Things to do in Tokyo this week

Celebrate the arrival of autumn at the 54th Kichijoji Autumn Festival on September 12 and 13. The festivities will take place along the lively Sunroad and Daiyagai shopping arcades by Kichijoji Station’s north gate.

See portable mikoshi floats departing Musashino Hachiman shrine at 11am on Saturday, as they are led by a priest riding a sacred horse, heading towards Kichijoji Station via Sunroad Street. The procession will meander its way around the shopping arcades and return to the shrine the next day. 

The biggest spectacle however will be the combined procession of 11 mikoshi floats on Sunday at 2pm in front of Kichijoji Parco. Floats from various local neighbourhood associations will gather here for a spectacular showcase. 

There will also be traditional music performances and matsuri festival food stalls. Notable highlights include the Musashinobayashi folk music performance, a heritage that has been taught and passed down through generations in the Musashino Hachiman shrine for over 160 years. Musashinobayashi folk music will be performed from a mobile stage that accompanies the float procession.

For the procession map and event details, check the festival website.

Chofu is hosting its annual hanabi (fireworks) festival by the banks of the Tama River with massive fireworks (including starmines) synchronised to music. It sees around 10,000 rockets launched over the course of an hour starting at 6.15pm, with some fireworks being choreographed to pop songs using computer-controlled audio and launch systems.

Reserved seating is still available at the Dentsu University Field, Fuda, and Keio Tamagawa locations, with prices starting at ¥6,000 for seats at Keio Tamagawa and ¥4,500 for floor seating at Dentsu University Field. Tickets can be purchased at Seven-Eleven multicopy machines or online via Seven Ticket, with pick-up at a convenience store required after purchase. If this all seems like a hassle, don’t worry, there are free non-reserved riverbank seating near Keio Tamagawa Station and next to Tamagawa Citizen Square. Just make sure to arrive a few hours early, as space is limited. 

For the venue map and transport information, check the event page.

Creema, organisers of the annual HandMade in Japan festival, celebrate creativity at a grand scale with this weekend market taking over the underground plaza in front of Tokyo Station. Over 100 artists, designers and craftspeople from all over Japan get together to sell accessories, clothing, pottery, sweets and much more, while the programme will also include fun workshops.

Meguro River is becoming one with art this September, with a four-kilometre stretch of the river transformed into a giant ‘instrument’ on September 4 to 6 and 18 to 22.

At the heart of the project is Kaze – body, a sound installation by artist Ray Kunimoto. Made up of countless metal plates, the installation sits on a boat that travels along the Meguro River, from Tennozu at the river’s mouth to the area in front of Hotel Gajoen Tokyo. Exploring the relationship between invisible forces such as gravity, wind and water and the physical environment, the work turns the energy of the wind into sound, as the metal plates sway and collide with one another.

Kaze – body will operate from 6pm to 9pm on September 4 to 6 and 18 to 22. Designated viewing points include the promenade along the Meguro River and Gotanda Fureai Waterside Square, where visitors can stroll along the riverbank, wait for the artwork to arrive and listen to its sounds.

At Gotanda Fureai Waterside Square, speakers installed on streetlights will play sounds synchronised with Kaze – body. This allows visitors to experience not just the artwork on the boat, but the entire riverside environment – including the time spent waiting for the boat to pass – as one expansive sound installation. On opening day, September 4, a documentary by Kunimoto and Kaori Yamane about the creation of Kaze – body will also be projected onto the riverbank.

Moreover, on September 12, a one-day-only live music performance will take place at Higashi-Shinagawa Kaijo Park. DJs and food trucks will kick off from 3pm on the park side, followed by live performances from 5pm on a special stage set up on a houseboat. Alongside Kunimoto’s work, the performance line-up includes duo Tatsuro Murakami & Shin Araki, and duo Shöka feat. Kei Matsumaru. Meanwhile, DJ Emerald and Grrrden will be spinning DJ sets.

Check the event website for more details.

Following Pompompurin’s crowning as this year’s most popular Sanrio character, the adorable golden retriever is getting its very own festival this September to celebrate both the achievement and the character’s 30th anniversary.

Taking place from September 12 to 13 at the Yokohama Red Brick Warehouse Event Plaza, the festival will feature a stage appearance by Pompompurin, along with live performances by Juice=Juice and Monaki. There will also be exclusive Pompompurin merchandise, limited-edition food and drinks, and festival games.

Entry is free, but the area in front of the stage requires a paid advance ticket (more ticketing details here).

Grab a free piece of Norwegian salmon, freshly grilled mackerel or herring this September – before all 5,200 servings run out – at Tokyo Solamachi’s rooftop Sky Arena.

Now in its fourth year, the Norway Seafood Festival returns with an even bigger show this year. Running for three days from September 11 to 13, the event brings together twelve restaurants serving inventive seafood dishes made with premium ingredients from the Nordic nation.

A highlight of this year’s festival is ‘Saba Nouveau’, ultra-fresh Norwegian mackerel imported directly by air without ever being frozen. Now in its sixth year, this import project – led by the Norwegian Embassy, Japan Airlines and Jalux – takes centre stage with creative mackerel dishes. Look out for Norwegian salmon and Saba Nouveau tempura bowls from Tempura Suzuki, Norwegian mackerel paella from El Tragón, and a fragrant mackerel cutlet burger by Wakahiro.

If you’re more inclined to savour dishes using Norway’s rich fatty salmon, try out the salmon tacos by Øl bar’s La Cabina, traditional Nordic hot-smoked salmon open sandwiches by Lilla Dalarna and much more. Wash down your mackerel and salmon feast with a crisp pint of strawberry Frigg craft beer from Shiga prefecture at the Oslo Brewing booth to complete the Nordic culinary experience.

Sound, visual art and site-specific elements blend together in innovative and challenging ways at Ambient Kyoto, a multisensory, immersive exhibition that now makes its first foray into Tokyo, landing at Azabudai Hills Gallery. The display centres on the installation ‘async – immersion’, envisioned by the much-missed Ryuichi Sakamoto and Shiro Takatani of Dumb Type and first presented in Kyoto in 2023.

Inspired by Sakamoto’s 2017 album async, ‘async – immersion’ features visuals by Takatani and spatial audio design by sound engineer ZAK, whose fingerprints are all over many of Sakamoto’s late-career projects. At Azabudai Hills, the work has been reconstructed exclusively for the venue, with the setup including a 26-metre-wide screen for displaying the video elements of the installation.

True to the title of the work, the aural and visual components are aligned but not fully synchronised; their constantly shifting relationship rewards attentive viewing and encourages visitors to approach the work on their own terms.

If jungle's return to the centre of dance music has had a defining face, Nia Archives is high on the list. The Bradford-born producer, DJ and singer has spent the past few years pulling breakbeats out of the rave archive and into something unmistakably her own, pairing frantic drums with sweet, diaristic vocals and an ear for pop that never sands off the music's edges.

Now she's heading back to Japan for two headline dates, including a Tokyo show at Zepp Shinjuku on September 10. The tour follows the July release of her second album, Emotional Junglist, which arrives two years after her Mercury Prize-nominated debut Silence Is Loud and includes 'Get Me Down', her collaboration with Jorja Smith.

Archives has gone from early EPs such as Headz Gone West and Forbidden Feelingz to the BRITs Rising Star shortlist and a slot on Beyoncé's Renaissance World Tour, all while keeping jungle at the centre of her sound. At Zepp, that combination should make considerably more sense at full volume than it does through your headphones.

The Tokyo show is all-standing, with doors at 6pm and the music starting at 7pm. Tickets are ¥8,000 plus a drink charge and are on sale online now. An Osaka date takes place the night before, September 9, at Yogibo Meta Valley.

While Tomioka Hachimangu Shrine is worth a visit just for its impressive architecture, the beautiful grounds are also home to a regular antique market that usually takes place on the first, second, fourth and fifth Sunday of every month. However, to make sure the market is on schedule, you can check the website for the exact dates each month.

As this is an antique market, the items here are a bit less junky than some of the other flea markets in town, with plenty of gorgeous Japanese tableware, folk artworks, antique kimono and more.

In case of rain, the event is cancelled.

The National Stadium’s swanky next-door park is hosting a summer beer garden and outdoor cinema festival this month from July 17 to September 27. During the event, the park will be transformed into an open-air beer garden complete with tables, tents and plenty of seating. Hosted by Corona, the beer garden will serve favourites such as Corona Extra (¥750), alongside the brand’s non-alcoholic Corona Cero (¥600) and inventive Corona-infused cocktails. New for 2026 is the Corona Sunsets Truck, which will be serving drinks and appetisers designed to pair perfectly with Corona beer every Friday, Saturday and Sunday.

While you’re there, don’t miss the free outdoor film screenings taking place on Fridays, Saturdays and Sundays. This weekend outdoor cinema event is one of Japan’s largest, with screenings running for over 70 days. While the cinema line-up for 2026 has yet to be announced, last year’s programme featured Academy Award-winning titles such as Green Book and Top Gun: Maverick, as well as family favourites including Paddington, School of Rock, The Minions and more. Note that most screenings are Japanese-dubbed versions of the films.

While entry to the festival is free, a special reservation is required to enter on August 8, when the nearby Jingu Stadium is hosting the Jingu Gaien Fireworks Festival. Capacity is limited to two thousand visitors, so reserve a slot via the official website before it's too late.

Nine months into the year and we've already lost track of how many Oktoberfests Tokyo has seen so far. But no matter, the next seasonally inaccurate festival of German beer happens at Shiba Park from September 11 to 23, where you can take in a view of Tokyo Tower while enjoying hefty glasses of beer. 

You can start small with a regular pint, or go straight for a gigantic three-litre glass. As for the beer, expect limited quantities of autumn-exclusive Festbier, brewed to be served at Munich’s Oktoberfest, alongside 11 other brands, including classics like Hofbräu, Paulaner and more. For 2026, you can also expect draft beer from Meissner, the oldest brewery in Saxony, which will be served in Japan for the first time. The food offerings include pub grub favourites like schnitzels, sausages, jerk chicken, cheese fondue and lobster pasta. Everything comes with a side of jazzed-up oompah music to keep you in the mood.

Entry is just ¥500, and you pay as you go. It includes an exclusive reusable cup which you can take home with you. Purchase your tickets here.

Tokyo Tower’s alternative to the usual summer beer gardens kicks off the outdoor drinking season with a double dose of whisky highball festivals. Head to the terrace at the base of the tower for a wide selection of highballs alongside snacks like karaage and grilled bacon.

There’s also a meatier option on the roof of the Tokyo Tower Foot Town, where the Tokyo Tower Rooftop Highball Garden serves all-you-can-eat jingisukan, the Hokkaido-born lamb barbecue named after Mongol warlord Genghis Khan.

Two hours of all-you-can-drink alcohol and limitless jingisukan costs ¥6,300 (teens aged 13-19 ¥4,300, primary school students ¥3,300, children aged 4-6 ¥2,300, all with non-alcoholic drinks, of course).

The Tokyo Tower Ultimate Kaku Highball Garden at the base of the tower is open until October 12, from 4pm-10pm on weekdays and 12noon-10pm on Sat, Sun & holidays.

The Tokyo Tower Rooftop Highball Garden is open until October 18, from 5pm-10pm daily. Make your reservations here.

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

South Korean digital art and design firm D’strict is joining hands with Sanrio to bring a popular interactive exhibit to Japan for the first time after a successful run in Seoul last year. Utilising the latest digital media technologies, the hotel-themed exhibition in Shinjuku’s Tokyu Kabukicho Tower takes you on a photogenic and immersive journey through 11 themed areas in the imaginary hotel, with characters such as Hello Kitty, My Melody, Kuromi, Cinnamoroll and Pompompurin appearing in their own dreamy, fairytale-like rooms.

While the full details are still under wraps, expect to see a plentiful line-up of exclusive Sanrio merch, including Hotel Floria room key charms, hotel sticker sets and travel-themed accessories.

The exhibition space is located on the fourth floor. Tickets are now on sale via Eplus.

When the boundless imagination of Pablo Picasso meets the vibrant creativity of Sir Paul Smith, fireworks follow. Picasso (1881–1973), one of the most influential artists of the 20th century, revolutionised modern art with his radical innovations in form and colour. British designer Smith, noted for his playful approach to tailoring and his masterful sense of colour and pattern, brings his unique sensibility to the table, transforming the NACT’s galleries into a dialogue between art and fashion, and tradition and reinvention.

‘Adventure of Playful Spirits’ offers a fresh encounter with approximately 80 works from the Musée National Picasso-Paris. Following the success of the 2023 Paris exhibition ‘Picasso Celebration: The Collection in a New Light!’, this Japan edition invites visitors to rediscover the painter’s creative evolution from his early Portrait of a Man to the tender Paulo as Harlequin, through Smith’s imaginative spatial design.

From colour-splashed walls to whimsical décor, every element of the exhibition reflects Smith’s joyful spirit and his fascination with artistic play. This meeting of two creative giants – one who shaped modern art and another who redefined contemporary design – conjures up a vibrant, immersive world where curiosity, humour and craftsmanship intertwine.

Minami Tada (1924–2014) was a quietly radical figure in post-war Japanese art whose practice unfolded across sculpture, relief, lighting and architectural space. Working at the intersection of art, design and emerging industrial technologies, Tada developed a distinctive visual language that embraced transparency, reflection and light – materials and phenomena closely tied to Japan’s rapid economic growth. As a pioneering female artist operating in a male-dominated field, her work anticipated many later conversations around spatial perception and the expanded field of sculpture.

From August 29 to December 6, the Museum of Contemporary Art Tokyo presents the artist’s first solo exhibition in Tokyo in 35 years. This long-overdue retrospective traces the arc of Tada’s career, from early paintings to her most emblematic sculptural works, as well as large-scale pieces created for architectural settings. Drawing on industrial materials and contemporary technologies, her works explore how light interacts with form and space, producing effects that shift with the viewer’s movement.

The exhibition also includes archival materials that shed light on the artist’s process and intellectual context, situating her practice within broader developments in post-war Japanese art and design. At a moment when interest in overlooked modernist figures is growing both in Japan and internationally, ‘Still, shimmering light’ offers a timely reassessment of an artist whose work feels strikingly current. Elegant, experimental and forward-looking, the exhibition reintroduces Tada as a vital voice in the history of contemporary art.

A visionary who worked along the boundaries between art, design and everyday life, Ettore Sottsass (1917–2007) was one of the most influential figures in 20th-century Italian design. Rising to prominence in the 1950s through his groundbreaking work for the typewriter and computer manufacturer Olivetti, Sottsass redefined industrial design by infusing functional objects with emotion, symbolism and wit. His restless creative spirit culminated in the 1981 founding of the Memphis Group, an international collective whose bold colours, playful forms and radical aesthetics came to define post-modern design and reshape global visual culture.

‘Design begins where magic begins’ at the Artizon Museum is the first comprehensive retrospective of Sottsass’s work in Japan. Drawing from the Ishibashi Foundation’s extensive collection, the exhibition brings together 112 works spanning the entirety of its subject’s long and prolific career, from early experiments to later, more philosophical creations.

Through furniture, industrial design and conceptual works, the exhibition traces Sottsass’s lifelong challenge to strict rationalism and his belief that design should reflect the emotional and spiritual dimensions of human life. Humour, colour and sensuality emerge as tools with which he sought to illuminate the lived experiences, desires and contradictions of modern society. Offering a rare opportunity to encounter Sottsass’s work in depth, the exhibition reveals a visionary who insisted that true design begins with imagination and magic.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

This expansive exhibition is the largest in the Doraemon franchise’s 56-year history, bringing together manga panels, animation, sculptures, limited-edition merch and a themed food menu all starring the world’s favourite blue robot cat and his friends. It launched in Hong Kong in July 2024, attracting over five million visitors during its month-long run. Since then, it has continued to captivate fans across Asia, making its way through several cities including Shanghai, Guangzhou, Bangkok, and Kaohsiung in Taiwan.

The exhibition space contains over 100 distinct Doraemon figures, each with its own expression and costume. In addition to showcasing the content from the previous cities, the Tokyo exhibition also features Japan-exclusive works. Here you can see Doraemon transformed into a shiba inu, a sumo wrestler and a few other forms inspired by Japanese culture, as well as view two original animations not seen elsewhere.

‘100% Doraemon & Friends’ runs until September 30 and is open from 10am to 6pm daily (last entry 5.30pm). Tickets start from ¥2,400 for adults, ¥1,800 for primary and secondary school students and ¥1,600 for children four years old and below – purchase yours here. As an added bonus, upon arrival exhibition visitors receive one of nine Doraemon-themed acrylic pins and one of four promotional cards (both chosen at random).

The Pola Museum of Art celebrates two milestones with ‘The New Vision: Monet and the Contemporary Gaze’, a large-scale exhibition marking both the museum’s 25th anniversary and the centenary of the death of Claude Monet (1840–1926). Running from June 17 2026 to April 7 2027, the exhibition brings together all nineteen Monet paintings from the museum’s renowned collection, the largest trove of the Impressionist master’s works in Asia, alongside works by 18 contemporary artists from Japan and abroad.

Spanning Monet’s career from his early landscapes to his celebrated Water Lilies, ‘The New Vision’ places the artist’s works in dialogue with contemporary artistic practices. Featuring artists including Lucas Arruda, Pierre Huyghe, Roni Horn, Wolfgang Tillmans, Fujiko Nakaya, Kapwani Kiwanga and Daniel Steegmann Mangrané, the exhibition explores the theme of vision through a wide range of media, from photography, installation and sound to performance and environmental works. Many artists are being introduced to Japanese museum audiences for the first time, while several new commissions created specifically around Monet’s legacy also make their debut.

Extending beyond the galleries into the museum’s lobby and the surrounding forests of Hakone, the exhibition transforms the entire site into a landscape of visual discovery. By bringing together Monet’s enduring vision and the perspectives of contemporary artists, ‘The New Vision’ offers a compelling reflection on how we see, experience and understand the world today.

From August, the Yokohama Museum of Art will unveil a dazzling exhibition dedicated to one of history’s most iconic queens. Known as the ultimate symbol of elegance and excess, Marie Antoinette (1755–1793) transformed the aesthetics of 18th-century France and continues to shape fashion, design and visual culture today.

Curated by London’s Victoria and Albert Museum and making its Japan debut in Yokohama, the exhibition traces how the young queen’s refined taste, from her ornate gowns and glittering jewels to her whimsical interiors at Versailles and the Petit Trianon, established a new mode of sophistication that bridged courtly grandeur and personal fantasy.

Through exquisite dresses, jewellery and furniture from her era, ‘Marie Antoinette Style’ explores the queen’s bold creativity and her role as a forerunner of modern self-expression. It also reveals how her image has been endlessly reinvented in art, cinema and haute couture, from rococo opulence to contemporary runways.

A celebration of beauty, rebellion and individuality, the exhibition invites visitors to rediscover the woman behind the legend – a monarch whose influence still defines the art of style.

Hiroshi Sugimoto is one of Japan’s most internationally acclaimed contemporary artists, whose practice spans photography, architecture and stage production. At the core of his work lies a profound engagement with analogue silver gelatin photography, a medium he has elevated through rigorous conceptual frameworks and extraordinary technical mastery, even as it faces obsolescence in the digital age.

The National Museum of Modern Art, Tokyo now offers a major survey that traces the evolution of Sugimoto’s photographic practice from the late 1970s to the present. Featuring approximately 60 silver gelatin prints, the exhibition brings into focus a medium the artist recognises as endangered, while asking broader questions about truth, memory and time.

Structured into three chapters, the exhibition spans 13 series, from early works that established Sugimoto’s reputation to later bodies of work that probe abstraction, perception and the limits of representation. Newly unveiled pieces, including additions to the Diorama series, offer fresh insight into themes Sugimoto has pursued for more than half a century.

The exhibition’s title refers to a deeper meditation on what is disappearing from contemporary visual culture. As digital images become infinitely mutable, Sugimoto reasserts photography’s original power as a medium of evidence and presence. Through its breadth and philosophical depth, ‘Extinction’ is set to offer a rare opportunity to reflect on photography’s past, and its uncertain future, through one of its most rigorous practitioners.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details.

Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.