Stephen Elliott

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Blending memoir and true-crime reportage, Elliott’s first book of nonfiction digs into depression, a fraught father-son relationship, a high-profile Bay Area murder case and the thorny complexities of storytelling itself. It could have been a total mess, but the author, with a nod to Joan Didion, weaves his disparate subjects into an emotionally intense and fiercely intelligent work of art.


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