Following on the former Talking Heads frontman's 2008 piece, Playing the Building, this installation in a lot under the High Line, next to the Pace Gallery, consists of an audio track (a low-frequency rumble created with the artist's voice) accompanying a distorted 48-by-20-foot inflatable globe wedged between the girders holding up the elevated structure—a metaphor, presumably, for a world squeezed by environmental, economic and political stress.