Time Out says
Hannah Gadsby isn’t done with stand-up after all. The comedian’s boundary-pushing solo show Nanette was an award-winning revelation, a deconstruction of her memories of growing up gay in Tasmania. Its complexity gripped Netflix viewers, as did its twist, of sorts, that Gadsby was quitting comedy. That hasn’t been quite the case, though: Her follow-up show, Douglas, is a slightly more digestible but still blistering epilogue.