Digital Works by Ernie Gehr and Michael Snow

Gehr’s avant-garde work Cotton Candy (2002) comes first in this program; it examines the role of carnival attractions in 20th-century culture. The Snow film is *Corpus Callosum (2002), and trying to sum up this free-form film about the “changing of shapes” would be an exercise in futility. So let’s just say that if you’re a fan of Snow's masterpiece Wavelength, you should go.