Anaglyph Tom (Tom with Puffy Cheeks)

If James Cameron and Jeffrey Katzenberg claim that 3-D is the future of American mainstream movies, why can’t the same be true for the avant-past? That’s one way to look at experimental-filmmaking legend Ken Jacobs's feature, which revisits his 1969 magnum opus, Tom, Tom, the Piper’s Son, and runs the footage through an array of desktop digital-editing techniques.