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Rachel Boynton’s film is a patient, even-handed affair and all the more depressing for being so predictable. The various manoeuvrings see interests placated, promises broken, bucks passed. Eventually, the oil is still mainly in the ground and Ghana’s back where it started. Look out for the crushingly inevitable postscript though – after one year of production, the scores on the doors are as follows; foreign oil companies: $2 billion; the Ghanian exchequer: $444 million. Did anyone not see that coming?