Coded: Art Enters the Computer Age, 1952–1982
Dive into the origins of digital art with this survey of the artists, writers, musicians, choreographers and filmmakers who first started integrating computers and algorithms into their practices.
Chris Burden’s Urban Light, a piece made up of 202 cast-iron street lamps gathered from around L.A. and restored to working order, has quickly become one of the city’s indelible landmarks over the past decade—and it’s inevitably what most visitors will identity the museum with. But you’d be selling yourself short if you don’t venture beyond the photo-friendly installation; LACMA’s collections boast modernist masterpieces, large-scale contemporary works (including Richard Serra’s massive swirling sculpture and Burden’s buzzing, hypnotic tangle of toy cars in Metropolis II), traditional Japanese screens and by far L.A.’s most consistently terrific special exhibitions.
While LACMA’s encyclopedic collections have long been the most impressive in the city, the 20-acre complex of buildings in which they’ve been housed has been quite the reverse. So the eastern half of the campus has been leveled with construction underway on a single-building replacement due to reopen in 2024. In the meantime, LACMA’s permanent collections have been scattered across the Renzo Piano-designed Broad Contemporary Art Museum (BCAM) and Resnick Pavilion (the much-loved modern collection specifically has been moved into the bright, spacious third-floor galleries in BCAM).
As for the art itself, you’ll see contemporary titans like Andy Warhol, Robert Rauschenberg, Jasper Johns and local artist Ed Ruscha; familiar modernists like Picasso, Mondrian, Klee and Kandinsky; Impressionist and post-Impressionist pieces by the likes of Cezanne, Gauguin and Degas; as well as a world-renowned collection of Islamic art, plenty of pieces from Africa and, in the (temporarily closed) Pavilion for Japanese Art, all manner of delightful pieces from the Far East.
