Som Supaparinya’s latest solo exhibition, shaped with curator Gridthiya Gaweewong, feels like stepping into a quiet argument about who gets to record the past. Part of the Han Nefkens Foundation, Southeast Asian Video Art Production Grant 2024 in memory of Dinh Q Lê, the new commission sits beside a reworked version of her earlier installation Paradise of the Blind. The older piece still carries its spark, using archival fragments, censorship records and once-forbidden titles to sketch a region that edits itself as often as it remembers. Seen together, the works raise questions about the cost of progress and the uneasy conversation between power, memory and the natural world.
December 4-March 29 2026. Free. Gallery 1-2, The Jim Thompson Art Center, 10am-6pm
