Time Out says
You could describe Furnas as bloody-minded since he frequently uses a brilliant shade of scarlet that he sometimes splatters across his canvases like arterial spray. Then of course, there were the studies of exsanguination, taking form as Civil War battle scenes, marking his solo debut in 2002. This show seems to tack toward landscape, one where Cézanne’s faceted brushstrokes meet Charles Burchfield’s feverishly possessed evocations of nature. The mixture of rational and irrational is a hallmark of Furnas’s style.
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