I like the movie "Burn witch Burn." It's not your classic jump scare movie but has some good scares about witchcraft and a killer ending.
The 100 best horror films: the list
The best horror films, as voted for by more than 100 experts including Simon Pegg and Roger Corman
By Derek Adams, Dave Calhoun, Cath Clarke, Sarah Cohen, Nigel Floyd and Tom Huddleston, with the generous support of everyone at FrightFest and Cine-Excess. Explore the individual top tens of every contributor.
Dir Carl Theodor Dreyer (Julian West, Jan Hieronimko, Sybille Schmitz)
The first bite is the deepest.
In 1932, the New York Times’s film critic was not impressed. ‘Vampyr’, he declared, was ‘one of the worst films’ he’d ever seen, but added grudgingly that director Carl Dreyer could always be relied upon to be ‘different’. And ‘Vampyr’ is different, a film like no other. Dreyer spun his cinematic nightmare from two stories from a Sheridan Le Fanu collection. It stars Nicolas de Gunzburg (a Russian aristocrat who bankrolled the film, appearing under the alias Julian West) as an occult-obsessed young man who visits a French village haunted by a vampire. The lord of the manor dies and his young daughter is gravely ill, bite wounds to her neck. His intention, said Dreyer was ‘to create a daydream on the screen and to show that the horrific is not to be found around us, but in our own unconscious mind.’ And ‘Vampyr’ is often compared to a waking dream, full of strange hallucinatoryimages that strike dread in audiences even today. CC
Dir Lucio Fulci (Katherine MacColl, David Warbeck)
All I have to do is dream.
Outside the arthouse, horror is the only cinematic genre where pure surrealism is not only acceptable but expected – and there are few more graphic examples than Fulci’s bonkers bayou bloodbath ‘The Beyond’. There’s a plot of sorts, but it’s fairly standard: a young woman inherits a hotel which happens to have been built over a gateway to hell. But this is merely a loose framework within which Fulci goes all out to upset and horrify his audience: faces melt inexplicably, tarantulas rip out human tongues, zombies rise from the grave, eyes are repeatedly torn out. The result is more accurately nightmarish than almost any other film on this list, a true descent into the depths of meaningless, unpredictable, terrifyingly beautiful horror, with a scorpion-sharp sting in the tail. TH
Dir Masaki Kobayashi (Tatsuya Nakadai, Rentarô Mikuni, Michiyo Aratama)
Pack up your troubles.
Based on traditional Japanese folk tales and filmed in ravishing wide-screen on hand-painted sets, these four stories – of raven-haired women, beautiful female spectres, blind singing monks and ghostly samurai warriors – created a template for much of the indigenous supernatural cinema that would follow. The eternally youthful wife in The Black Hair, in particular, prefigures the many raven-haired women with shadowed ivory faces found in modern J-horror movies such as ‘Ringu’. Kobayashi’s stylised use of colour is more symbolic than naturalistic, and coupled with the avant garde electronic score by Toru Takemitsu, which also incorporates sampled natural sounds, it generates both a haunting atmosphere and some subtle supernatural chills. NF
Dir Henri-Georges Clouzot (Véra Clouzot, Simone Signoret)
Schools out forever.
There’s much fun to be had with French filmmaker Clouzot’s boarding school-set puzzler from 1955, a suspenseful comic tease with added frights. First, there are the grotesque characters, each horrific enough in their own way, from the boo-hiss headmaster (Paul Meurisse) to his nervy wife (Vera Clouzot) and bullish mistress (Signoret). Clouzot has been tagged the ‘French Hitchcock’, and it’s a fair enough comparison: like his British counterpart, he allows for ample playfulness amid the scares. Apart from being compelling right to the final frame, the main reason why ‘Les Diaboliques’ deserves a place in this list is the way that Clouzot continually upends us with the ambiguous aftermath of the headmaster’s murder – as well as how he pulls off an unforeseeable scare late in the day. DC
Dir Ken Russell (Oliver Reed, Vanessa Redgrave)
In lesser hands, the wild theatrics and camp stylings of Ken Russell’s story of religious persecution and demonic possession in seventeenth-century France would turn ‘The Devils’ into no more than a fleshy, hysterical romp. But what’s brilliant about ‘The Devils’ is that Russell achieves a real, serious sense of fear and claustrophobia alongside the ample lunacy. Partly that’s down to Reed's reserved performance – compared, at least, to the madness around him – which means that when his character, Father Grandier, is finally tortured we feel the full horror of corrupt government and wayward religious fervour directed towards him. That said, ‘The Devils’ is also hugely fun, from Derek Jarman’s immense, overwhelming set design to Vanessa Redgrave’s vulnerable, possessed performance as Sister Jeanne. In March 2012, the BFI finally released ‘The Devils’ on DVD as part of an impressive two-disc package: a fitting tribute to Russell, who died in November 2011. DC
Dir Dario Argento (David Hemmings, Daria Nicolodi)
Argento fans have a tendency to divide into two camps: those who prefer his relatively straightforward, plot-driven early giallo thrillers and those who revel in the surrealistic beauty of his post-‘Suspiria’ dream-movies. ‘Deep Red’ is the film which unites the two camps, combining propulsive narrative intrigue with a series of kill scenes more elaborate and expressionistic than anything the director had yet attempted. Thanks in large part to two likeable lead performances – Hemmings and Nicolodi have a real rapport as the amateur sleuths on the trail of a serial murderer – it’s also Argento’s most breezily enjoyable film, chucking in a fistful of witty, satirical attacks on Italian masculinity and some of the finest prog-fusion freakouts ever committed to tape. TH
Dir Ingmar Bergman (Max von Sydow, Liv Ullmann)
It's all in the mind.
It’s hard to watch Swedish actor von Sydow as a tortured artist in Bergman’s portrait of a man in deep crisis without thinking of the same actor’s self-mocking act as a troubled painter in Woody Allen’s ‘Hannah and her Sisters’ (1986). This is deadly serious though: the real and imagined sit side by side and haunt each other as von Sydow’s demons take over the imagery and mood of the film as his wife (Ullman) recalls this terrible period in her life. Conceived alongside ‘Persona’, Bergman offers the full horror of an artist’s breakdown and crumbling of his marriage (and perhaps his wife’s mind too) – all of which is presented, at times, as a full-on Gothic nightmare, with characters walking on ceilings, men appearing in hallucinations as birds and a gruesome flashback in which Von Sydow’s character remembers attacking a young boy with a rock. Haunting – and even more so when you discover it emerged from Bergman’s own demons and nervous breakdown in the mid-1960s. DC
Dir Roman Polanski (Roman Polanski, Isabelle Adjani)
Roman á clef.
What is it about Polanski and confined spaces? With ‘Repulsion’, ‘Rosemary’s Baby’ and finally this Paris-set film, the Polish director proved himself a master of turning the humble flat into frightening domestic terrain. Here, Polanski himself plays a man who moves into an empty apartment, previously occupied by a woman (Adjani) who attempted suicide, and finds himself at the centre of a paranoid storm in which his neighbours are increasingly accusing and vicious towards him – causing his mental state to worsen as it becomes less and less clear exactly what’s real and what’s not. ‘The Tenant’ may be set in the present, but it’s hard not to impose the horror of Polanski’s own childhood experiences in the Warsaw ghetto on to this story of the walls closing in on one man’s world. DC
Dir Michael Powell (Karlheinz Böhm, Moira Shearer, Anna Massey)
The eye of the beholder.
Made the same year as ‘Psycho’ – another film about a deranged single man – this was the film that brought Powell’s career to a premature halt, so upsetting did his contemporaries find the story of a young photographer and filmmaker who disguises a murder weapon as a camera in order to trap and kill women. In retrospect, Mark Lewis (Böhm) remains a disturbing figure and his screen murders have an intimate cruelty to them – Shearer’s demise in an empty film studio is especially horrible. But surely it was the most modern elements of the film – the suggestion that the camera itself is so invasive and predatory as to ‘kill’ and the idea that Lewis is playing out a childhood trauma – that alienated viewers in the early 1960s and caused Powell’s critics to grumble instead about its portrayal of semi-naked prostitutes? This is a great horror film about the horror of cinema itself. DC
Dir Sam Raimi (Bruce Campbell, Ellen Sandweiss)
Low-budget DIY horror was already a force by 1981 – the ‘Texas Chain Saw Massacre’ folks had shown that you could make millions with an old camera, some enthusiastic friends and a few garden tools – but the movie which took the movement to new heights was Raimi’s astonishing debut. Adapting their own short ‘Within the Woods’, childhood friends Raimi, producer Robert Tapert and star Campbell secured funding from local businesses and traipsed off to the forest to make one of the most ferocious, original and unrelenting horror movies of all time. Sure, it looks a little rough around the edges now (and that still censored tree-rape scene is just unnecessarily vicious), but ‘The Evil Dead’ remains an inspiration for first-time filmmakers, a testament to the power of plasticine, glue and gumption. TH
Newton once said "If I have seen far it is because I stand on shoulders of giants", and whilst I agree with the rating of Carpenter's "The Thing", to applaud it without a nod and a wink to the original movie and the author of the story (John Campbell Jr.) is, at least, careless.
I've never thought The Exorcist scary because it requires a religious belief I don't have. I do, however, accept crazed, evil people and zombies.
do you have to use the tired old myth about the cast of 'Alien' not knowing what was going to happen to John Hurt? How do you think they filmed it? - With Hurt in a body cast with fx crew there to perform the effect. Oh and the scene used in the film was a retake so the cast had seen it all before anyway... You don't have to know any of this for common sense to tell you that the alien didn't just burst out of his chest without some serious preparation. Lazy, poorly-researched journalism really hacks me off...
the Conjuring is best of all for me. http://www.flipkart.com/the-conjuring/p/itmdn3dnwdxyxadq?affid=sandeepsem
i dont understand all the genre nuts losing their minds over certain "non-horror" films on the list. horror is horror. if you want to fine-tooth comb the genre and only accept "strict" definition films aka ghost stories, monsters, gore, etc, then you're missing out on a whole range of disturbing material that elicit the same emotional responses. kudos to time out for listing films like come and see and jacob's ladder, that are just as horrifying (probably more so, even) than most horror films.
this is a great list - very comprehensive, both in terms of eras and sub-genres. i personally would have liked to have seen capenter's prince of darkness and burial ground: nights of terror. though, the former definitely gets a mixed reaction from the masses as far as john carpenter films go. and the latter, totally niche and terrible in a lot of respects. but i still see it as the ultimate atmospheric zombie flick.
dont look now almost breaking the top 10? awesome.
Session 9, very underrated but creepy as hell, made in a real haunted asylum called Danvers (unfortunately not standing anymore)
Although I respect this list and all of its original choices, I believe the following three films must be included:
(1) The Eclipse (2009)
(2) Sinister (2012)
(3) The Conjuring (2013)
Personally I believe people saying all old horror movies are bad and likewise those claiming all new horror movies are bad are wrong. I did like many older titles on this list including The Thing, Alien, Jaws etc and I am delighted it has at least one new good horror movie The Descent(2005).
Since An American Werewolf movies was mentioned in this list I have 3 werewolf movies that I like much better. The Howling(1981) the original the rest of Howling movies are more or less B budget movies. Ginger Snaps(2000) was great and I also like the Action/Horror movie Dog Soldiers(2002). The classic Action/Horror movie for me is Aliens(1986).
One of the best horror lists I have ever seen. Tired of seeing movies considered "horror" and scary when they don't belong. There is a strong difference between disturbing and scary ( if disturbing was accounted for then you would see Saw on this list probably,The Girl Next Door, and Wicker Man , which I love, would be higher). I do have to agree with a previous post. Insidious should have a spot. Even more so for Conjuring. Otherwise the list was perfect.
Halloween in my opinion is the granddaddy of them all, a true masterpiece. I appreciate slow burn horror films as much as the next person but sometimes I want a horror movie to punch me in the gut from the opening frame and not let up. Martyrs is that type of movie.
Oops, just reviewed the list again REC is included, my bad still The Stepfather should have been included even if at 100 also the series of Eye films by the Pang Brothers were not too shabby, especially the first.
Good list, I found alot of new films here, but the last 5 were actually in a good order of how scary, finishing on the exorcist which is in my opinion the most scariest film ever created. So 5 stars from me. :)
Rosemary's Baby. One of the worst horror films of all-time. Boring as it gets. No suspense or scares whatsoever. The Exorcist yes, great film. The Shining as well. Overall a good list.
no insidious? no sinister or paranormal activity? they may not be for everyone but one cannot deny the impact they have had on the modern horror genre, look at the conjuring, fantastic movie. where is the changeling from 1981? or 1982, not sure of the year, and how does dont look now, a drama with a slightly shocking ending make it into this list when the prince of darkness doesnt? that film made me feel dirty all over with its literally unrelenting feel of oppression, forcing you deeper into your seat with each passing moment, forcing you to wonder if anyone will actually make it out alive, some poor decisions on what made this list, especially as ive always found movies like the ring(both countries versions) literally knock-me-to-sleep boring and the original grudge i found awful too, although i like the american remakes, which is unusual
You really had to put the last 10 as single items? I found they took just as long to load as the 10 per page ones. I had to stop at 6. The loading is unbearable and there seems to be many script errors on this site. I'd rather deal with those sites that make you click the link 5-10 times than this. At least they load fast.
Scream isn't scary enough to be in the top 100 scary horror movies. The movie was based off of suspense and drama based on the massacres and not enough fear by the audience.
considering this film is based on a true story, i think its pretty frightening , those of you who think its not frightening . i suggest you work your tiny little brains into action and think ,,,,, this scenario actually took place !!
I agree with AshS. What a lame, p'whipped list of crap. The title is Horror movies, and few of these elicit any feelings of ill ease, much less horror. Listing the Exorcist as No. 1? Are you kidding or just a limp-wristed theater critic?
Trash list, don't put movies if you think they are not actually scary movies. So many explanations like that are in so many of the movies you put. Useless.
First thing where is scream?? it may not be a top 10 contender but come on to not make the top 100 Is silly. Also hellraiser 3 has got to be in any top 100 list. I also think Woman in black and the strangers deserve a place in this list. Overall not that impressed with this list I mean A nightmare on Elm Street number 30 ish pffft
To the reviewer of "The Tenant" Did you even saw the movie or just searched in the web like a kid today would have in this wikipedia generation? Adjani played the character of Simone Choule??? You must have seen some other Tenant other than the one i saw... Really guys, and you are paid to do this job. Its scary the ignorance of a Time Out employee... If you don't know about something don't write about it, or just give it to someone who does.
not really impressed with this list, silence of the lambs 59??? come on, its not even a horror movie, its a psychological thriller.
Anybody who puts The Exorcist higher on their list than The Shining doesn't deserve to review horror movies. Kubrick is God. Remember that. Kubrick is God.
I didn't actually watch the film.. But I think its sounds like it could be quite a good film. Merry Christmas everyone ! Rechal
Rec should been higher. Ending in rec 5mins is more intense than watching 1hour shitty oldies in top10.
Where the flip is ZOMBIE FLESH EATERS. nearly every horror critic would have this in the top 5 horror let alone the top 100?? sixth sense??? thats not horror. thats kids stuff. also evil dead one is so much better than number 2. 2 is lost between comedy and being serious, plus is mega over produced and doesnt have the orignal atomosphere, not even close. But thats me, but then i do rate hellraiser a lot higher than 80. top ten at the very very least, so i think i know a lot more than this list. you cant be serious. WHERES HELLRAISER 3??????:?
I really don't see how 'The Exorcist' ALWAYS makes the top choice?! I didn't find it scary whatsoever, more like funny, and that's coming from someone who always hides behind a pillow watching horrors. There are sooo many other movies that should really replace that film in the top rank.
@Gghj H ugh that movie is crazy! :-)
@Gghj H try #31
@Martin K wow you must feel so proud announcing that you don't have a religious affiliation....I wonder if you'll be as quick to deny God in judgment day, just before you get tossed into the lake of fire!
Except that's not a myth, it's true. The shot of Veronica Cartwright falling over is a real. They knew that SOMETHING was going to happen, just not WHAT or WHEN. Stop calling it a myth when it isn't.
@mjer90 There is a difference between horror and horrible
@Matt Yeah this is my intake on this list. First of all I am NOT young. However I do eat
and everyone believes I am like 10 year younger when they meet me. I also tested online dating and if I put myself 10 years younger they believe me. In addition I do like NEW horror movies. I am happy that The Descent made it to top 100 it really deserves its place. I do like many of the old movies in this list like Alien, The Thing, Jaws the first of these were all good. That said this list represent taste of old people voting what are the best movies. Many youngsters say horror fans 20-25 years old would laugh at this list at least some titles. Personally I think those people who laugh saying all old horror movies are bad and likewise those who say all new horror movies are bad are very wrong or they are stuck in their own subjective timeline what is best.
I am not saying all new horror movies are good. That said 2000+ era has brought great horror movies. 3 Werewolf movies that I like more then then An American Werewolf in London. The Howling(1981 the original the first of them rest are low budget B movies) and YES I do like Ginger Snaps(2000) and Dog Soldiers(2002). Ok Dog Soldiers(2002) is more like Action/Horror, but Aliens(1986) the second Alien movie was also a great Action Horror movie.
@jed Gee, Jed. You call this list "the worst... list on the internet." So, tell us (we're all listening): where is *your* own top 100 list? Not the one you like the best, but one you personally put together. Point us to it, on the internet, and we'll go see. We won't be any more critical of it than we can help. Honest.
where is the moth man prophesies? hey man no disrespect to the list everybody to them selves. That film scared the shit out of me and I have watched every horror going, although I was on a very bad hangover, and watched that film, seeing it was supposedly based on a true story, scared the crap out of me, was one if them ones that stuck for a few days, I had to watch it again though. Great film, spoke to a few punters that said the same.