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For his first New York solo show in six years, the MacArthur “genius” grant recipient reprises his room-size installation for the Venice Biennial, which consists of 27 “paintings” made of black Murano glass. The piece was inspired by series of depictions of 18th-century Venetian life by painter Pietro Longhi (1701–1785), created for the Palazzo Ca’ Rezzonico.
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