Things to do in Tokyo this week

Shinjuku is hosting a one-night-only candlelight spectacle this November at Shinjuku Central Park. Taking place from 5pm to 8pm on Saturday November 29, expect to see around 3,000 candles that light up the area. Aside from viewing the candles, you can also participate in decorating some by choosing one of the five colouring sheet designs. Once coloured in, you can place your art piece in a candle holder and display it anywhere you like as one of the displayed candles.

The event may be cancelled in the event of rain.

Rikugien is one of the best gardens in Tokyo to immerse yourself in beautiful Japanese landscapes. There’s no bad time to see the garden, but we do admit it’s especially picturesque in autumn, when the leaves take on vibrant shades of red and yellow.

From November 28 to December 9, Rikugien stays open until 8.30pm for its annual light-up. The trees in the garden are bathed in golden lights so that the brilliant colours of the changing leaves stand out even more, providing stunning views.

Aside from admiring the autumn foliage, don’t forget to drop by the garden’s dozo (storehouse). Its earthen walls serve as the canvas for a beautiful daily projection show between 6pm and 8.30pm. 

We recommend purchasing illumination tickets online in advance, as they’re limited and available at a discounted price of ¥1,000. The online ticket portal will open in late October. Otherwise, tickets can be purchased at the door for ¥1,200.

The park will close temporarily at 5pm, and reopen at 6pm for the night opening.

Enjoy the perfectly shaped, sunset-yellow ginkgo trees that form a 300m-long boulevard between Gaienmae and Aoyama-Itchome stations. This is Tokyo’s quintessential autumn scenery, which has graced countless Instagram accounts. The best time to visit is between November 22 and November 30, when the yellow leaves are lit up in the evening.

The light up takes place daily between 4.30pm and 7.30pm.

Otaguro Park in Suginami's residential district of Minami-Ogikubo is a popular spot for admiring colourful autumn leaves, especially after sunset. At night, the main path leading to the Japanese garden – lined with century-old ginkgo trees – glows in vibrant yellow, while the garden’s fiery red maples are illuminated and mirrored on the still pond, creating picture-perfect photo ops.

Showa Kinen Park is the most beautiful in autumn, with the maple and ginkgo trees blushing in fiery red and yellow respectively. The ginkgo trees are the first to turn and you can see two boulevards of the golden yellow trees as soon as you enter the park’s Tachikawa gate. These trees are expected to turn full yellow in mid-November. The momiji and kaede trees, however, present their signature vermillion hues a bit later towards the end of November.

During this season, the park stays open after dark, with special light-ups taking place at the Gingko Tree Avenue (near the futsal and basketball courts) and the traditional Japanese Garden from 4.30pm until 8.30pm.

While you can enjoy the light-ups at Gingko Tree Avenue with just the park's regular admission fee (¥450, free for junior high school students and younger), you need an extra ticket to enter the Japanese Garden (advance ticket online ¥1,200, primary and junior high school students ¥600; same-day tickets sold at Komorebi House close to the Japanese Garden ¥1,300, ¥700).

Tickets to enter the Japanese Garden are now available for purchase online, including park admission and Japanese Garden bundle pass for a discounted price of ¥1,600 (¥600).

Admission into the Japanese Garden is waived on October 30 and 31.

Mt Takao is one of the most picturesque destinations in Tokyo to see autumn leaves. And one of the best ways to do that is by taking the scenic cable car ride, which brings you closer to the mountain’s Yakuoin temple. Here you can sample shojin ryori, a traditional Japanese Buddhist vegetarian meal. To secure a lunchtime seat, be sure to book a reservation for two or more people at least two days in advance via phone.

The best time to see the autumn leaves for 2025 is mid to late November, when the foliage around the cable car tracks turns deep orange and red.

Throughout the duration of the festival, you can also look forward to a host of free events at Kiyotaki Station, the cable car stop at the base of Mt Takao, including musical and dance performances by local university students. While details are yet to be announced for 2025, check the event's English website for the latest updates.

As is the case every year, the base of Mt Takao will be crowded in autumn, so it’s best to arrive via public transport.

Kick off the holiday season – Filipino-style, and dive into the vibrant food and culture of the Philippines at Japan’s biggest Filipino event. This annual festival at Yoyogi Park's events square consistently attracts a jovial crowd with its fun-filled programme, which includes a vibrant mix of music and dance performances (hosted in both English and Tagalog). Expect powerful stage performances by renowned Filipina singer Sheryn Regis, along with dance performances by actor Zeus Collins and much more.

There will also be a variety of stalls offering the country’s iconic dishes and drinks such as adobo and San Miguel beer. 

The 400m-long Keyakizaka Street next to the Roppongi Hills shopping centre is lighting up with 930,000 sparkling white and blue LEDs until Christmas Day. From the pedestrian bridge near the Roppongi Hills Arena, you'll get a stunning view of the trees covered in shimmering lights, with Tokyo Tower in the background, from 5pm to 11pm daily. 

Marunouchi Street Park, which comprises the areas along Marunouchi Naka-dori and Gyoko-dori streets, is illuminated with festive lights in the evening. Coinciding with the illuminations, there will be a Christmas market serving baked goods and hot beverages on both streets until December 25, as well as stalls offering Western antiques. In front of the Marunouchi Nichome Building, you’ll find plenty of benches to rest on while enjoying live music (times are yet to be announced).

Also, don’t miss the brilliantly lit Christmas trees along Gyoko-dori – making their debut in 2025. This picturesque street offers a stunning view of the iconic Tokyo Station building, plus ten festive food stalls dishing out hearty winter favourites like homemade pizza, hot dogs and stew.

The illuminations take place daily from 11am to 10pm. Gyoko-dori markets begin on November 28.

Enoshima’s annual illumination is widely touted as one of the three biggest and most impressive light-up events in Greater Tokyo, alongside the ones at Ashikaga Flower Park and Sagamiko. There are about 10 illumination spots scattered across the hilly island – including the Enoshima Shrine, Ryuren Bell of Love on Lover's Hill and Nakatsumiya Square – so put on some comfortable shoes as you’ll be trekking a lot.

Don’t miss the main attraction located at the island’s iconic Enoshima Sea Candle lighthouse, which is decked out in 70m-long strings of lights stretching from the tip of the tower to the ground, creating a formation similar to the silhouette of Mt Fuji.

The Samuel Cocking Garden, where the Sea Candle is located, is transformed into the dreamy Hoseki (bejewelled) Forest, where everything from the ground and the grass to the trees are covered in purple lights. Keep an eye out for the Shonan Chandelier tunnel, all decked out with luxurious crystal beads and LED lights. New for 2025, the Samuel Cocking Garden will also feature a dazzling sea urchin-inspired installation created by MirrorBowler.

Most attractions are open from 5pm to 8pm (until 9pm on weekends and holidays). You can see some of the light-ups on Enoshima for free, but you will need a ticket (¥500, children ¥250) to enter the Samuel Cocking Garden, which hosts the largest illuminations.

If you're on the island early during daylight hours, head over to Enoshima Iwaya (¥500, children ¥200), as the island's famous cave, created by decades of wave erosion, is bedecked with sparkling lights from 9am to 5pm.

Package tickets, including entrance to Enoshima Sea Candle, Samuel Cocking Garden, and Esca escalators, can be purchased for ¥1,550 (¥750) via Emot.

If you’re looking for the most OTT illumination in Tokyo, this is it. Yomiuri Land's annual winter light show will bedazzle even the most jaded illumination-fiend. As the name suggests, jewels are the focus here: literally millions of colourful LEDs are set up throughout the vast theme park evoking sparkling gems. The park is split into ten areas where you will be treated to beautifully lit attractions. 

In addition to the 180-metre rainbow-lit Jewellery Promenade and the 140-metre Crystal Passage illumination tunnel, you can also admire the newly built 'Sky-Go-Land' Ferris wheel, which features a special two-sided light display — a dazzling diamond pattern on the east side and elegant gold on the west. The highlight, however, is the fountain show, with water illuminated in different colours and sprayed into the air to create stunning shapes. There are three kinds of show happening every 15 minutes from 5pm daily. Also look out for the fountain’s flames and lasers, which are synchronised to music.

 There will be no illuminations from March 2 to March 13, 2026.

Everyone loves Chiikawa right now. Get your fill of the mischievous characters created by Japanese illustrator Nagano in Shibuya, where the franchise’s official ramen shop returns for a limited time. Located on the basement floor of Shibuya Parco, it deals in ramen of the pork variety, hence the buta (pig) in the name. The ramen is served in three sizes: Chiikawa (mini), Hachiware (small) and Usagi (large). Each bowl will come with a novelty sticker, featuring either Chiikawa, Hachiware or Usagi depending on the bowl you ordered.

As for drinks, the Shisa Mandarin Soda is a must-try, named after the hard-working lion dog and ramen shop assistant in the Chiikawa universe. Each drink comes with a novelty character card, which you can draw at random from a selection of 10 characters.

Visitors who grab a bite of the ramen are also allowed exclusive access to the adjacent merch shop, complete with limited-edition goods – think T-shirts, ramen bowls, beer jugs and towels featuring the adorable Chiikawa.

The Tokyo Biennale returns with an invitation to explore the city through the theme ‘Wander for Wonder’. From October 17 to December 14, the international art festival transforms the capital into a living gallery, bringing together 38 artist groups from seven countries in a city-wide celebration of walking, discovery and creativity.

Taking place across two main venues – Ueno’s 400-year-old Kan’eiji Temple and the Etoile Kaito Living Building – alongside six exhibition areas including Ueno, Kanda, Nihonbashi and Marunouchi, the Biennale blends contemporary art with Tokyo’s deep cultural layers. Installations emerge at temples, across public spaces, in shops and vacant properties, creating a unique urban tapestry of expression and memory.

Curated to be a ‘social dive’, the Biennale encourages visitors to encounter art through movement, echoing the artistic legacies of walking-based practices by figures such as Yoko Ono and Gabriel Orozco. As people stroll through neighbourhoods and engage with their surroundings, each step becomes part of a creative process.

Tokyo Biennale 2025 looks set to be a journey of serendipitous encounters, offering a fresh lens on the city’s untold stories and its vibrant potential for connection through art.

Many of the exhibitions and events at the Tokyo Biennale are free. However, select exhibitions charge entrance fees. For those seeking a comprehensive experience, all-access passes are available for ¥3,000 per adult (or ¥2,500 if purchased in advance) and ¥1,800 for students (advance passes ¥1,500). These passes grant unlimited access to all venues during the festival period.

For a detailed program and more information, visit the Tokyo Biennale’s website.

The Tokyo Metropolitan Government No. 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘Idol’ and 'Butai ni tatte' by hit Japanese pop duo Yoasobi as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Poetic Structures’ and ‘Golden Fortune’. On weekends, you can look forward to a showcase featuring 'Godzilla: Attack on Tokyo!', the aforementioned ‘Butai ni tatte (Yoasobi)’ as well as ‘Tokyo Concerto’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From April 26, ‘Tokyo Gundam in the Future’, a brand new projection mapping show featuring a Gundam with a newly reimagined Mobile Suit colour scheme, will begin on weekends and holidays every hour from 7pm (7.30pm from May 10). Be sure to check the event website for more details.

Shows take place every night at half-hour intervals from 7.30pm (Sep from 7.30pm, Oct from 6pm, Nov & Dec from 5.30pm) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.

From November 14 to January 12, Tokyo City View hosts 'All of Evangelion', an art exhibition to celebrate the 30th anniversary of the beloved Evangelion franchise. 

As its name suggests, the exhibition spans the entirety of Evangelion's decades-long history, featuring everything from original cels and drawings from the Neon Genesis Evangelion anime series to never-before-seen digital materials from the Rebuild of Evangelion films.

Tsukasa Hojo’s popular manga City Hunter debuted in Weekly Shonen Jump in 1985, and the action comedy series has since become firmly established in the Japanese comics canon. The story follows the charismatic but easily distracted private investigator Ryo Saeba, an inveterate womaniser, as he takes on high-stakes missions in Tokyo, helping those in need while navigating an ever-expanding cast of allies and adversaries. Known for its gripping blend of action, humour and heartfelt moments, City Hunter has inspired anime adaptations, films, and live-action interpretations around the world.

To commemorate the manga’s 40th anniversary, the Ueno Royal Museum will be hosting ‘Forever, City Hunter’ from November 22 to December 28 2025. The special showcase is set to feature a vast collection of original artwork, tracing the series’ evolution over four decades. Fans will have the opportunity to immerse themselves in the world of City Hunter through rare illustrations, behind-the-scenes sketches, and iconic moments that have defined the series.

Sharing his thoughts on the milestone, Tsukasa Hojo humorously noted that while protagonist Ryo Saeba repeatedly proclaims himself ‘twenty years old’ (regardless of his real age), City Hunter is now celebrating its ‘second coming-of-age ceremony’. Here’s to hoping that Ryo’s adventures will continue to resonate with readers for decades to come.

Pop art impresario Andy Warhol (1928–1987) blurred the boundaries between high culture and mass consumption, transforming everyday objects and the faces of celebrities into icons of contemporary art. His fascination with fame, beauty and repetition made him both a mirror of his age and a relentless critic of it, leaving behind a body of work that continues to resonate in today’s image-saturated culture.

Espace Louis Vuitton Tokyo’s ‘Serial Portraits’ showcase is part of the Fondation Louis Vuitton’s Hors-les-murs program, which brings highlights from its Paris collection to audiences worldwide. This free exhibition focuses on Warhol’s radical reinvention of portraiture, from his playful photo booth experiments in the early 1960s to the spectral self-portraits he made shortly before his death.

Highlights like the Self-Portraits series (1977–1986) are displayed alongside both celebrated and lesser-known works to offer insight into Warhol’s evolving exploration of identity, celebrity and the endless possibilities of repetition. By juxtaposing iconic images with hidden gems, the exhibition reveals how Warhol turned portraiture into a stage for both personal reflection and cultural critique.

The Watari-um’s ‘One More’ brings together two global icons of contemporary urban art: Brazilian twins Osgemeos and American artist Barry McGee. Emerging from graffiti and street culture, both artists have redefined the boundaries between public art and the museum space, infusing walls, cities and galleries around the world with vivid colour, rhythm and humanity.

Known for their dreamlike murals and whimsical characters, Osgemeos have exhibited from the Hirshhorn Museum in Washington to Milan’s Pirelli HangarBicocca. McGee, celebrated for his bold, socially engaged work under the tag ‘Twist’, has been a central figure in the American street art scene, showing monumental installations at SFMOMA and the Venice Biennale.

With ‘One More’, the duo transforms the Watari-um into a dynamic playground of imagination. Conceived as a spontaneous dialogue between long-time friends and collaborators, the exhibition blurs the lines between painting, sculpture, animation and installation. Expect a universe where urban energy meets poetic introspection – a celebration of creativity, community, and the enduring spirit of the streets that inspires the artists.

Creator of the iconic Great Wave off Kanagawa – and more than 30,000 other works across a remarkable 90-year life – Katsushika Hokusai was known for his restless spirit (he moved 93 times) and ever-evolving identity (he used more than 30 artist names). And by the way, the ukiyo-e impresario’s prolific genius also laid the foundation for what we now recognise as manga and anime.

This autumn, ‘Hokusai’ at Creative Museum Tokyo offers an immersive journey into the artist’s seemingly boundless world. With over 300 pieces on display, including the complete Hokusai Manga (from the world-famous Uragami Collection), all three volumes of One Hundred Views of Mount Fuji, and a set of 16 newly discovered hand-painted works from his final years, the show promises unprecedented depth.

And as we’ve come to expect from this venue, the artworks on display will be accompanied by some certifiably contemporary exhibits. These include animated adaptations of Hokusai prints by top Japanese animators, highlighting how the visual storytelling of Edo’s greatest artist continues to resonate. Be sure to exit through the gift shop for a look at some 150 pieces of exclusive merch, including collaborations with Peanuts, Chums and Swiss Army knife maker Victorinox.

'Shibuya Archive Photo Exhibition 2025' showcases photos of the Shibuya area ranging from the early 1900s to the late 2010s. The collection is brought to you by the Commons Archive Collective, an organisation founded in 2021 that puts on exhibitions of its collections, many of which have featured Shibuya in some capacity.

This particular Shibuya-themed exhibition is in its third year. Last year's nine-day iteration was quite successful, welcoming some odd 6,600 visitors over its short run. While the 2024 exhibition featured 300 photos encompassing a wider area including Harajuku and Daikanyama, this year's selection has been pared down to 170 and focuses on Dogenzaka, Koen-dori, Center-gai and other locations close to Shibuya Station.

The exhibition takes place at 8/Court on the 8th floor of Shibuya Hikarie 11am-7pm on November 18, 11am-8pm on November 19-29 and 11am-6pm on November 30. Entry to the exhibition is free of charge.

Portuguese filmmaker Pedro Costa has long been recognised as one of contemporary cinema’s most uncompromising and visionary voices. Emerging in the 1980s, Costa quickly established a distinctive style defined by stark contrasts of light and shadow, rigorously composed frames, and an unflinching gaze at the margins of society.

His films, such as In Vanda’s Room (2000), which captured the daily struggles of Cape Verdean immigrants in Lisbon’s Fontainhas district, marry documentary intensity with painterly precision. Acclaimed internationally, Costa’s work has extended beyond the cinema screen to major exhibitions, including ‘Company’ (Serralves Museum of Contemporary Art, 2018) and ‘The Song of Pedro Costa’ (Spain, 2022-23).

Celebrating its 30th anniversary, the Tokyo Photographic Art Museum presents Costa’s ‘Innervisions’ until December 7. Inspired by Stevie Wonder’s 1973 album of the same name, which profoundly influenced Costa’s youth, the exhibition reflects on the interplay between individual lives and wider social realities. The show introduces characters that play vital roles in the artist’s oeuvre, alongside the environments they inhabit, situating Costa’s cinema within its broader sociohistorical context.

Complementing the exhibition, the museum will host Carte Blanche, a film series curated by Costa, together with screenings of his own seminal works. Offering rare insight into the filmmaker’s creative universe, ‘Innervisions’ invites audiences to rediscover the power of cinema as both art and social critique.

Though he died at just 37, Vincent van Gogh left behind a body of work that revolutionised modern art; an oeuvre celebrated for its swirling brushstrokes, bold colours and raw emotional force. Yet the Dutch master’s legacy is shaped as much by his turbulent life as by his luminous canvases, and this narrative of suffering and passion continues to captivate audiences around the world.

With ‘A Renewal of Passion’, the Pola Museum of Art in Hakone presents its first-ever exhibition dedicated to the post-Impressionist painter. Running until November 30, the display features key works from the museum’s own collection alongside historical and contemporary responses to Van Gogh’s art, highlighting how his fervent creativity has inspired generations of artists across continents and eras.

The show emphasises Van Gogh’s influence in Japan, where his deeply personal style resonated as early as the Meiji era (1868–1912), and highlights modern reinterpretations by artists such as Yasumasa Morimura and Fiona Tan. Composed of paintings, installations and archival materials, the exhibition offers a poignant meditation on the enduring power of Van Gogh’s vision in a changing world.