Paul McCarthy at Hauser & Wirth New York, May 10–June 1
A wave of McCarthyism is sweeping over the New York art world this spring, beginning with concurrent uptown and down exhibitions (at both Hauser & Wirth locations) of mostly recent works by the original bad boy of abject art. The townhouse at 69th Street hosts an uncannily realistic life cast of the artist as a naked corpse laid out on a table, along with a vintage Minimalist work dated 1968. Downtown, a new batch of McCarthy’s deliciously perverse Snow White and the Seven Dwarfs sculptures—carved out of black walnut—takes up H&W’s cavernous Chelsea space.
“Mark Greenwold: Murdering the World, Paintings and Drawings 2007-2013” at Sperone Westwater, May 10–June 28
Greenwold’s dense, surreal compositions are marked by distorted bodily proportions and vaguely unsettling interactions (often sexual) between characters based on his friends and associates, including exes. This show rounds up seven years of his output.
Random International, Rain Room at Museum of Modern Art, May 12–July 28
As part of “EXPO 1: New York” at MoMA PS1, MoMA’s midtown branch offers what is essentially an indoor rain shower by archi-visionaries Random International. The piece turns on and off depending on the presence of viewers, and is sure to be the feel-good museum hit of summer.
Rodney Graham at 303 Gallery, through June 29
The gallery opens in its new location with photographic self-portraits by the Vancouver artist, in which he takes on various guises—including some based on figures from famous paintings such as Thomas Eakins’s The Champion Single Sculls (Max Schmitt in a Single Scull).
Los Carpinteros, “Irreversible” at Sean Kelly Gallery, May 11–June 22
The Cuban art collective, whose work deals with the legacy of socialist regimes both past and present, returns with new sculptures and its first-ever video. Look for the Lego-block replicas of Cold War monuments from the former Yugoslavia and Soviet Union.