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The work of this Norwegian artist could be described as a form of process art, relating all-over abstraction to actual things, events and actions—compositions resembling paint-splattered drop cloths, for example, or canvases left outdoors to be burnished by the weather. His latest show continues in this vein, offering white monochromes created with a device used to demarcate soccer pitches and football fields: A spray-paint can mounted on a long handle with wheels.
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