Grant/Jacobs/Fleischner

Here are three from Dwinell Grant—“Composition #2 Contrathemis” (1941), “Stop Motion Tests” (1942) and “Color Sequence” (1943)—along with a solo entry from Ken Jacobs, “Little Stabs at Happiness,” and a Jacobs–Bob Fleischner joint effort, the incredible “Blonde Cobra” (both 1959–63).