Cuba Gooding Jr makes a likeable West End debut as the deathless Kander & Ebb long-runner returns
Kander & Ebb’s ‘Chicago’ is, in a certain light, an unlikely West End long-runner. Jagged, cerebral, jazz-inflected and cynical, it is much darker and weirder than its fellow distance-going hits. Gone the distance it has, though: the 1996 Broadway revival of the sardonic ‘20s-set show is still on over there and lasted almost 15 years in the West End before having a lie-down for a few years.
Great original reviews, an iconic design, the successful 2002 film version and general good fortune have played their parts. But regular infusions of celebrity blood have accounted for a lot: by the end of its last West End stint it had entered a semi-zombiefied state, a smart, sophisticated musical now propped up by household names who rarely had the chops to do it justice.
Thus it proves upon its return. Academy Award-winner Cuba Gooding Jr has been cast in the role of louche lawyer Billy Flynn. He’s... okay. He can’t really sing but he has a rumpled, unaffected charisma that at least makes him likeable. His presence hardly feels like event theatre, though: he’s here to get bums on seats, not fuck with the show’s formula.
Experienced musical theatre performers and ‘Chicago’ veterans Sarah Soetaert and Josefina Gabrielle hold down the main parts of Roxie Hart and Velma Kelly, feuding femme fatales in Prohibition-era Windy City. And they’re solid: the show retains a classy edge and strong fundamentals, not least because of the high kickin’ choreography, styled after that of the show’s original director Bob Fosse.
But in many other respects, it’s starting to show its age. The aggressively sexy/‘sexy’ black mesh costumes feel like the paraphernalia of a bygone, lairier era. The commentary on the relationship between infamy and actual fame feels somewhat unsophisticated in the age of Trump. And like Stephen Daldry’s production of ‘An Inspector Calls’, it just feels like it’s cock-blocking fresh takes on a piece that’s really too smart to spend the rest of eternity locked in 1996.
|Venue name:||Phoenix Theatre||Contact:|
Charing Cross Road
|Transport:||Tube: Leicester Square/Tottenham Court Road|
|Price:||£26-£66. Runs 2hrs 25mins|
|Event phone:||0844 482 9673|