“Marking Time: Process in Minimal Abstraction”

An offshoot of Minimalist abstraction, Process Art emerged during the 1960s and ’70s with the notion that the ways in which artworks were produced (i.e. their process) could serve as subject matter. This exhibition focuses on a group of painters, including Agnes Martin, Roman Opałka and Park Seo-Bo, who laid out pencil or brush marks, pinholes—and even numbers—in a systemic fashion that made their methods obvious for viewers to see.