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Though it’s been immortalized in the Helen Mirren film, Woman In Gold, Gustav Klimt’s gilded Portrait of Adele Bloch-Bauer I (1907) wasn’t the only major likeness Klimt painted of female clients or patrons during Vienna’s cultural heyday before World War I. This show brings together 12 such compositions, including Portrait of Adele Bloch-Bauer II (1912), which is being shown with its sister for the first time since 2007.
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