A guide to Art Deco Miami

The inspiration for the drag queens at the Birdcage was the Warsaw. Now closed, it was a legendary 1990s center of debauchery housed in the striking Hoffman's Cafeteria Building, a deco gem with central turret and sweeping “angel wings” designed by Hohauser in 1939. From a cafeteria it became a ballroom, then a series of clubs, including the Warsaw, and Jerry's Famous Deli, which shuttered in 2014. 1450 Collins Ave at 14th St 

The Miami Beach Post Office, designed by Howard Lovewell Cheney in 1937, was created in a style termed “deco Federal.” It has a classical central rotunda and a minimalist façade, but the interior is busy with a cowboys-and-Indians frieze, a starburst ceiling and bits of shiny brass detailing. 1300 Washington Ave at 13th St

Collins Avenue looks great at night, as the light fades to a bruised purple and the neon is switched on. Nightfall is likely when you’ll see Cameo Theatre, turned Cameo nightclub, at its brightest and most vivid. The 1938 Art Deco movie theater, designed by Robert E. Collins, now uses its famous marquee to display the names of famous DJs instead of films. 1445 Washington Ave at 14th St 

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Another of Hohauser’s architectural contributions is this 1939 hotel-turned-luxury-boutique. While the Webster’s collection of Parisian-designed fashion could easily be considered a tribute to its Art Deco pedigree, it’s the building’s original terrazzo flooring, as well as a geometric façade with neon accents, that solidify its Art Deco designation. 1220 Collins Ave at 12th St

The Carlyle is classic Miami Beach deco: a flashy ensemble of striking vertical piers, horizontal lines, visor-like sunshades and curvaceous corners. Pure camp, it was a natural for the role of gay nightclub in The Birdcage. You may also recognize its Art Deco exteriors, virtually unchanged since its completion in 1941, from other films, such as Scarface and Bad Boys II. 1250 Ocean Dr at 13th St

L. Murray Dixon was one of the city’s most prolific architects of the Art Deco era, so it’s only fitting that the tallest Art Deco structure of the mid-’30s would be credited to him. At 12 stories tall, the Tides, which features nautical porthole windows, towers over its two- and three-story neighbors. 1220 Ocean Dr between 12th and 13th Sts 

Collins Avenue is less of a unified architectural set piece than Ocean Drive. Nonetheless, a handful of gems survive, notably the Marlin, a 1939 design by L. Murray Dixon that recalls sci-fi serials of the era such as Flash Gordon. The beautifully renovated hotel still has its iconic “eyebrows” over the windows, a Dixon trademark across his other properties, including the Tides, and pastel-colored walls. Unrelated to its Art Deco past, the Marlin is home to one of the city’s top recording studios. 

Henry Hohauser's 1938 Essex House Hotel features porthole windows and a smokestack-like neon tower that call to mind a land-locked ocean liner. (This style of Maritime deco is appropriately called Nautical Moderne.) With its curved façade pointed streetward, the Essex appears to be docked on the junction of Collins and 10th Street. 1001 Collins Ave at 10th St

Albert Anis built this South Beach icon in 1938. The austere architect, whose portfolio included approximately 70 projects sprawled across Miami Beach, went total glam with the decorative Clevelander, incorporating a fully ornate central bay and “eyebrows” that split in the front but continue along the sides. Today, the building is embellished by more than just architecture, as its outdoor pool and bar area (added during future renovations) are favorites of Ocean Drive’s most colorful characters. 1020 Ocean Dr at 10th St