Things to Do

Considered the focal point of Santa Monica Beach, Santa Monica Pier includes Pacific Park, a traditional set-up stocked with a Ferris wheel, aquarium, fairground games and cotton candy stands. On warm weekends, the stretch is busy with families, beach bums and gym bunnies, who work out in public at the original Muscle Beach just south of the pier. Lately, the Pier has played host to a number of outdoor film and music events, bringing a hipper clientele to the boardwalk.

The longstanding Disneyland resort isn't just a set of theme parks: it's a spectacular piece of pop art that's as bright or as dark as you'd like it to be. Incorporating two parks—the 50-year-old, near-mythic Disneyland, plus the younger and less-celebrated Disney's California Adventure—the resort calls itself "The Happiest Place on Earth." And if you bring the right mood with you, it'll likely live up to its nickname.Certainly, Disney does all it can to get you in the right mood. Disneyland isn't so much a park as its own separate world; there are even three Disney-operated hotels in the resort, so you need not have the illusion shattered at the end of the day. The hotels, though, do bring to attention the main drawback to spending time here: the sheer expense. You can save hundreds of dollars staying at one of the non-Disney hotels just outside the property, and you may need to do so in order to afford the steep prices of food, drink and admission. It's worth noting, though, that ticket prices drop if you visit for multiple days, recommended if you want to get a real feel for the place and enjoy all the rides.Both parks boast dozens of dining spots, with cuisine ranging from burgers and pizza to pastas and seafood. Still, you may want to dine at Downtown Disney, a pedestrian-only avenue of nightclubs (including a House of Blues) and restaurants between the two parks. It's not that the food is that much better, but if you're going to be paying Disney's high prices, you might

More than any of its Southern California competitors, Universal Studios is a theme park with a capital 'T'. The theme here, of course, is the movies. The park offers a necessarily selective ramble through the studio's hits and even one or two of its misses; it's difficult to know whether the park is here to promote the movies or vice versa. Either way, it's hard to shake the feeling that you've bought tickets to a colossal marketing exercise.The rides aren't as exciting as you might expect: certainly, they lack both Disneyland's charm and the sheer terror inspired by Six Flags Magic Mountain. You're here for the illusion of glamour, the silver-screen memories brought back by the rides rather than the rides themselves. Kids may enjoy Jurassic Park: The Ride, and all ages should be tickled by the ride based on The Simpsons. Other films brought to something approaching life include Transformers, The Mummy and, bizarrely, Waterworld. However, the pick of the themed attractions, for both grown-ups and kids, is the cheeky Shrek 4-D movie.Similarly, the studio tour itself is more about association than excitement. Despite all the hype boasting of how you're being let behind the scenes, the closest you'll likely get to seeing some actual action is spying the occasional spark's car parked behind an otherwise faceless sound stage. Still, once you've resigned yourself (and your kids) to a star-free afternoon, there's a great deal to enjoy, from old movie sets seemingly left lying around

Back in 1875, a group of amateur paleontologists discovered animal remains in the pits at Rancho La Brea, which bubbled with asphalt from a petroleum lake under what is now Hancock Park. Some 130 years later, the pros are still at work here, having dragged more than 3.5 million fossils from the mire. Many of these specimens are now on display in this delightfully old fashioned museum, which can't have changed much since it opened in 1972. Reserve a spot on the Excavator Tour (free with museum admission), which includes stops at the Fossil Lab, the Lake Pit, the newly re-opened Observation Pit and Project 23, where you can see archaeologists at work. Inside, check out the multimedia experience Ice Age Encounter, and the simple, instructive displays of items found in the pits. Most are bones – of jackrabbits, gophers, a 160lb bison, skunks and a 15,000lb Columbian mammoth, plus an extraordinary wall of 400 wolf skulls – though there are also early cave drawings and human accoutrements such as bowls and hair pins.

The NHM's original Beaux Arts structure was the first museum building in Los Angeles, opening with Exposition Park itself back in 1913. Its massive collection spans more than 35 million objects and specimens (not all of them are on display at any one time), making it second in size only to the Smithsonian's. It's an immense place, so it's well worth planning your visit. Those with only a little time to spare should head directly to the truly dazzling collections in the Gem & Mineral Hall, where the exhibits include a 4,644-carat topaz, a 2,200-carat opal sphere and a quartz crystal ball which, with a diameter of 10.9 in and a weight of 65lb, is one of the biggest on earth. A six-year, $135-million program of renovations wrapped up in 2013, including the addition of 108,000 square feet of indoor space. The Otis Booth Pavilion now welcomes visitors into the museum from the north with a six-story light-filled glass entrance, featuring a stunning, 63-foot-long fin whale skeleton. Twelve new galleries and five exhibits have opened, including "Becoming L.A.: Stories of Nature and Culture," which examines the Los Angeles region's history from Native Americans to the Catholic missions, the Industrial Revolution and the World Wars, to the present day. Outdoors, the Nature Gardens features 3.5-acre urban wilderness with a pond, dry creek bed, beautiful landscaping and other features that attract local critters. The Nature Lab features interactive multimedia and live animal habitats, t

Recommended: See Top 10 works at LACMA While LACMA's collections have long been the most impressive in the city, the 20-acre complex of buildings in which they've been housed has been quite the reverse. A bewildering jumble of architectural styles blighted further still by abysmally poor signage, they never really did the artworks justice. At last, though, things have improved. Funding difficulties and public outrage forced the museum to abandon Rem Koolhaas's original plans to rebuild almost the entire complex from scratch in 2002. However, Renzo Piano's subsequent blueprint for a less dramatic and less expensive redevelopment of the museum did get the go-ahead. The aptly named Transformation is still a work in progress, but the museum is already a lot more visitor-friendly (attendance increased from 600,000 in 2005 to nearly 1,000,000 in 2011). It all starts with the entrance: the BP Grand Entrance Pavilion gives the museum a proper focal point. The entrance includes the installation of Chris Burden's Urban Light, a piece made up of 202 cast-iron street lamps gathered from around LA, restored to working order.The Broad Contemporary Art Museum (widely known as BCAM), funded by LA philanthropists Eli and Edythe Broad, is home to a dazzling selection of modern work. Spread over three floors, the selection of pieces on display is strong on American artists—there's a very impressive Richard Serra piece on the first floor; Cindy Sherman and Jenny Holzer are among the artists r

The bequest of entrepreneur Henry E Huntington is now one of the most enjoyable attractions in the Los Angeles region. It's also not a destination that you should attempt to explore in full during a single day: between the art, the library holdings and the spreadeagled outdoor spaces, there's plenty to see, and most of it is best enjoyed at lingering leisure rather than as part of a mad day-long dash.Once you've paid your admission, you'll be close to the main library, which holds more than six million items and is open only to researchers (apply for credentials in advance of your visit). However, some of its most notable holdings, among them a Gutenberg Bible and the earliest known edition of Chaucer's The Canterbury Tales, are always on display in the adjoining exhibition hall, alongside regular themed temporary shows. The art collection is almost as notable as the library's collection. Built in 1910, the main house is home to a very impressive collection of British art, which includes Gainsborough's The Blue Boy alongside works by Blake, Reynolds and Turner. And over in the newer Scott and Erburu Galleries, you'll find a selection of American paintings.However, despite all these cultural glories, the Huntington's highlights are outdoors in its vast jigsaw of botanical gardens, arguably the most glorious in the entire Los Angeles region. The 207 acres of gardens, 120 acres of which are open to the public, are divided into a variety of themes: the Desert Garden, now a centur

Los Angeles's hilltop acropolis was conceived as a home for the hitherto disparate entities of the J. Paul Getty Trust, but that's the only straightforward thing about it. Architect Richard Meier was hired to build the museum in 1984, but it took 13 years, several additional designers (to work on the interior and the landscaping) and $1 billion to complete. The end result is a remarkable complex of travertine and white metal-clad pavilions that resembles a kind of monastic retreat designed for James Bond. Its relative inaccessibility is more than compensated for by the panoramic views, from the hills and the ocean in the west all the way around to Downtown in the east.Once you've parked at the bottom and taken the electric tram ride up the hill, one thing becomes apparent: it's a big place. To the west of the plaza is a café, a restaurant and the circular Research Institute, which houses one of the world's largest art and architecture libraries, and a roster of public exhibits. Beyond it is the Central Garden, designed by Robert Irwin. North are the other institutes (some off-limits to the public) and the Harold M Williams Auditorium, where talks and symposia alternate with concerts and film screenings. And to the south, up a grand Spanish Steps-style stairway, is the museum lobby, an airy, luminous rotunda that opens to a fountain-filled courtyard surrounded by six pavilions housing the permanent collection and often-excellent temporary