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“Allen Ruppersberg: Intellectual Property 1968–2018”

  • Art, Contemporary art
Allen Ruppersberg, The Singing Posters: Allen Ginsberg's Howl by Allen Ruppersberg (Parts I-III), 2003/2005 (detail).
Photograph: Courtesy Robert WedemeyerAllen Ruppersberg, The Singing Posters: Allen Ginsberg's Howl by Allen Ruppersberg (Parts I-III), 2003/2005 (detail).
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Time Out says

Language factors heavily into the works on display from the L.A. artist, including posters inspired by beat poetry and novels copied by hand.

Found-object sculptures, photo collages and mass-media–inspired posters sound like typically humorless pieces of conceptual art. But there’s a wry wit to Allen Ruppersberg’s works, and a sincere reverence of the cultural sources he mines, be it a Ruppersberg-less series of portraits with index cards that ask "Where’s Al?” to oversized comic book cutouts of Scrooge McDuck. Ruppersberg devours books, typically teasing apart their aesthetic nature: The entirety of Oscar Wilde’s The Picture of Dorian Gray is scribbled onto over a dozen huge canvases while Allen Ginsberg’s “Howl” has been phonetically written across a wall-filling series of flourscent Colby Poster prints.

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