ll wither; stand still beside them and they’ll bloom more quickly.

Look down and you’ll see flowing currents of gold beneath your feet – traces shaped by your very presence. The movements of others create their own currents, which intertwine and form swirling vortices. The result is a constantly shifting environment where no two moments are ever the same. The Galaxy store also invites visitors to capture these fleeting scenes using the foldable smartphones available at the venue.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details.

Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.