Farragut North

Theatre, Drama
  • 3 out of 5 stars
  • 4 out of 5 stars
(3user reviews)
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 (© Robert Workman)
© Robert Workman

Aysha Kala

 (© Robert Workman)
© Robert Workman

Shaun Williamson

 (© Robert Workman)
© Robert Workman

Rachel Tucker

 (© Robert Workman)
© Robert Workman

Max Irons

 (© Robert Workman)
© Robert Workman

Max Irons

 (© Robert Workman)
© Robert Workman

Max Irons and Aysha Kala

 (© Robert Workman)
© Robert Workman

Josh O'Connor

 (© Robert Workman)
© Robert Workman

Andrew Whipp

Playwright Beau Willimon has become the go-to man for dramatic depictions of the cut and thrust of American politics. He was still studying at Juilliard when he wrote 'Farragut North', an examination of a young Democratic campaign strategist's spectacular fall from grace during the Iowa primaries – based on Willimon's own experience on Howard Dean's 2004 Presidential campaign trail.

Willimon later co-adapted his play for film as 'The Ides of March', which starred Ryan Gosling as strategist Stephen – a man so machiavellian he makes Malcolm Tucker look like Bubbles the Clown. In Guy Unsworth’s competent UK premiere production, Stephen is played by Max Irons – son of Jeremy, and recently seen ripping bodices in the BBC's period drama. He has much of Gosling's charisma, but his performance is a little too understated: more suited to television, perhaps, than to the stage.

Several of the other performances are nicely judged, especially from Shaun Williamson as the portly Presidential hopeful, Paul Zara. And though Willimon’s dialogue never quite reaches the incandescence of, say, David Mamet or Neil LaBute – to whom he owes a considerable debt – it does trip neatly from the tongue.

But much of the meat of the play – the double-dealing; the sassy journalist; the sexy intern – feels oddly familiar, and particularly recalls the Netflix version of 'House of Cards', which Willimon created. That's the trouble with being a go-to man: eventually, you run the risk of repeating yourself.

By Laura Barnett


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Average User Rating

4 / 5

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A brilliant play but poorly executed. Max Irons sadly failed to live up to the character of the smooth Machiavellian persona of Stephen Bellamy. Fumbling his lines at the key dramatic moments and falling short of the Stephen’s effortless charisma and motivation to outplay his political opponents. Iron’s lacked the confidence to pull it off, with it sometimes feeling as if the director had simply told his actors to shout during the tense scenes between Bellamy and his mentor Paul Zara. It failed to capture the essence of the play. Equally the chemistry between Irons and the campaign intern played by Aysha Kala was weak with distinctly sub-par acting on display. An overall disappointing performance for a play with some superb pieces of dialog and a brilliant portrayal of the backstabbing world of American politics sitting in the shadow of its adaptation for the big screen in the Ides of March.


One word: Brilliant! Amazing cast, amazing play. Amazing Max Irons.

Hilla Bar

Simply amazing! Went to the first preview on the 11th of September. Max Irons shines as the lead character, leading a great cast that includes Rachel Tucker (of Wicked fame) and jaw dropping performance by Shaun Williamson. Funny moments in between dramatic backstabbing, for £16, it's craziness not to see it. 5/5 stars