Our picks for the best things to do in Bangkok this weekend

Pnk.ff's second solo exhibition celebrates everything we usually try to sweep under the rug – the fumbles, the messes, the moments when life doesn't quite go to plan. Rather than hiding these beautifully awkward bits of being human, the artist drags them out and gives them proper gallery treatment. What you'll find here are personal, clumsy snapshots transformed through playful and humorous artworks that feel refreshingly honest. It's essentially an invitation to laugh at your own stumbles whilst recognizing that these wonky moments are what make ordinary stories genuinely memorable. Because let's be real, some days simply refuse to go smoothly, and often it's precisely those off-kilter experiences that stick with us longest. Until December 27. Free. KICH Ari Space, midday-7pm

Graffiti Social Club started as a Taiwanese gathering back in 2019 and has now made its way to Thailand for the first time. Founded by curator REACH, this isn't your average street art showcase – it's a proper celebration of how graffiti has grown from underground rebellion to a legitimate global art movement. Over the past six years, the platform has popped up in major museums and galleries across Taiwan, giving local spray-can wielders a chance to rub shoulders with the international scene. This Thailand debut brings together 12 acclaimed artists from Taiwan, Japan, the United States, Europe and, naturally, Thailand itself.  Until January 4, 2026. Free. River City Bangkok, 10am-8pm

Tsai Kuen-Lin's solo exhibition does something radical: it makes rivers audible. During his residency, the artist submerged recording equipment beneath the Chao Phraya River, Ping River and Ang Kaew Lake, capturing underwater symphonies most of us will never hear. Mae Nam – Mother Water – treats these recordings as living archives rather than ambient noise. What makes this particularly compelling is his material shift: gone are the PVC pipes from earlier outdoor works, replaced now with clay and ceramics embedded with traces from those exact recording sites. Sound becomes tangible; earth meets liquid. It's an exhibition that asks you to reconsider water not as backdrop but as protagonist, carrying memories of communities who've shaped and been shaped by its currents. Wind, earth, water, fire – all four elements collapsed onto gallery walls, whispering stories we've forgotten how to hear. Until January 10. Free. SAC Gallery, 11am-6pm

PLAY art house and Rosewood Bangkok have teamed up for their first artistic collaboration, shining a spotlight on Song Wat Road through the eyes of local creators. This exhibition peels back the layers of one of the city's most storied neighbourhoods, where century-old shophouses sit alongside slick new cafes. It brings together artists working across different styles and media, each capturing the peculiar magic of this never-sleeping street. You'll find pieces inspired by everything from the cracks in ancient tiles to chance encounters outside family-run businesses that have been serving the same customers for generations. It's essentially a love letter to Song Wat Road's beautiful contradictions – the way trendy cocktail bars nestle beside traditional Chinese medicine shops, and how morning market chaos gives way to evening temple rituals. Proper neighbourhood storytelling at its finest. Until January 11, 2026.  3/F, Rosewood Bangkok, The Gallery, 9am-9pm

Can faith exist when we're all scrolling? It's not a question White Temple necessarily answers, but one it asks you to feel through your body, through sound, through silence. Thai artist Dujdao Vadhanapakorn and Taiwanese artist Chen Jun Yu have created this collaborative performance at the Jim Thompson Art Centre, blending art and technology like some sort of contemporary ritual. You're not just watching. You're a confessor, releasing secrets through your mobile, through sound, through shadows, through the presence of someone you'll never know. Between technology and belief, between chanting and Wi-Fi signals, something emerges. The performance becomes a bridge, connecting physical Bangkok with the digital world, linking languages, cultures and faith in ways that feel both ancient and desperately now. November 13-14. B300 via here. The Jim Thompson Art Center Event Space, 6.30pm

KYLA Gallery's latest gathering brings together five artists who've each built entire universes around their original characters. The Character Club transforms the gallery space into a proper social hangout for creations that exist somewhere between cartoon boldness, quirky personality studies and those dreamlike companions who feel weirdly familiar even though you've definitely never met them before. Each artist speaks through their own visual language and storytelling approach, creating what's essentially a lively lounge filled with humour, nostalgia and genuine wonder. It's playful, pop-culture-soaked and refreshingly unpretentious about celebrating imagination in all its human (and decidedly not-so-human) forms. Every character here carries their own backstory, waiting for you to wander over and strike up a conversation. November 7-December 7. Free. KYLA Gallery, 3pm-midnight

Malee Naree, also known as Watcharakoranan Panya, paints like she’s decoding human contradiction. In her exhibition In Layers, each piece slips between tenderness and tenacity, dream and daylight, revealing how the human spirit is stitched together with both grit and grace. The closing work, I Am a Robot, plays with the edges of identity, asking what happens when technology starts to mimic our emotions a little too well. Yet beneath the metallic glint lies something deeply human. Until November 30. Free. Blacklist Gallery, 10am-6pm

Sauce's latest exhibition picks apart the performance we all put on daily – that carefully curated smile, the ‘good person’ act we maintain to meet societal expectations, the emotional mask we wear because power structures demand it. His works treat the smile not as genuine happiness but as a shield concealing suffocated feelings and identities crushed by systems that control both body and mind. Building on his 2023 solo show Exoskeleton, which examined the concept of Body under Body – essentially the shell encasing your true self – this series pushes further. What happens when orchestrated expression becomes so automatic you forget what's real? When politeness transforms from choice to survival mechanism? Sauce's pieces force you to confront how we've all become masters at performing emotions on command, smiling through gritted teeth whilst our actual selves remain buried beneath layers of social conditioning. Uncomfortable viewing, perhaps, but bracingly honest. Until November 30. Free. Joyman Gallery, 11am-6pm

Rolling Loud arriving in Pattaya is a bit like spotting a comet: rare, dazzling, faintly unbelievable. Billed as one of the biggest hip-hop festivals on the planet, it promises the kind of weekend where bass rattles the coastline and fans travel across borders just to sweat it out together. The brand’s reputation is almost mythic – chaotic, euphoric, occasionally cursed by a no-show or two. Last year’s missing headliner still lingers in the group chat like an unresolved argument. This time, the dates and location are locked, even if the line-up is still under wraps. Rumours are circling, guesses are flying, and every announcement is treated like scripture. Whatever the outcome, Pattaya is bracing itself for a gathering that feels equal parts pilgrimage and carnival. Line-up includes: All names to be announced.Legend Siam, Pattaya. November 14-16. Starts at B6,900.

Japanese street artist Aruta Soup makes his significant Thai solo debut with work that refuses to take itself too seriously – a rarity in contemporary art spaces that often mistake solemnity for depth. His paintings marry free-flowing linework with colours that practically vibrate off the canvas, capturing a specific kind of joyful energy that feels increasingly difficult to manufacture. At the centre sits ‘ZERO,’ his bandaged rabbit character who's become something of a mascot for optimism despite looking like he's recently survived something unfortunate. The rabbit represents fresh starts and hope, which sounds almost painfully earnest until you see how Aruta Soup renders it: with enough playfulness to undercut any potential schmaltz. It's street art that's migrated indoors without losing its original spirit – still accessible, still speaking to connection rather than exclusion. November 8-December 21. Free. Maison JE Bangkok, 11am-7pm