Things to do in Tokyo this week

This popular fireworks festival along the banks of the Arakawa River is back this year for another spectacle. The history of this annual affair goes back to 1924, and this year 13,000 fireworks will be set off during the hour-long event on Saturday May 30.

Being pushed forward to early summer to lower the risk of heatstroke and cancellations due to severe weather, the event lets you enjoy the fireworks from either the Nishi-Arai or Senju side of the Arakawa between Nishi-Arai and Senjushinbashi bridges. There are several parks along the banks, where you can set up a picnic to watch the show, including the Arakawa Nishiarai Bridge Green Space.

While the event is free, there are ticketed seats available (now sold out, second release on May 2). 

The event was cancelled in 2025 and 2024 due to inclement weather. Keep an eye on the website for the latest information before visiting.

Hakkeijima Island near Yokohama is bringing back its music-synced pyrotechnic shows this summer, with approximately 2,500 fireworks being launched during a span of 10 minutes. Happening on select weekends and holidays from May 30 to November 22, the fireworks are viewable from the island’s free-to-enter boardwalk area or the paid Hakkeijima Sea Paradise amusement park grounds.

Utilising state-of-the-art digital controls, the fireworks are timed to blast with musical beats to the nearest tenth of a second, illuminating the night sky as if the sparks danced to the music.

Shows start from 8.30pm (8pm from October onwards) on May 30, Jun 27, Jul 18-19 & 25, Aug 1, 8, 15 & 29, Sep 19-22, Oct 10-11, Nov 21-22 and Mar 20-21, 2027.

Check the event website for the latest details.

Tokyo’s popular Vietnam Festival focuses on showcasing the best of contemporary Vietnamese culture. Around 120 stalls are lined up at Yoyogi Park Events Square with ample quantities of bánh mì, phở and bánh xèo, which are best paired with Vietnamese beer and coffee. There are also plenty of colourful handicrafts, knick-knacks, apparel and condiments, too.

Don’t miss the live entertainment at the main stage, ranging from traditional performing arts like water puppetry to the latest pop music. This year features major V-pop artists and influncers like Ngô Lan Hương, Erik and Isaac. You can also catch performances from Japanese acts (yet to be announced for 2026). The full line-up and schedule will be announced on the official website.

Shinbashi Enbujo's most prominent show has been part of the programme here since the theatre first opened in 1925. Always happening around the time when spring gives way to early summer, it sees the venue transformed into an extra-large version of a traditional ryotei restaurant, with guests invited to munch on uber-fancy bento treats (provided by nearby ryotei) while being entertained by geisha. Eight performances take place over four days, with two shows happening daily. The closest you'll get to the geisha is during intermission, when the performers are free to mingle, chat and snap selfies with the audience. If you're even the least interested in the traditional arts, you owe it to yourself to see this one.

Tickets are available from March 31 through E-Tix. Check the official website for more details.

The pop-up features dozens of never-before-seen items produced specifically for the event, ranging from keyrings and acrylic stands to T-shirts, caps and other apparel.

The extensive collection spans the gamut of Sega’s many games and characters over the years. Merch starring everyone’s favourite blue hedgehog abounds, natch, but you’ll also find items featuring the likes of Like a Dragon / Yakuza, Sakura Wars or the incredibly obscure cult-classic life simulation game Roommania #203, made for the Sega Dreamcast in 2000, among others.

You’ll also find items created through artistic collaborations with the Sega brand. Five international and local artists showcase their work, including Italian twin-brother visual artists Lugosis & Strato and acclaimed painter Shohei Ochiai, who has previously collaborated with American singer-songwriter and music producer Pharrell Williams.

‘Sega 65th The Limited Shop’ takes place at the ‘Park in Park’ space of Miyashita Park in Shibuya until May 28 and is open daily from 11am to 9pm (11am to 6pm on the last day).

From now until June 14, you can catch hydrangeas blooming in one of Tokyo’s most picturesque Japanese gardens. Rikugien Gardens is currently celebrating the onset of summer with around 1,000 hydrangeas spanning 15 varieties. 

The highlight of the event is arguably the mountain hydrangeas, an elegant variety of that has bloomed on the Japanese archipelago since ancient times. These flowers may not have the conventional appearance of a common hydrangea, but they are still beautiful in their own right while being of modest colour and size. At the garden you’ll also find the vibrant pink Satsuki azaleas, which are also native to the mountains of Japan.

Entrance to Rikugien costs ¥300 (free for primary students and younger). Posters explaining the different varieties of hydrangeas will feature descriptions in both Japanese and English.

Never been to Fussa? Now's a great time to go, as this western city puts on its famous firefly festa again this May. The mysteriously glowing creatures have been raised for months just for this event, which sees them let free into a riverside park at nightfall and spread their shine all around the area. The best time to view the fireflies is around 8pm (firefly viewing at Hotaru park begins from 7.20pm to 8.30pm), but there will be events taking place throughout the day too, such as hula dance performances, taiko drumming performances and brass band performances by the local junior and senior high school students at the nearby Fussa Daisan Junior High School Gymnasium.

Finally, crowds are to be expected, so leave the car at home and take the train or bus to the festival site (the closest stations are Ushihama on the Ome Line and Kumagawa on the Itsukaichi Line). Entry to the firefly viewing area requires a free numbered ticket, which can be obtained on the day at the nearby Fussa City Social Welfare Centre, while supplies last.

Yomiuri Land amusement park has been breeding and raising fireflies to help conserve the species since 2009. This summer, you can watch genji botaru fireflies in June and heike botaru fireflies in July illuminate the beautiful Hana Biyori garden after dark, with the display running until July 1.

Hana Biyori is open from 10am, but the fireflies viewing time is from 7.40pm until 9pm (8.30pm on weekdays). 

A Hana Biyori ticket (¥800) and a separate Hotaru Biyori ticket (¥400) are required for admission.

While Tomioka Hachimangu Shrine is worth a visit just for its impressive architecture, the beautiful grounds are also home to a regular antique market that usually takes place on the first, second, fourth and fifth Sunday of every month. However, to make sure the market is on schedule, you can check the website for the exact dates each month.

As this is an antique market, the items here are a bit less junky than some of the other flea markets in town, with plenty of gorgeous Japanese tableware, folk artworks, antique kimono and more.

In case of rain, the event is cancelled.

Kyu Furukawa Gardens in Tokyo’s Kita Ward is known for its colourful roses that start to bloom in May, and this festival is your best chance to enjoy them all. The Western-style garden on the upper grounds is adorned with 200 roses of 100 different varieties. In addition to your vivid red and pink blossoms, you’ll get to see pastel-coloured ones including Kinda Blue, Cinderella, Manyo and New Dawn roses, too.

There will also be musical performances held on the lawn on May 23 and June 21 from 12noon and at 3pm.  Expect to also see a market in the garden selling potted roses, rose-inspired gelato and gardening goods from 10am to 4.30pm.

Check the garden's Twitter account for the most up-to-date flowering status.

The Shiki no Kaori Rose Garden, located in the residential neighbourhood of Hikarigaoka, is home to an incredible 342 varieties of roses of various colours and species that bloom year-round. During the annual Spring Rose Garden Festival, the roses bloom especially magnificently with bright colours, using the energy they stored up during the winter dormancy period. To celebrate the garden’s 10th anniversary, expect an expanded line-up of events, including hula dancing (June 6 from 1.30pm), talk shows and a special anniversary photo spot.

The garden is separated into two sections. You can compare the rich scents of the roses at the ‘Fragrant Rose Garden,’ or enjoy the vibrant hues of red and pink roses at the ‘Colourful Rose Garden.’ Take in the beauty of the blooms with an accompaniment of live sax music on May 31, with a free concert at the Colourful Rose Garden from 11am and again at 2pm. Free guided tours of the whole garden are available on May 20, 21 and 23 from 3pm.

Jindai Botanical Garden is one of only ten gardens in Japan that has been given an award of excellence by the World Federation of Rose Societies, and you can see why. It boasts a staggering 5,200 roses of 400 species that bloom in variations of pink, white, red, yellow and orange. You can catch this beautiful sight during the Rose Festival from May 2 to 31 (except Mondays).

There’s plenty to do during the event. Grab a rose ice cream at the Terrace Cafe and stop by the outdoor stalls to shop for rose-themed goods. There’s also an exhibit with rose flower arrangements on display, plus a collection of rose bonsai happening daily from May 12 to May 17.

The garden opens at 9.30am on weekdays, but you can beat the crowds on weekends by arriving at the earlier opening time of 8am.

The garden is closed on May 7, 11, 18 & May 25.

If you’re craving some Taiwanese food this spring, then drop by Tokyo Skytree Town for its Taiwan Festival. Head over to the fourth floor of Sky Arena until May 31 to feast on Taiwanese food throughout the day. Several stalls are offering popular Taiwanese festival cuisine such as lu rou fan (braised pork over rice), sheng jian bao (pan-fried soup dumplings) and da ji pai fried chicken.

You can also shop for Taiwanese goods and even enjoy massages and fortune telling. The dining area is decorated with red and Tainan-style vibrant lanterns to give it a Taiwanese night market feel.

Tokyo Tower’s alternative to the usual summer beer gardens kicks off the outdoor drinking season with a double dose of whisky highball festivals. Head to the terrace at the base of the tower for a wide selection of highballs alongside snacks like karaage and grilled bacon.

There’s also a meatier option on the roof of the Tokyo Tower Foot Town, where the Tokyo Tower Rooftop Highball Garden serves all-you-can-eat jingisukan, the Hokkaido-born lamb barbecue named after Mongol warlord Genghis Khan.

Two hours of all-you-can-drink alcohol and limitless jingisukan costs ¥6,300 (teens aged 13-19 ¥4,300, primary school students ¥3,300, children aged 4-6 ¥2,300, all with non-alcoholic drinks, of course).

The Tokyo Tower Ultimate Kaku Highball Garden at the base of the tower is open until October 12, from 4pm-10pm on weekdays and 12noon-10pm on Sat, Sun & holidays.

The Tokyo Tower Rooftop Highball Garden is open until October 18, from 5pm-10pm daily. Make your reservations here.

Touted as Tokyo’s highest beer garden, Mount Takao Beer Garden sits 488m above sea level beside the cable car station, with views stretching across Tokyo and even to Yokohama on clear nights. It’s a popular post-hike stop, offering an all-you-can-eat buffet of Japanese, Chinese and Western dishes, plus 90 minutes of free-flowing beer, wine and cocktails.

To say that this place gets crowded at weekends would be an understatement. The spring edition runs from mid-March to late May, with a chance of extending into summer. One thing to note: the last cable car departs at 6pm (6.30pm on weekends).

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details.

Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.

Window manufacturer YKK AP teams up with a number of prestigious Spanish institutions to highlight a small but crucial detail of Antoni Gaudí’s wide-ranging oeuvre. Zooming in on the role apertures played in the Catalan visionary’s singular architectural language, which was defined by organic forms, intricate ornament and a profound understanding of structure and light, ‘Windows on the Future’ forms part of a wider research initiative examining Gaudí’s creative methods.

Organised to mark the centenary of Gaudí’s death, the exhibition at 21_21 Design Sight shares its concept with a more extensive presentation at Barcelona’s Palau Güell, a UNESCO World Heritage site, adapting it to the design-focused environment of Gallery 3. Through models, research materials and visual documentation, visitors are invited to explore Gaudí’s enduring ideas and consider how his inventive thinking may inspire the windows, and architecture, of the future.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

Having spent over four decades redefining the relationship between art, technology and desire, Hajime Sorayama is one of Japan’s most celebrated contemporary artists. Noted for his iconic Sexy Robot series and his pioneering fusion of human sensuality and mechanical precision, Sorayama’s work has influenced generations of creators across art, design and popular culture – from RoboCop to Dior. His visionary approach, uniting the sensual with the synthetic, has earned him international acclaim and a lasting place in the subcultural art canon.

Opening this spring at the Creative Museum Tokyo, ‘Sorayama: Light, Reflection, Transparency -Tokyo-’ marks the artist’s largest retrospective in Japan to date, following its acclaimed debut in Shanghai. The exhibition traces Sorayama’s artistic evolution from his first robot painting in 1978 to his latest digital and sculptural works. Visitors will encounter highlights such as the original Aibo robot design for Sony, the artwork for Aerosmith’s Just Push Play album, and an immersive installation that embodies Sorayama’s lifelong pursuit of capturing light, air and reflections.

By blending futuristic imagination with classical mastery, Sorayama invites viewers to contemplate a world where human emotion and machine form merge in radiant harmony.

Internationally recognised photographer and film director Mika Ninagawa is hosting a solo exhibition at the homey and intimate DDDArt art gallery in Shimokitazawa this spring. Much smaller in scale than the likes of her recent projects in Kyoto, at Expo 2025 and Tokyo Node, the exhibition takes a step back to revisit Ninagawa’s body of work, from her early career to her latest creations.

Coinciding with the launch of her latest photo book with the same name, the exhibition brings the artist’s worldview to life in a physical space. As if the vibrant pages of the book were superimposed onto reality, the tatami-floored kominka folk house is reborn with shimmering crystal strands, red and pink paint splatters and super-saturated photo prints.

Running until May 31, the exhibit is only a short stroll away from Shimokitazawa, where Ninagawa herself spent over a decade in her formative years. Why not take a detour towards Sangenjaya for a creative journey on your next visit to the area?

Step into a world of vibrant chrysanthemums this spring at this free collaborative exhibition between teamLab and Galaxy. Now in its fifth year, the interactive, immersive space at Galaxy Harajuku uses cutting-edge projection mapping to depict flowers caught in an endless cycle of birth and death. Reach out to touch them and they’ll wither; stand still beside them and they’ll bloom more quickly.

Look down and you’ll see flowing currents of gold beneath your feet – traces shaped by your very presence. The movements of others create their own currents, which intertwine and form swirling vortices. The result is a constantly shifting environment where no two moments are ever the same. The Galaxy store also invites visitors to capture these fleeting scenes using the foldable smartphones available at the venue.

This expansive exhibition is the largest in the Doraemon franchise’s 56-year history, bringing together manga panels, animation, sculptures, limited-edition merch and a themed food menu all starring the world’s favourite blue robot cat and his friends. It launched in Hong Kong in July 2024, attracting over five million visitors during its month-long run. Since then, it has continued to captivate fans across Asia, making its way through several cities including Shanghai, Guangzhou, Bangkok, and Kaohsiung in Taiwan.

The exhibition space contains over 100 distinct Doraemon figures, each with its own expression and costume. In addition to showcasing the content from the previous cities, the Tokyo exhibition also features Japan-exclusive works. Here you can see Doraemon transformed into a shiba inu, a sumo wrestler and a few other forms inspired by Japanese culture, as well as view two original animations not seen elsewhere.

‘100% Doraemon & Friends’ runs until September 30 and is open from 10am to 6pm daily (last entry 5.30pm). Tickets start from ¥2,400 for adults, ¥1,800 for primary and secondary school students and ¥1,600 for children four years old and below – purchase yours here. As an added bonus, upon arrival exhibition visitors receive one of nine Doraemon-themed acrylic pins and one of four promotional cards (both chosen at random).

Brace yourselves – things are about to get intensely kawaii. From April 9 to June 21, the Mori Arts Center Gallery in Roppongi hosts the final and most expansive edition of a pink-hued exhibition that has toured Japan since 2021. Marking more than 60 years since the founding of cute character empire Sanrio, the show returns to Tokyo in an enriched version that looks back not only at the company’s history, but also at the birth and global rise of kawaii as a cultural language.

Before Hello Kitty’s debut in 1974 (!), Sanrio was already exploring new forms of visual softness, warmth and emotional connection. The exhibition traces this formative period, revealing how kawaii emerged as a distinct value through early designs, products and ideas. Subsequent sections delve into the creation of the company’s multifarious characters, the enduring appeal of Kitty-chan and Sanrio’s unique philosophy of growing characters together with their fans. Central to this story is Ichigo Shinbun, the fan mag that fostered a participatory culture long before the age of social media.

The exhibition culminates in a spectacular gathering of characters: over 200 appear on display, the largest number in Sanrio exhibition history, alongside a vast array of nostalgic merchandise. More than a celebration of cuteness, ‘The Beginning of Kawaii’ offers a thoughtful portrait of how Sanrio shaped, and continues to shape, a global cultural phenomenon.

When at the exhibition, be sure to also check out the collab café right next to the museum.

Ueno’s University Art Museum plays host to this landmark celebration of one of Japan’s most enduring art-focused TV programmes. Since its debut in 1976, NHK Sunday Museum (Nichiyo Bijutsukan) has aired more than 2,500 episodes, introducing audiences to masterpieces from across eras and cultures while elevating the voices of cast members, thinkers and performers who reflect on the meaning of beauty. The exhibition, on view from March 28 to June 21, revisits this half-century history through roughly 120 works presented across five thematic chapters.

Visitors will encounter iconic pieces that shaped the programme’s narrative, from prehistoric Jomon pottery and Edo-period (1603–1868) screens to Paul Cézanne’s Bathers, Alberto Giacometti’s Yanaihara I, Taro Okamoto’s Encounter and the haunting visions of Tetsuya Ishida. Archival footage and carefully selected quotes from past broadcasts, including reflections by literary giants, dancers and contemporary creators, illuminate how the show has continued to discover beauty across generations. High-definition projections, including a life-size rendering of Pablo Picasso’s Guernica, further expand the experience.

Touching on themes such as rediscovered Japanese aesthetics, the evolution of craft, the relationship between art and disaster and the intimate space of the artist’s studio, the exhibition offers a sweeping meditation on creativity. This anniversary celebration stands as a vivid tribute to a programme that has long served as a bridge between the public and beauty.